100 Jewish Brides: Stories from Around the World (Indiana UP, 2024), is the result of a collaboration between two sociologists, Professor Shulamit Reinharz and Dr. Barbara Vinick. Both come from backgrounds deeply intertwined with Jewish history and feminism. Prof. Reinharz, the daughter of Holocaust survivors, became a rabbi's daughter after her father settled in the US. Her work often explores topics of Jewish tradition and women's roles. Dr. Vinick, also a sociologist, initially focused on gerontology but later collaborated with Reinharz on projects exploring Jewish women's experiences worldwide, she hopes this this book can be a respite from the troubles of the world.

The book aims to reveal the diversity and depth of traditional and emerging Jewish communities globally, that many readers might not have considered. The editors collected stories from 83 countries on six continents. Each story is either written as a mini-biography or memoir, sometimes by the brides themselves. They made a conscious effort not to reject any stories, regardless of whether they depicted positive or negative experiences. The collection thus includes stories touching on forced marriages, abusive relationships, divorces, and difficult situations.

The book is structured to highlight memorable and unique aspects of weddings, such as courtship traditions, betrothal ceremonies, conversions, and customs during wartime. There is a special focus on diversity, including emerging Jewish communities across Africa and Latin America.

Among the highlighted stories is a mail-order bride in Mexico who, upon arrival, refused to return home despite not matching her suitor's expectations, eventually resulting in decades of marriage—a testament to the unpredictability and resilience found in these stories. Daisy Aboudi's family in Sudan, a now-extinct Jewish community which found marital partners across the Egyptian border, reveals how Jewish life adapts and persists. 

The anthology covers weddings within various strands of Judaism, including a Chabad wedding in Thailand. The betrothal chapter explores customs whose significance has changed over time, including elaborate engagement ceremonies in places like Burma, Nicaragua, and India, where traditions include henna, turmeric, prayers, and communal exchanges.

Ariela Tischler’s story from Switzerland serves as a link between family heritage and Jewish law. Descended from Rabbi Moshe Isserlis, who decreed it permissible to marry on Lag BaOmer, Ariela and her husband wed on that day, echoing the family tradition established by her grandparents.

Personal favorites among the editors’ stories include Dr. Vinick's account of attending a group wedding in Madagascar following the conversion of local community members, demonstrating the intersection of ritual, adaptation, and communal joy. Professor Reinharz selected a contemporary Israeli bride, Yael Yafielli, whose feminist and renewal-minded approach prompted her to design a wedding ceremony more aligned with her beliefs and those of her secular partner, rather than conform to the Orthodox rabbinate's expectations. They hope to honor both those who have sustained Judaism in isolated regions and those rebuilding it anew, while also foregrounding Jewish women's voices and experiences.

Ultimately, the project is a celebration of Jewish diversity, women's voices, continuity, and ongoing change.

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Jews vs. Rome: Two Centuries of Rebellion Against the World's Mightiest Empire (Simon & Schuster, 2025) by Barry Strauss recounts the history and events of three major uprisings: the Great Revolt of 66–70 CE, which led to the destruction of Jerusalem and the Temple, culminating in the Siege of Masada, where defenders chose mass suicide over surrender; the Diaspora Revolt, ignited by heavy taxes across the Empire; and the Bar Kokhba Revolt.

Strauss has a way with telling stories that makes his subjects come alive. One walks away from his book not just knowing what happened, but with an appreciation for the different voices in the room, those supporting rebellion, those siding with Rome, the local leaders at the time, and the Roman governors and emperors who suppress these rebellions. We meet pivotal figures such as Simon Bar Kokhba but also some of those lesser-known women of the era like Berenice, a Jewish princess who played a major role in the politics of the Great Revolt and was improbably the love of Titus—Rome’s future emperor and the man who destroyed Jerusalem and the Temple. Today, echoes of those battles resonate as the Jewish nation faces new challenges and conflicts. Jews vs. Rome offers a captivating narrative that connects the past with the present, appealing to anyone interested in Rome, Jewish history, or the compelling true tales of resilience and resistance.

Barry Strauss is a leading historian of antiquity and the author of numerous books. He is a former Chair of Cornell's Department of History as well as a former Director of Cornell’s Judith Reppy Institute for Peace and Conflict Studies, where he studied modern engagements from Bosnia to Iraq and from Afghanistan to Europe.  He is also Corliss Page Dean Fellow at the Hoover Institution.

Rabbi Marc Katz is the Rabbi at Temple Ner Tamid in Bloomfield, NJ. His most recent book is Yochanan's Gamble: Judaism's Pragmatic Approach to Life (JSP). 

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In the Jewish world, we often hear people cite “Jewish values” as defense for their positions. The irony, however, is that in the same argument, two people will cite text and law from the same book to defend their views. They will both shout to the other that Jewish values are on their side.

The multivocal nature of Jewish ethics is what makes the study of it so difficult, so maddening.

Most books try to pin down Jewish ethics, to find an authentic outlook. They try to explain what Judaism has to say about this controversial issue or that one.

But are next guest, Geoffrey Claussen takes a different approach. Rather than use Judaism to make a point about an individual issue, Claussen wrote a book that looks at the diverse ways that Jews have done ethics over time. Introducing us to the most important voices from antiquity to today, Jewish Ethics: The Basics shows just how diverse the pursuit of the ethics has been. Rather than take sides, the book situates us within debates, giving readers a chance to make up their own minds about many of our thorniest ethical conundrums.

Geoffrey D. Claussen is Lori and Eric Sklut Professor in Jewish Studies, Professor of Religious Studies, and Chair of the Department of Religious Studies at Elon University, USA.

Rabbi Marc Katz is the Senior Rabbi at Temple Ner Tamid in Bloomfield, NJ. He is most recently the author of Yochanan’s Gamble: Judaism’s Pragmatic Approach to Life (JPS)

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In Kabbalah and Sex Magic: A Mythical-Ritual Genealogy (Penn State University Press, 2021) a provocative book, Marla Segol explores the development of the kabbalistic cosmology underlying Western sex magic. Drawing extensively on Jewish myth and ritual, Segol tells the powerful story of the relationship between the divine and the human body in late antique Jewish esotericism, in medieval kabbalah, and in New Age ritual practice. Kabbalah and Sex Magic traces the evolution of a Hebrew microcosm that models the powerful interaction of human and divine bodies at the heart of both kabbalah and some forms of Western sex magic. 

Focusing on Jewish esoteric and medical sources from the fifth to the twelfth century from Byzantium, Persia, Iberia, and southern France, Segol argues that in its fully developed medieval form, kabbalah operated by ritualizing a mythos of divine creation by means of sexual reproduction. She situates in cultural and historical context the emergence of Jewish cosmological models for conceptualizing both human and divine bodies and the interactions between them, arguing that all these sources position the body and its senses as the locus of culture and the means of reproducing it. Segol explores the rituals acting on these models, attending especially to their inherent erotic power, and ties these to contemporary Western sex magic, showing that such rituals have a continuing life. Asking questions about its cosmology, myths, and rituals, Segol poses even larger questions about the history of kabbalah, the changing conceptions of the human relation to the divine, and even the nature of religious innovation itself. This groundbreaking book will appeal to students and scholars of Jewish studies, religion, sexuality, and magic.

Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.

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Beyond Violence: Jewish Survivors in Poland and Slovakia, 1944–48 (Cambridge UP, 2014) tells a story of Polish and Slovak Holocaust survivors returning to homes that no longer existed in the aftermath of the Second World War. It focuses on their daily efforts to rebuild their lives in the radically changed political and social landscape of post-war Eastern Europe. Such an analysis shifts the perspective from post-war violence and emigration to post-war reconstruction. Using a comparative approach, Anna Cichopek-Gajraj discusses survivors' journeys home, their struggles to retain citizenship and repossess property, their coping with antisemitism, and their efforts to return to 'normality'. She emphasizes the everyday communal and personal experiences of survivors in the context of their relationships with non-Jews. In essence, by focusing on the daily efforts of Polish and Slovak Jews to rebuild their lives, the author investigates the limits of belonging in Eastern Europe after the Holocaust.

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Adventurous and passionate” (The New Yorker) Ukrainian-born pianist Inna Faliks has established herself as one of the most communicative, and poetic artists of her generation. She has made a name for herself through commanding performances of standard piano repertoire, as well genre-bending, interdisciplinary projects, and inquisitive work with contemporary composers.

This season, she gave the world premiere of Clarice Assad’s “Lilith” concerto, composed for her. Ljova’s “Voices” for piano and historical recording was composed for her and commissioned by the Milken Center of American Jewish Music in 2020.Faliks created a one-woman show “Polonaise-Fantasie, Story of a Pianist”, an autobiographical monologue for pianist and actress, premiered in New York’s Symphony Space and performed worldwide. A committed chamber musician, she has had notable collaborations with Rachel Barton Pine, Gilbert Kalish, Ron Leonard, Fred Sherry, Ilya Kaler, Colin Carr, Wendy Warner, Clive Greensmith, and Antonio Lysy, among many others.Inna Faliks has been featured on radio and television throughout the world. She co-starred with Downton Abbey’s Lesley Nicol in “Admission – One Shilling,” a play for pianist and actor based on the life of the great British pianist, Dame Myra Hess.Her CD releases, Reimagine: Beethoven and Ravel on Navona Records and The Schumann Project Volume 1, on MSR Classics, received rave reviews, and were named to several “best of 2021” lists. With her all-Beethoven CD release on MSR, WTTW called Faliks “High priestess of the piano, concert pianist of the highest order, as dramatic and subtle as a great stage actor.”

Sound of Verse, was released in 2009, featuring music of Boris Pasternak, Rachmaninoff and Ravel. “Polonaise-Fantasie, Story of a Pianist” on Delos captures her autobiographical monologue-recital with short piano works from Bach to Carter.Faliks is founder and curator of Music/Words, an award-winning poetry-music series: performances in collaboration with distinguished poets. Her long-standing relationship with Chicago’s WFMT radio has led to multiple broadcasts of Music/Words, which she produced alongside some of the nation’s most recognized poets in performances throughout the United States.A past winner of many prestigious competitions, Inna Faliks is currently Professor of Piano and Head of Piano at UCLA.

In Weight in the Fingertips: A Musical Odyssey from Soviet Ukraine to the World Stage (Backbeat Books, 2023) Faliks provides a globe-trotting account of her upbringing as a child prodigy in the Soviet Union, the perils of immigration, and the struggle to assimilate as an American. She chronicles years of training with teachers and her steady rise in the world of classical music. With a warm and playful style, Faliks helps non-musicians understand the experience of becoming a world-renowned concert pianist. The places she grew up, the books she read, and the poems she memorized as a child all connect to her sound at the piano. The way she hears and shapes a musical phrase illuminates both classical music and elite performance. She explores how a person’s humanity makes their art honest and voice unique, and how the lifelong challenge of retaining that voice is fueled by balancing the demands of musicianship and being human. Throughout, Faliks provides powerful insights into the role of music in a world of conflict, change, and hope for a better tomorrow.

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As a Jewish and openly gay artist, Cagli became the target of virulent attacks, especially after Italy promulgated its racial laws in 1938. In response to these hostile conditions, Cagli chose to leave his homeland and seek refuge in the United States. In America, he became an influential figure within the New York émigré artistic scene. He found camaraderie among the Neo-romantic milieu centered around the Julian Levy Gallery and the Wadsworth Atheneum. Cagli actively participated in the environment of anti-Breton surrealists of View magazine and became a part of a foundational moment in gay culture in New York, collaborating with other artists working for the Ballet Society and Harper's Bazaar, and exhibiting at Alexander Iolas's gallery. Throughout his ten-year stay in America, Cagli continued to produce and exhibit drawings, a medium that allowed him to interrogate and critique fascist rhetoric.

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What claims could Jewish veterans make on the Nazi state by virtue of their having fought for Germany? How often did Germans treat Jewish veterans differently from Jewish men without military experience during the Weimar and Nazi periods? How did perceptions of masculinity and of Germanness intersect to shape attitudes and behaviors of Jewish veterans?  

Michael Geheran's wonderful new book Comrades Betrayed: Jewish World War I Veterans under Hitler (Cornell UP, 2020) tries to understand how Jewish participation in World War I shaped their lives in 1920s, 1930s and 1940s. He uses a seemingly never-ending supply of diaries, letters, journals and other sources to paint a compelling picture of the ways in which German Jews understood their identities and influenced  their interactions with Germans and with the restrictions imposed by the Nazi Government. It raises new questions about how to periodize the Holocaust and how to think about the role of Germans--both civilian and military--in the persecution and elimination of German Jews.

Kelly McFall is Professor of History and Director of the Honors Program at Newman University.

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For renowned scholar Daniel Block, Deuteronomy is the “Gospel according to Moses.” In his farewell addresses, Moses calls God’s people to remember divine grace in salvation and their covenant relationship with him, as well as his revelation of a way of blessing in a lost world.

Tune in as we speak with Daniel Block about the third and final volume of his commentary on Deuteronomy.

Daniel Block is the Gunther H. Knoedler Professor Emeritus of Old Testament at Wheaton College, and the author of numerous articles and papers, both scholarly and popular, and has written commentaries on Ezekiel, Judges, Ruth, and Deuteronomy.

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The Song of Songs, Lamentations, Ecclesiastes—full of poetry and enigmatic imagery, these are among the most challenging books of the Bible to understand. Well take heart, because we have some help coming your way!

Tune in as we speak with Rabbi Benjamin Segal about his Gefen publications on the Ketuvim. We’ll talk with Rabbi Segal about his translations and commentaries on:

Kohelet’s Pursuit of Truth: A New Reading of Ecclesiastes, and The Song of Songs: A Woman in Love, and finally also Lamentations: Doorways to Darkness.

Rabbi Benjamin Segal is former president of the Schechter Institute of Jewish Studies in Jerusalem, has authored many commentaries, other books and articles.

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