New Books in Museum Studies

New Books in Museum Studies

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New Books in Museum Studies episodes

  • Sadiah Qureshi, "Vanished: An Unnatural History of Extinction" (Penguin, 2025)

    Anyone

    alive today is among a tiny fraction of the once living: over 90% of
    species that ever existed are now extinct. How did we come to think of
    ourselves as survivors in a world where species can vanish forever, or
    as capable of pushing our planet to the verge of a sixth mass
    extinction?

    Extinction, Professor Sadiah Qureshi shows us, is a surprisingly modern concept—and a phenomenon that’s

    not as natural as we might think. In Europe until the late eighteenth
    century, species were considered perfect and unchanging creations of
    God. Then in the age of revolutions, scientists gathered enough fossil
    evidence to determine
    that mammoth bones, for example, were not just large elephants but a
    lost species that once roamed the Earth alongside ancient humans.
    Extinction went from being regarded as theologically dangerous to
    pervasive, and even inevitable.

    Yet Vanished: An Unnatural History of Extinction (Penguin, 2025) shows us that extinction is more than a scientific idea; it’s

    a political choice that has led to devasting consequences. Europeans
    and Americans quickly used the notion that extinction was a natural
    process to justify persecution and genocide, predicting that nations
    from Newfoundland’s Beothuk to Aboriginal Australians were doomed to die
    out from imperial expansion.

    Exploring the tangled and unnatural histories of extinction and empire, Vanished

    weaves together pioneering original research and breath-taking
    storytelling to show us extinction is both an evolutionary process and a
    human act: one which illuminates our past, and may alter our future.

    This interview was conducted by Dr. Miranda Melcher whose book

    focuses on post-conflict military integration, understanding treaty
    negotiation and implementation in civil war contexts, with qualitative
    analysis of the Angolan and Mozambican civil wars. You can find
    Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.


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    37 min
  • Cleo Nisse, "Venetian Canvas and the Transformation of Painting" (Princeton UP, 2026)

    Between

    the fifteenth and early seventeenth centuries, European painting
    underwent a profound transformation as artists increasingly painted on
    canvas instead of wood or walls. Nowhere was more important to this
    shift than Venice, where painters experimented with canvas with
    remarkable creativity and innovation. In Venetian Canvas and the Transformation of Painting (Princeton
    University Press, 2026), Dr. Cleo Nisse investigates why Venetian
    artists adopted canvas and how it revolutionized their art between 1400
    and 1600.

    Intertwining approaches from art history and art
    conservation, and
    featuring stunning new photographs that show details as never before,
    the book presents groundbreaking research based on close study of
    Venetian artworks, archival sources, art-making treatises, and early
    modern art criticism. It sheds new light on the materiality of early
    modern canvas, its production and supply, and the influence of climate
    on its use. The book offers fresh interpretations of iconic works and
    important concepts such as pittura di macchia and non finito, and
    demonstrates how canvas contributed to the radical new style of painters
    such as Titian, Tintoretto, and Veronese. But above all else, it shows
    how canvas changed the making and meaning of paintings. 

    This interview was conducted by Dr. Miranda Melcher whose book

    focuses on post-conflict military integration, understanding treaty
    negotiation and implementation in civil war contexts, with qualitative
    analysis of the Angolan and Mozambican civil wars. You can find
    Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. 


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    49 min
  • Where Harlem Rests at the Woodlawn Cemetery

    A cemetery as open-air museum? Historian and award-winning author of Boss of the Grips: The Life of James H. Williams and the Red Caps of Grand Central Terminal, Eric K. Washington thinks so.

    In this compelling discussion, Washington talks about his newly-completed project revealing the hidden stories of Harlem Renaissance figures buried at the historic Woodlawn Cemetery in the Bronx, New York. Funded by a $50,000 grant from the National Trust for Historic Preservation, the initiative was led by Washington, alongside A’Lelia Bundles, journalist, historian, and great-granddaughter of entrepreneur and icon Madam C.J. Walker.

    While the Harlem Renaissance is often told through a handful of well-known names, Where Harlem Rests (available here) allows for a look beyond the spotlight, uncovering the many voices that helped shape the movement, and the community itself, expanding the historical narrative, and honoring a broader, more inclusive legacy of creativity, resilience, and cultural impact that has long deserved recognition.

    The Woodlawn Conservancy is the 501c3 not-for-profit support organization for the Woodlawn Cemetery. Woodlawn Cemetery was established in 1863 and spans 400 acres in the Bronx, New York. It is one of the nation’s most distinguished historic cemeteries and a certified Level II Arboretum. In 2011, Woodlawn was designated a National Historic Landmark for its singular importance in the history of the nation and New York City. It is also an active cemetery with ongoing burials and funeral services, and more than 310,000 individuals are memorialized on its grounds. Woodlawn is one of the nation's finest examples of a 19th-century garden cemetery. Its monuments represent some of the best memorial art and architecture in the nation, including nearly 1,300 private mausoleums designed by some of the most prominent architects of the 20th century. The Woodlawn Cemetery is open to the public free of charge 365 days a year from 8:30am - 4:30 pm.

    You can find Erik at his website, and on at personal Instagram page, as well as @taggingthepast.

    His recommended reading list is available on the Additions to the Archive Substack.

    Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.


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    47 min
  • Lewis Ryder, "Connoisseurs and conmen: The contest for cultural authority in early twentieth-century Britain" (Manchester UP, 2026)

    ⁠Connoisseurs and conmen: The contest for cultural authority in early twentieth-century Britain⁠

    (Manchester University Press, 2026) by Dr. Lewis Ryder examines John
    Hilditch (1872-1930), a notorious collector of Chinese art who lied,
    hoaxed and manipulated in his struggle against museum experts to become a
    cultural authority. Previously overlooked as a pest with a dubious
    collection, this book uses Hilditch to interrogate how far the
    monumental social, cultural
    and political changes of the early twentieth century unsettled social
    and cultural hierarchies and how these hierarchies were remade. It shows
    how the cultural elites were forced to engage with the public and
    re-draw the boundaries of citizenship, expertise and high and low
    culture in response to unprecedented social mobility, the
    democratisation of culture and politics, as well as the effects of
    British imperialism which brought ordinary Britons access to antiquities
    as well as confidence to claim expertise over foreign cultures. The
    book will interest social and cultural historians of Modern Britain,
    museum scholars and art historians.

    This interview was conducted by Dr. Miranda Melcher whose ⁠book⁠

    focuses on post-conflict military integration, understanding treaty
    negotiation and implementation in civil war contexts, with qualitative
    analysis of the Angolan and Mozambican civil wars. You can find
    Miranda’s interviews on ⁠New Books with Miranda Melcher⁠, wherever you get your podcasts.


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    46 min
  • David Cunningham on Contesting Confederate Monuments (JP)

    David Cunningham joins John to speak about his pathbreaking article about visiting each of the 113 communities that removed or relocated Confederate symbols between 2015 and 2023. After discussing his co-authored Social Problems article, “Contesting Commemorative Landscapes” which first got him thinking about monument removal, he posits that “expungement, amplification, and repositioning” are three ways contemporary communities contest the monuments of the past.. The conversation from there ranges onward through various kinds of contested removal, ending with Cesar Chavez and his ongoing de-monumentalization.

    David is author of There’s Something Happening Here: The New Left, the Klan, and FBI Counterintelligence and the award-winning Klansville, U.S.A.: The Rise and Fall of the Civil Rights-Era KKK,, a member of the City of St. Louis Reparations Commission and recently has been engaged in exploring political signalling in public art and monuments, including a forthcoming article on the political and cultural work of murals in Protestant and Catholic communities and in the interface areas that connect them in Belfast. His earlier Recall This Book episodes include on racialized policing in the US, on January 6th , and also on the 2024 presidential election–and a conversation with Glenn Patterson, author of Lapsed Protestant about the mural culture and politicized spaces of Belfast and Northern Ireland.

    Read the episode here.

    Mentioned in the episode

    • By David Cunmningham himself: “What Richmond got Right about taking down Confederate Monuments” and a 2023 article coauthored with Christina Simko, “Montgomery’s Monumental Truths”
    • On place vs space there is wonderful work by Pierre Nora and Henri Lefebvre.
    • Interface zones and the strategic cul de sacs that continue to divide Belfast neighborhoods have been brilliantly detailed and studied by various historians; eg this tour by Neil Jarman.
    • The lucid John Guillory article (mentioned but not discussed) is “Monuments and Documents: On the Object of Study in the Humanities.”
    • Confederate generals whose statues were erected essentially to glorify the KKK famously include Nathaniel Bedford Forrest. Private parks built up to collect Confederate monuments (with an underlying anti-government bias) include North Carolina’s Valor Memorial Park, and in Texas the SS American Memorial Foundation’s military retreat space now adorned with removed Confederate statues. In Bentonville, this park glorifies a Confederate statue that has now been (dubiously) linked to Governor James H. Berry.
    • The MOCA/Brick reimagined MONUMENTS Exhibition includes work by Kara Walker and Bethany Collins.
    • https://www.nps.gov/boaf/learn/historyculture/shaw.htm
    • Sylva North Carolina Confederate plaque debate.
    • Kazuo Ishiguro, The Buried Giant and the Nietzschean problem of “creative forgetting.”
    • The idea of Productive creative cognitive dissonance is drawn from MLK’s idea of “creative tension.”
    • Hajar Yazdiha, Struggle for the People’s King
    • How long will the Chavez National Monument last? The statue at UC Fresno is already gone…” Is The Trail of Tears a historical site the same way Confederate statues are?
    • Denmark Vescey’s Garden by Ethan J. Kytle and, Blain Roberts
      Zore Neale Hurston Their Eyes were Watching God

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      50 min
    • Homes of the Past

      In 1940s New York, immigrant Jewish scholars sought to build a museum to commemorate their lost worlds and people. Among the Jews who arrived in the United States in the early 1940s were a small number of Polish scholars who had devoted their professional lives to the study of Europe's Yiddish-speaking Jews at the YIVO Institute for Jewish Research. Faced with the devastating knowledge that returning to their former homes and resuming their scholarly work there was no longer viable, they sought to address their profound sense of loss by continuing their work, under radically different circumstances, to document the European Jewish lives, places, and ways of living that were being destroyed. In pursuing this daunting agenda, they decided to create a museum to memorialize East European Jewry and educate American Jews about this legacy. YIVO scholars determinedly pursued this undertaking for several years, publicizing the initiative and collecting materials to exhibit. However, the Museum of the Homes of the Past was abandoned shortly after the war ended.

      Homes of the Past explores this largely unknown episode of modern Jewish history and museum history and demonstrates that the project, even though it was never realized, marked a critical inflection point in the dynamic interrelations between Jews in America and Eastern Europe.

      Join YIVO for a discussion with author Jeffrey Shandler about this book, led by Deborah Dash Moore.

      Buy the book: here

      This book talk originally took place on June 24, 2024.


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      1 hr 3 min
    • “You Sound So Australian”: From Being Read to Rewriting the Room with guest Zindzi Okenyo

      Welcome to the first episode of The Cultural Competence Collective podcast! For our first episode, we are joined by the multi-talented actress, musician and director, Zindzi Okenyo! You may recognise her from your TV screen on shows like Fisk, Wakefield and Play School, on stage from her multiple shows with Sydney Theatre Company or maybe you’ve heard her hits like ‘A Woman’s World’ as a solo artist Okenyo, or ‘Love + Kindness’ from her fun, family-friendly kids project Zindzi & the Zillionaires. Tune into our first episode as we chat with Zindzi about the importance of cultural competence, diversity and representation across the arts.

      Show notes

      This episode is hosted by Dr. Matthew Tyne, an Academic Facilitator at the National Centre Centre for Cultural Competence. He comes to cultural competence following 20 years of working in international community development, especially in Southeast Asia and the Pacific, and sexual health promotion with diverse communities in Australia.

      Produced by: Adubi Plange, Dr Amy McHugh, Sarah Mashman

      Podcast Artwork: Zein Arif

      Featured Music:

      • - A Woman’s World by OKENYO
      • - Anthropology by OKENYO
      • You can find more of Zindzi’s music on her webpage OKENYO: http://www.okenyo.com/

        You can find music by Zindzi & the Zillionaires on their webpage: https://www.zindziandthezillionaires.com/about.

        Resources

        You can read more about DESTINY, Zindzi’s most recent piece of directorial work through the Melbourne Theatre Company: https://www.mtc.com.au/discover-more/backstage/destiny-programme/.

        The Sydney Morning Herald article mentioned can be found here: https://www.smh.com.au/entertainment/theatre/actor-musician-and-presenter-zindzi-okenyo-on-taking-risks-and-self-care-20180216-h0w7zu.html

        If you are interested in developing your knowledge about race and racism, and deepen your understanding of the diversity of the world's cultural histories and identities, you can enrol in the NCCC’s free online course Confident conversations about race and racism: https://www.coursera.org/learn/confident-conversations-about-race-and-racism

        Participants will learn about the dynamics of cultural difference, and how to increase their knowledge and ability to address inequity, bias and privilege, and to create space for effective dialogue about racism.

        Mental Health Support Services:

        For University of Sydney staff: CONVERGE

        Converge offers multiple dedicated helplines for specialist services:

        • All staff: 1300 687 327
        • First Nations helpline: 1300 287 432
        • LGBTQIA+ Helpline: 1300 542 874
        • Domestic and Family Violence Helpline: 1300 338 465
        • Aged Care Helpline: 1300 035 337
        • Disability and Carers Helpline: 1300 243 543
        • Youth and Student Helpline: 1300 687 399
        • Spiritual and Pastoral Care Helpline: 1300 772 435
        • www.convergeinternational.com.au
        • Wellmob – social, emotional and cultural wellbeing resources for Aboriginal and Torres Strait Islander people

          • https://wellmob.org.au/
          • 24-hour crisis hotlines

            • 13 Yarn
            • Beyond Blue
            • LifeLine:
            • NSW Mental Health Line

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              42 min
            • Kanika Singh, "The Story of a Sikh Museum: Heritage, Politics, Popular Culture" (Cambridge UP, 2025)

              The Story of a Sikh Museum: Heritage, Politics, Popular Culture, published

              by Cambridge University Press in July 2025, is a pioneering study on
              Sikh museums, a unique phenomenon of contemporary India—for their sheer numbers, distinctive display, malleability and presence in multiple
              cultural spheres and their political significance. This case study of
              Bhai Mati Das Museum at Gurdwara Sisganj, Delhi, examines the process of creation of Sikh heritage through history, paintings, and museums, unearths networks of patronage, and analyses the ways in which specific versions of the Sikh past are used to make present-day claims. It is based on interviews with artists and patrons, material from personal and institutional archives, a visual analysis of Sikh popular art and a critical examination of the museum's narrative. This book brings together Sikh history, popular art, politics and museums to discuss some of the most important current debates (of nation, identity and heritage) and reveals new ways in which we may understand museums, especially in a non-Western context.

              Kanika Singh is a historian, founder of Delhi Heritage Walks and Director at Centre for Writing & Communication at Ashoka University.

              Harleen Kaur is a historian and urban studies scholar who recently completed her Joint PhD from National University of Singapore and King’s College London.


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              36 min
            • Kristin LaFollette, "Rehumanizing People of the Past: Bioarchaeology, Medical Museums and Archives, and the Human Remains Trade" (SUNY Press, 2026)

              Rehumanizing People of the Past: Bioarchaeology, Medical Museums and Archives, and the Human Remains Trade (SUNY Press, 2026) argues that much of the technical

              communication used to reference human remains--including reports in
              bioarchaeology, labels and descriptions in medical museums and archives,
              and web content in the human remains trade--does not adequately
              recognize the humanity of the individuals represented by those remains.
              The book presents "rehumanizing language" as a solution to this
              dehumanization problem, framing it as advocacy and social justice work
              in technical communication. Building from concepts and ethical standards
              in bioarchaeology, medical museums and archives, and the human remains
              trade along with technical communication and rhetoric of health and
              medicine (RHM), each chapter presents a framework for developing
              rehumanizing language in various contexts to better honor, dignify, and
              respect the people represented by human remains. These frameworks are
              also applied to several original studies, which explore existing
              technical communication and the ways it uses rehumanizing language or
              could be adapted to be more rehumanizing. Overall, this book is a tool
              for both technical communicators and practitioners in numerous fields,
              offering practical guidance for emphasizing the humanity of the dead.

              Kristin LaFollette is Associate Professor of English at the University of Southern Indiana. She is the author of Hematology, a full-length collection of poetry, and coeditor of Queer Approaches: Emotion, Expression, and Communication in the Classroom.

              Victoria

              Oana Lupașcu is an Assistant Professor of Comparative Literature and
              Asian Studies at University of Montréal. Her areas of interest include
              medical humanities, visual art, 20th and 21st Chinese, Brazilian and
              Romanian literature and Global South studies.


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              50 min
            • Angela I. Fritz, "AI and Digital Leadership: Transforming Libraries, Archives, and Museums for the Future" (Bloomsbury, 2026)

              AI and Digital Leadership: Transforming Libraries, Archives, and Museums for the Future (Bloomsbury, 2026) explores how galleries, libraries, archives, and museums (GLAMs) are navigating new leadership styles and organizational frameworks to help meet the challenges posed by a digital society. During this time of digital transformation, galleries, libraries, archives, and museums (GLAMs) are facing a generational challenge that calls on them to rethink their roles and responsibilities, re-evaluate policies and practices, and re-envision creative management and use of their collections. While AI is not new for GLAMs, the rapid development of generative AI has accelerated the pace of change along with a host of risks and benefits. For cultural heritage institutions, the stakes for implementing emerging AI technologies are high as GLAMs navigate questions relating to cultural relevance, limited resources and expanding backlogs of digital collections. GLAMs must also contend with the major intellectual and social implications for supporting entirely new approaches to learning, scholarship and public engagement. As GLAMs strive to keep pace, this book turns to explore how cultural heritage institutions can draw on a model of digital leadership to help them meet the challenges posed by the ethical implementation and use of generative AI in the stewardship of distinctive collections. Although digital leadership has been widely written about in the fields of business management, communication and marketing and information technology, it has not yet been addressed in a book format for the GLAM sector. In addition to discussing the basic definition and concepts of digital leadership, this book explores digital leadership as a critical framework for GLAMs to advance digital stewardship programs, professional development and staff training initiatives, and institutional advocacy in the age of AI.

              Guest: Angela I. Fritz is Assistant Professor at the School of Library and Information Science at the University of Iowa. Previously, she has held leadership positions at the Wisconsin Historical Society, the University of Notre Dame, and the Office of Presidential Libraries and Museums at the National Archives and Records Administration (NARA). Dr. Fritz has a PhD in American history and public history from Loyola University-Chicago, a master’s degree in history from the University of Wisconsin-Milwaukee, and a master’s degree in library science with a concentration in archival administration from the University of Wisconsin-Madison.

              Mentioned during the episode, is an upcoming special issue of Collections: A Journal for Museum and Archives Practitioners guest edited by Dr. Fritz. You can learn more about this special issue on the journal’s homepage.

              Host: Dr. Michael LaMagna is the Information Literacy Program & Library Services Coordinator and Professor of Library Services at Delaware County Community College.


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              55 min

            About New Books in Museum Studies

            From the publisher's feed

            This podcast is a channel on the New Books Network. The New Books Network is an academic audio library dedicated to public education. In each episode you will hear scholars discuss their recently published research with another expert in their field.