New Books in Indian Religions

Whether it’s in commerce or conflict, today’s world pays rapt attention to the Persian Gulf. But the centrality of the Gulf to world history stretches far beyond the oil age–its ancient ports created the first proper trading system and the launching point for the spread of global Islam.

Allen James Fromherz’s new book The Center of the World: A Global History of the Persian Gulf from the Stone Age to the Present (University of California Press, 2024) puts the Gulf at the center of a centuries-long story of world history, showing how societies across the region worked around–or even shrugged off–empires to create a system of international commerce that persists today.

Allen James Fromherz is Professor of History and Director of the Middle East Studies Center at Georgia State University. He is author of Qatar: A Modern History (Georgetown University Press: 2012) and Ibn Khaldun: Life and Times (Edinburgh University Press: 2010) and editor of The Gulf in World History: Arabia at the Global Crossroads (Edinburgh University Press: 2018)

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Center of the World. Follow on Twitter at @BookReviewsAsia.

Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon.

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Devotional Fanscapes: Bollywood Star Deities, Devotee-Fans, and Cultural Politics in India and Beyond (Rowman and Littlefield, 2023) examines how fans worship film stars as deities. Focusing on temples dedicated to Bollywood (Hindi cinema) stars and the artifacts produced by Hindi and Tamil cinema fans, Shalini Kakar illustrates how the fan constructs their identity as a devotee and that of the star as a deity. Extending her research from India to the US, Kakar highlights the transnational dimensions of this phenomenon to demonstrate the degree to which devotional fan practices (fan-bhakti) and fan artifacts can help us rethink art, religion, and politics. With its interdisciplinary approach, this book addresses how fan-bhakti is performed in the global landscape, in the process augmenting new religious models and identities based on the idea of the “cinematic sacred.”

For more information, go here.

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Indian Philosophy and Yoga in Germany by Owen Ware (Routledge, 2024) takes the reader on a tour through the reception of Yoga philosophies in nineteenth-century German and the early twentieth century. European luminaries like Schlegel, Hegel, von Günderrode, Schelling, Humbolt, and Müller all engaged with works like the Bhagavad Gītā and Yogā Sūtras, though in very different ways, some reading yogic thought as entailing a threatening nihilism, others lauding it as superlatively philosophical. Ware shows how their responses to Indian thought illuminates our understanding of post-Kantian philosophy and its anxieties over pantheism indebted to Spinoza. He concludes with two chapters on a range of Indian scholars from Swami Vivekananda to K. C. Bhattacharyya, exploring how their work engages with this history of European readings, grappling with themes of freedom, morality, and devotion in yoga.

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In If All the World Were Paper: A History of Writing in Hindi (Columbia UP, 2024), Tyler W. Williams puts questions of materiality, circulation, and performance at the center of his investigation into how literature comes to be defined and produced within a language, specifically, premodern Hindi. Williams proposes new methods for working with written text artifacts and a new approach to theorizing and writing Hindi literary history. He responds to recent developments in quantitative and qualitative approaches to book history - including tools developed within the digital humanities - by applying new as well as traditional techniques of paleography, codicology, and bibliography to handwritten copies of romances, epics, songbooks, treatises, and scriptures. 

To make the book more accessible and enjoyable for cross-disciplinary readers, Williams bookends (so to speak) each chapter with the story of a specific artifact - an ascetic's notebook, a Mughal general's storybook, a pandit's textbook, or a guru's copy of a sacred scripture - in order to pose and then apply the questions about writing, textuality, and performance that the chapter addresses. By combining distant and close reading that is mindful of the materiality of these manuscripts, Tyler reveals literary, intellectual, and religious practices that we would otherwise be unable to see.

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The Embassy, the Ambush, and the Ogre: Greco-Roman Influence in Sanskrit Theater (Open Book, 2024) presents a sophisticated and intricate examination of the parallels between Sanskrit and Greco-Roman literature. By means of a philological and literary analysis, Morales-Harley hypothesizes that Greco-Roman literature was known, understood, and recreated in India. Moreover, it is argued that the techniques for adapting epic into theater could have been Greco-Roman influences in India, and that some of the elements adapted within the literary motifs (specifically the motifs of the embassy, the ambush, and the ogre) could have been Greco-Roman borrowings by Sanskrit authors.

This book draws on a wide variety of sources, including Iliad, Phoenix, Rhesus and Cyclops (Greco-Roman) as well as Mahābhārata, The Embassy, The Five Nights and The Middle One (Sanskrit). The result is a well-supported argument which presents us with the possibility of cultural exchange between the Greco-Roman world and India – a possibility which, though hypothetical, is worth acknowledging.

This book is available open access here. 

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The vibrant red sandstone temples of India's Deccan Plateau, such as the Pattadakal temple cluster, have attracted visitors since the eighth century or earlier. A UNESCO World Heritage Site and the coronation place of the Chalukya dynasty, Pattadakal and its neighboring sites are of major historical importance. 

In Shiva's Waterfront Temples: Architects and Their Audiences in Medieval India (Yale UP, 2022), Subhashini Kaligotla situates these buildings in the cosmopolitan milieu of Deccan India and considers how their makers and awestruck visitors would have seen them in their day. Kaligotla reconstructs how architects and builders approached the sites, including their use of ornamentation, responsiveness to courtly values such as pleasure and play, and ingenious juxtaposition of the first millennium's Nagara and Dravida aesthetics, a blend largely unique to Deccan plateau architecture. With over 130 color illustrations, this original book elucidates the Deccan's special place in the lexicon of medieval South Asian architecture.

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Extensively based on fieldwork material, From Tapas to Modern Yoga: Sādhus' Understanding of Embodied Practices (Equinox, 2024) primarily analyses embodied practices of ascetics belonging to four religious orders historically associated with the practice of yoga and hatha yoga. This focus on ascetics stems from the fact that yogic techniques probably developed in ascetic contexts, yet scholars have rarely focused their attention on non-international ascetic practitioners of yoga. Creating a confrontation between textual sources and ethnographic data, the book demonstrates how 'embodied practices' (austerities, yoga and hatha yoga) over the centuries accumulated layers of meanings and practices that coexist in the literature as well as in the words of contemporary sadhus. Drawing from conversations with these interlocutors, the book demonstrates the importance of ethnographic fieldwork in shedding light on past historical developments, transmissions, contemporary reinterpretation and innovation. The strength of the work lies in its methodological approach and in the richness of its materials: by analysing present situations through comparisons and the support of past evidence, the book not only fills an academic gap but also stimulates further research on this highly complex topic.

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When taught properly, yoga can be a healing and life-affirming practice for students experiencing mental illness. Lauren Tober's book Mental Health Aware Yoga: A Guide for Yoga Teachers (Singing Dragon, 2024) will cover the foundations of yoga psychology, therapeutic skills, the mental health crisis, and more. After reading, yoga teachers and trainees will feel confident creating a safe space for their practice.

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In her latest memoir, Landed: A Yogi's Memoir of Places & Poses (2024, Vine Leaves Press),  American-born Jennifer traces her journey-both on and off the yoga mat-reckoning with her adopted country (Israel), midlife hormones (merciless), cross-cultural marriage (to a Frenchman) and their imminent empty nest (a mixed blessing), eventually realizing the words her yoga teachers had been offering for the past twenty-three years: root down into the ground and stay true to yourself. Finally, she understands that home is about who you are, not where you live. Written in experimental chapterettes, Landed spans seven years (and then some), each punctuated with chakra wisdom from nationally-acclaimed Rodney Yee, her first teacher.

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A wordsmith, an extempore poet and a satirist, Kāḷamēkam (also known as Kāḷamēka Pulavar; fifteenth century) is widely known for his taṉippāṭals or 'self-contained verses', on a panoply of topics. These splendid but notoriously provocative verses were composed during a transitional phase of Tamil literature, by now in deep conversation with Sanskrit poetics and poetic language, thereby yielding an incredibly rich and innovative poetry. Kāḷamēkam sings of courtesans, fellow humans, of gods, of animals, praises them, derides them, and insults them, using sarcasm, dry wit, and criticism, combined with śleṣas and yamakas, samasyās and nindāstutis. 

The Monsoon Cloud: Poet Kāḷamēkam and His Irreverent Poetry (Primus, 2024) seeks to introduce this brilliant poet and his timeless and influential poetry, while analysing his humour, worldview, personal values, and devotion.

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