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Jacqueline Novak spent six long years developing her “90 minute meditation on the blow job.” Now that “Get on Your Knees” is streaming on Netflix—and garnering rave reviews—the comedian sits down with The Last Laugh podcast to talk about what it’s like to give up control as viewers around the world are welcomed into her most intimate thoughts and ideas. In this episode, Novak breaks down how she decided to take her career into her own hands and create something that felt worthy of her talents after years of five-minute sets on pizza and french fries, opens up about the double-edged sword of being a female comic who talks about sex on stage and shares what she wants to do next now that her star-making project is finally finished.
Follow Jacqueline Novak on Instagram @jacnov
Follow Matt Wilstein on Threads @mattwilstein
Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpod
Highlights from this episode and others at The Daily Beast
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When Zach Woods was first cast as Gabe on Season 6 of ‘The Office,’ he found a comment online where someone described his face as a “combination of sadness and food poisoning.” And that was before he had even appeared in an episode. “I was like, buckle up, here we go!” he recalls thinking at the time. In this episode, Woods breaks down how he went from the “abject terror” of joining one of his favorite comedy shows to channeling some of the tech world’s biggest weirdos as Jared on HBO’s ‘Silicon Valley’ to co-creating and starring as the deeply awkward fictional NPR host Lauren Caspian in his new stop-motion animated Peacock show ‘In the Know’ opposite live-action celebrities like Mike Tyson, Hugh Laurie, Nicole Byer and others.
Follow Zach Woods on TikTok @zachwoods and Instagram @mrzachwoods
Follow Matt Wilstein on Threads @mattwilstein
Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpod
Highlights from this episode and others at The Daily Beast
Hosted on Acast. See acast.com/privacy for more information.
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Paul F. Tompkins is widely considered to be among the best comedy podcast guests of all time. But as he tells me in this episode, he doesn’t let that pressure get to him, because he offers up humbly, “I don’t believe it.” Tompkins has done it all in his nearly four decades of comedy, from sketch to stand-up to voicing animated characters on shows like ‘Bojack Horseman’ and ‘Bob’s Burgers.’ But among his greatest comedic achievements are the hundreds of hours he’s spent improvising in character with Scott Aukerman and others on the ‘Comedy Bang! Bang!’ podcast. In this episode, Tompkins discusses how that experience has helped to shape his comic sensibility and bring him the ideal level of fame and respect within the comedy world. He also opens up about starting his career alongside alleged insurrectionist Jake Johnston, why he never wants to work with Bill Maher again and the problem with comedians who believe their only job is to offend.
Stream ‘Varietopia with Paul F. Tompkins’ on February 2nd
Follow Paul F. Tompkins on Threads @pftompkins and Instagram @pftompkins
Follow Matt Wilstein on Threads @mattwilstein
Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpod
Highlights from this episode and others at The Daily Beast
Hosted on Acast. See acast.com/privacy for more information.
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Is Joe Pera for real? That’s the inevitable question you start asking yourself after seeing him perform soft-spoken stand-up jokes, listening to his deliberately sleep-inducing podcast or watching his exquisitely serene Adult Swim series ‘Joe Pera Talks With You.’ In this episode, Pera goes deep on how he developed his very unique comedy style and responds directly to those who think his entire comic persona might be some sort of elaborate ruse. He also reflects on the end of his beloved and deeply personal show, reveals how Taylor Swift helped inspire his upcoming stand-up tour and tells the full story behind securing the rights to The Who’s “Baba O’Riley.”
Get tickets for The Peras Tour at joepera.com
Follow Joe Pera on Twitter @JosephPera and Instagram @joepera
Follow Matt Wilstein on Threads @mattwilstein
Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpod
Highlights from this episode and others at The Daily Beast
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The first time Jordan Klepper and Roy Wood Jr. worked together was for a 2015 ‘Daily Show’ field piece that asked the question, “Are all cops racist?” Now, they are kicking off 2024 by joining forces once again for a series of “comedic town halls” across the country. In this episode, Klepper and Wood return to the podcast (for their fourth and third appearances, respectively) to let fans know what they can expect from their ‘America: For the Last Time’ tour and share their thoughts about the inevitable Joe Biden vs. Donald Trump rematch nobody seems to want. The pair of ‘Daily Show’ correspondents also speak openly about that show’s very public search for a host to replace Trevor Noah, including why Wood decided to step down when it seemed like it wasn’t going to be him, whether Klepper is still gunning for the big seat and what they both thought about everything that went down with their old colleague Hasan Minhaj.
Get tickets for the ‘America: For the Last Time’ tour
Follow Jordan Klepper on Twitter @jordanklepper and Instagram @jordanklepper
Follow Roy Wood Jr. on Twitter @roywoodjr and Instagram @roywoodjr
Follow Matt Wilstein on Threads @mattwilstein
Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpod
Highlights from this episode and others at The Daily Beast
Hosted on Acast. See acast.com/privacy for more information.
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If there’s anyone in Hollywood who might be immune to criticism, it’s 11-time Emmy-winner and Mark Twain Prize for American Humor recipient Julia Louis-Dreyfus. But as the comedy legend admits in this episode, the rare negative comment about her work still “stings.” That feeling is at the heart of Louis-Dreyfus’ latest film ‘You Hurt My Feelings,’ in which she delivers the most emotionally raw performance of her career. During our conversation, the actress reflects on her early struggles as a cast member on ‘Saturday Night Live’ and the catharsis of returning as host. She also reveals what she really thought about the divisive ‘Seinfeld’ finale 25 years later, breaks down the difference between ‘Veep’s’ Selina Meyer and her own “narcissistic” father and a lot more.
This episode was originally published on May 16th, 2023.
Follow Julia Louis-Dreyfus on Twitter @OfficialJLD and Instagram @officialjld
Follow Matt Wilstein on Threads @mattwilstein
Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpod
Highlights from this episode and others at The Daily Beast
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It’s time again for our annual, year-end crossover episode in which Matt Wilstein joins The New Abnormal host Andy Levy to talk about everything from how the Hasan Minhaj “emotional truth” debacle upended the search for a new ‘Daily Show’ host to the disturbing rise of TikTok comedian Matt Rife to why they are both so obsessed with Nate Bargatze and more.
Follow Matt Wilstein on Threads @mattwilstein
Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpod
Highlights from this episode and others at The Daily Beast
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It’s been more than three decades since Wanda Sykes first stepped onto the stand-up stage. And sometimes, it feels like she’s just now getting her due. The legendary comedian just received her first-ever Grammy nomination for her latest Netflix special ‘I’m an Entertainer,’ which also landed nods at the Emmys and Golden Globes. The hard-hitting hour takes on many of the most divisive topics of the year without pandering to either side or ever punching down. “It’s just noise. And I like to try to cut through that,” she says of the way her comedy reacts to the broader political conversation. In this episode, Sykes takes on everything from the problem with Dave Chappelle’s anti-trans jokes to why she was shocked Will Smith didn’t get dragged out of the Oscars for slapping her friend Chris Rock to hitting the road for her Please & Thank You tour during an election year to how she thinks about her place in the comedy pantheon and a lot more.
Follow Wanda Sykes on Twitter @iamwandasykes and Instagram @iamwandasykes
Follow Matt Wilstein on Threads @mattwilstein
Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpod
Highlights from this episode and others at The Daily Beast
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Judd Apatow is known for making long movies, from comedies like ‘Funny People’ or ‘This Is 40’ that balloon past two hours to documentaries on his comedy heroes like the two-part, four-hour films about Garry Shandling and George Carlin. So it was somewhat of a shock when he dropped a 20-minute short last month about the lifelong friendship between Don Rickles and Bob Newhart. “I’ve changed,” he jokes. “All my movies are going to be shorts now, no matter the genre.” In this bonus episode—his third appearance on the show—Apatow breaks down what made those two stylistically opposed icons a perfect off-stage pair. He also weighs in on how the art of roasting has evolved over the years, shares memories about his friend and mentor Norman Lear and explains why he thinks Lena Dunham’s ‘Girls’ is finally being fully appreciated more than a decade after its premiere.
Watch ‘Bob and Don: A Love Story’ at newyorker.com
Follow Judd Apatow on Twitter @juddapatow and Instagram @juddapatow
Follow Matt Wilstein on Threads @mattwilstein
Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpod
Highlights from this episode and others at The Daily Beast
Hosted on Acast. See acast.com/privacy for more information.
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Before Leo Reich takes the stage at the top of his new HBO special ‘Literally, Who Cares?!’ we hear him introduce himself as the “youngest comedian ever.” As he explains in this episode, “I try to really lean into a kind of self-appointed voice-of-a-generation or young genius vibe,” before making sure to add, “in an ironic way.” That upending of expectations around the attitudes of a queer Gen Z comedian—or “rug-pulling,” as he puts it—are at the heart of Reich’s excellent new show, which first ran at the Edinburgh Fringe Festival in 2022 and premieres on HBO and Max this Saturday, December 16th. Reich talks about writing the show while he was still living at home with his parents during the pandemic, why he prefers the connection of a live audience to being a slave to the TikTok algorithm and the ultimate laziness of railing against “cancel culture.”
Follow Leo Reich on Twitter @leoistired and Instagram @leo_reich
Follow Matt Wilstein on Threads @mattwilstein
Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpod
Highlights from this episode and others at The Daily Beast
Hosted on Acast. See acast.com/privacy for more information.
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