Telling some of the story of the Flower Wars of the Aztec era, Nico Amador’s poem pits wars against creation. In a poem that begins by recalling creation myths from multiple cultures, he then poses questions about why: Why would people sacrifice their own people to keep a god happy? Why would any god benefit from people’s deaths? Evoking how the Flower Wars contributed to the Aztec downfall, this poem also wonders about wars today: Who benefits from a war? Who decides who should die? Why?

Nico Amador — Flower Wars

Short and unhurried, Poetry Unbound is an immersive exploration of a single poem, hosted by Pádraig Ó Tuama. 

Pádraig Ó Tuama greets you at the doorways of brilliant poems, and invites you to meet them with stories of your world. The poems are eager to meet you, too.

For season 8, we have poems about beasts (dung beetles, horses, eagles and ourselves as well); poems with tensions between parents and children; poems about kingdoms and memories of the dead. There is translation, culture, erotica, water, mortality, and morality.

Already a listener? There’s also a book (Poetry Unbound: 50 Poems to Open Your World), a Substack newsletter with a vibrant conversation in the comments and occasional gatherings.

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If your home were a museum — and they all are, in a way — what would the contents of your refrigerator say about you and those you live with? In his poem “Refrigerator, 1957,” Thomas Lux opens the door to his childhood appliance and oh, does a three-quarters full jar of maraschino cherries speak volumes.

Thomas Lux — Refrigerator, 1957

The word “flush” is a verb, as in an activity that we do umpteen times a day. It’s also an adjective that conveys abundance. Fittingly, Rita Wong’s poem “flush” offers a praise song to water’s expansive and unceasing presence in our lives — from our toilets to our teacups, from inside our bodies to outside our buildings, and from our soil to our skies.

Rita Wong — flush

Bro — this is definitely not the “Beowulf” that you read back in school. Maria Dahvana Headley’s gutsy, swaggering translation brings the Old English epic poem roaring into this century, showing you why this tale of fraught family ties, power plays and posturing, and mighty, imperfect people is as relevant as ever.

Maria Dahvana Headley — Beowulf

A horse race from the 1980s may not seem like the obvious inspiration for a poem that celebrates so many of the things that make our lives worth living — good company (human and animal), good books, good food, and honest work — and that is just part of the surprise, delight, and surging joy of Michael Klein’s “Swale.”

Michael Klein — Swale

What holds our bodies together? Yes, there are the biological components, such as the cells, fluids, fibers, but what about the bone-deep stuff, the histories, myths, aches, resolves? In “Our Bird Aegis,” poet Ray Young Bear evokes an adolescent eagle to show how this blend of the visceral, the inherited, and the self-made abides in each of us, no matter our form, wherever we go.

Ray Young Bear — Our Bird Aegis

Poetry Unbound

Nico Amador — Flower Wars

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