NIGHTMARE MAGAZINE - Horror and Dark Fantasy Story Podcast (Audiobook | Short Stories)

Parveen isn’t there when Benny falls off the roof. But everyone knows the story. Benny and his dumb demon cult. It happens at one of their houses, a place built like a modern-day cathedral. The kind of hovel that has a saltwater pool with a vanishing edge and a wine cellar with someone’s entire life savings down there and red-glazed tiles cutting swoops into the Los Pueblos skyline. Six-day-old moon, a wide goblin grin from above. The hot strobe of synth-pop booming everywhere. The hazy, electrostatic currents of teenage bodies thrilling with vodka and happiness hormones. | Copyright 2019 by Senaa Ahmad. Narrated by 40:50.

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I want to tell you about the bleeding maze at the center of our town. People who aren’t from around here don’t know anything about it. It’s not referenced on any website or in any travel book, and most of us like it that way. We don’t share the knowledge of its existence with just anyone because it’s a very personal thing, the maze. We all have longstanding relationships with it that began at a young age. See, when kids in our town turn eighteen, we force them to enter it, like our parents did to us and their parents did to them. Inside the maze we have unique experiences, formative experiences. | Copyright 2019 by Kurt Fawver. Narrated by Stefan Rudnicki.

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Cities like her make men leave their hearts on their shores. “Seeing you,” the men say, “I want no other life.” Each night, as the diadem of the Bosporus drifts into slumber, violet shadows drape the narrow streets of Eminönü. I watch the window, thinking of you moving through the sleeping city, your footfall silent as the breathing of dreamers. I imagine you slipping velvet mist over your shoulders, sweeping past mosque and meyhane, sleeping beasts and sleeping houses. Full houses. Empty houses. I was born in this city, raised on a tongue of land embraced by swift straits and glittering seas. | Copyright 2019 by Isabel Cañas. Narrated by Roxanne Hernandez.

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There are four of us left huddled in the cabin: me, Jerry, Carina, and Kyle. And we’re terrified the door won’t hold. Carina shivers so uncontrollably, her teeth sound like stones rattling down a metal chute. Kyle begs her to quiet down. But her teeth aren’t making enough noise to matter. Not compared to the howling storm. It comes in gusts that build in slow waves, rhythmically increasing in both volume and strength until a gale overtakes the cabin, pelting the windows with hard rain. A cold draught pushes past us while we tremble on the floor, wishing we were anyplace else. | Copyright 2019 by Simon Strantzas. Narrated by Stefan Rudnicki.

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I wanted to tell you the truth, before the end. I’m sorry it took this long, and I’m sorry I’m too cowardly to tell you to your face, but I don’t think I could ever get it right, saying it all out loud. I hope you don’t hate me, but you might. I hope you can at least understand, even if you can’t feel the same about me after. It’s okay if you can’t. It had been three weeks and Ray still hadn’t come back. He was never an audacious man. His inflexibility, his aversion to risk or conflict of any sort, was the raw spot at the center of our relationship. But I liked him for that reason, too. He felt like a home. Solid. | Copyright 2019 by Alanna J. Faelan. Narrated by Judy Young.

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“I’m going to tell you a story,” she says. “And when the story is finished, this will all be over.” There are four of them huddled on the floor of her living room: Francisco, like the saint; Michael, like the angel; Jerome, like the translator; and her, Batul, like the queen of heaven. The apartment---a second-story walkup above a music shop, low-ceilinged, smelling faintly of clove and lemon---looks very much like what it is, the home of a twenty-four-year-old woman who makes a fair wage at a pottery factory. A number of brightly glazed mugs, sunbursts and peonies and beetles and birds, dangle from a rod above her stove. | Copyright 2019 by Megan Arkenberg. Narrated by Gabrielle de Cuir.

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“There are few tales as tragic as that of the denizens of Ratnabar Island. When a British expedition made landfall on its shores in 1891, they did so armed to the teeth, braced for the same hostile reception other indigenous peoples of the Andamans had given them. What they found, instead, was a primitive hunter-gatherer community composed almost entirely of women and children. [ . . . ] The savage cultural clash that followed would transmute the natives’ offer of a welcoming meal into direst offense, triggering a massacre at the hands of the repulsed British . . .” | Copyright 2019 by Nibedita Sen. Narrated by Stefan Rudnicki.

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I cannot understand why, but the young men of this generation have developed a new sport---to go and spend a night in a haunted house. Every three months or four, I receive a group of guests. It goes the same way each time. They arrive after sundown, bringing hurricane lamps, candles, sleeping mats, snacks and bottles of water lovingly packed from home. They come in groups of four or five, almost always the atheist, sceptical students of the Presidency College who remind me of my own youth. They sweep aside dirt and rabble from the floor, unfurl their mats, light a hurricane lamp at the centre of their circle, and settle down to tell ghost stories. | Copyright 2019 by Mimi Mondal. Narrated by Pooja Batra.

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There’s an old Indian saying.And I’m an Indian woman who’s worked at an Indian casino as a waitress for almost ten years. My first and only job, right after I turned eighteen. I’ve flirted with old Indian men to get tips and I’ve put on my most tactful, phone operator voice with old Indian women. The old men couldn’t resist hitting on me or smacking my ass and the old women called me a slut for it. So I don’t give a fuck what old Indians have to say. | Copyright 2019 by Dennis E. Staples. Narrated by Roxanne Hernandez.

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She is a girl, coming to a house. Not just any house: a large, sprawling mansion, built up from the remains of a ruined abbey, or a shattered castle. One that stands on the edge of a cliff, overlooking the seas, or lost in fog-swept moors, or deep within a rugged forest. A house of secrets, a house of ghosts and haunts. She is alone, or nearly alone, or thinks she is alone. This is not quite as strange as it might sound. In her world, parents die young. Most of her remaining relatives are indifferent, or poor. | Copyright 2019 by Mari Ness. Narrated by Stefan Rudnicki.

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