Obsessed: The Podcast

Mae Whitman has been a professional actor since she was two years old. But nothing she has done over the course of her career prepared her for how terrifying it would feel to bare her soul through song in the new musical rom-com ‘Up Here,’ streaming now on Hulu. In this episode, Whitman looks back on acting with George Clooney in ‘One Fine Day,’ Sandra Bullock in ‘Hope Floats,’ David Schwimmer on ‘Friends’ and more as a small child before making the transition to grown-up TV star on ‘Parenthood,’ ‘Good Girls,’ and now ‘Up Here.’ She also shares stories from the set of ‘Arrested Development,’ where she received a comedy master class playing Ann Veal (“her?”) opposite Michael Cera.

Follow Mae Whitman on Twitter @maebirdwing and Instagram @mistergarf

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Highlights from this episode and others at The Daily Beast

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It’s taken a while for Samantha Bee to get over the “shock” of losing her late-night TV platform. But now that she has, the comedian wants to make it clear that she still has a lot to say. In our 200th episode, Bee returns to The Last Laugh to look back on the legacy of ‘Full Frontal’ and ahead to the nationwide live tour she never could have pulled off while still hosting a weekly show. She directly addresses those who found her on-screen persona too “angry” and reveals whether anyone from ‘The Daily Show’ reached out to her about being a guest host after Trevor Noah stepped down. After everything, Bee is more confident than ever about how she wants this next chapter of her career to go.

Follow Samantha Bee on Twitter @iamsambee and Instagram @realsambee

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Highlights from this episode and others at The Daily Beast

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In this preview of our upcoming 200th episode with Samantha Bee, dropping next Tuesday, the comedian reveals how she really felt about her late-night show ‘Full Frontal’ getting canceled and responds to conservative haters who gleefully celebrated her demise. 

Follow The Last Laugh now to hear our full conversation when it’s released next Tuesday, April 4th. 

Follow Samantha Bee on Twitter @iamsambee and Instagram @realsambee

Follow Matt Wilstein on Twitter @mattwilstein

Follow The Last Laugh on Instagram @lastlaughpod

Highlights from this episode and others at The Daily Beast

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At just 35 years old, Mae Martin has been performing stand-up for more than two decades—from their teenage years at open mic nights in the Toronto comedy scene to hit one-person shows at the Edinburgh Fringe Festival to their first-ever hour long special ‘SAP,’ which was directed by Abbi Jacobson and premieres on Netflix today. In this episode, Martin talks about everything it took to get to this huge moment in their career, including what they learned about themselves making the autobiographical Netflix series ‘Feel Good,’ the difficult decision to come out as gender nonbinary both on the show and in real life and what they make of the rise of anti-trans comedy from some of America’s most popular comedians. 

Follow Mae Martin on Twitter @TheMaeMartin and Instagram @hooraymae

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Highlights from this episode and others at The Daily Beast

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Paula Pell spent 18 seasons toiling behind-the-scenes as one of ‘Saturday Night Live’s’ most legendary—and often unsung—comedy writers. Now, on the eve of her 60th birthday, she’s never been a bigger star. In this episode, Pell shares her unlikely SNL origin story, breaks down why she stayed for so long, and reveals what it’s been like to finally become the comedic performer she’s always wanted to be on shows like ‘A.P. Bio,’ ‘Die Hart 2: Die Harter,’ and ‘Girls5eva,’ which was recently picked up by Netflix for its upcoming third season. Pell also opens up about how SNL changed—for better and worse—during her nearly two decades there and how she knew it was time to move on. 

Follow Paula Pell on Instagram @pellpix

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Highlights from this episode and others at The Daily Beast

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Hasan Minhaj has had a very busy five years between the release of his first big stand-up special ‘Homecoming King’ in 2017 and the premiere of his new hour ‘The King’s Jester’ on Netflix. The former ‘Daily Show’ correspondent roasted Trump in absentia at the White House Correspondents Dinner, launched and ended his weekly Netflix series ‘Patriot Act’ and found himself in the crosshairs of the Saudis for his unflinching criticism of Crown Prince Mohammed bin Salman. All of it and more form the heart of his new special, which Minhaj discusses at length in this episode. The comedian also opens up about the moment he realized he may have crossed a line with his comedy, reveals an elaborate prank he pitched to Nathan Fielder, addresses the accusations of a toxic work environment at ‘Patriot Act’ and a lot more. 

This episode was originally published on October 4th, 2022.

Follow Hasan Minhaj on Instagram @hasanminhaj

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Highlights from this episode and others at The Daily Beast

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In this bonus crossover episode from our friends at the GOD POD, Satan joins God to interview The Last Laugh host Matt Wilstein. They discuss TikTok, the decline of reading, Fox News getting caught spreading election fraud, the importance of investigative reporting, meeting your heroes, SNL, and The Last Laugh podcast, where he gets to interview his favorite comedians. On ‘Ask Matt,’ you’ll learn why it’s called The Daily Beast, who his favorite Australian comic is, what’s the good stuff on late-night TV and if he sleeps. On ‘Ask God,’ find out if Satan and MTG are getting “Physical,” what Satan’s dog is like, and play a game of ‘Would You Rather.’ And it’s a historic first on ‘The Satan Show!’ when Satan reads the guest’s articles about Chelsea Handler, Jimmy Kimmel, and much more. 

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It’s taken just over a decade for Ike Barinholtz to fully make it in Hollywood, with starring roles in big films like ‘Blockers’ and high-profile streaming shows like ‘The Afterparty.’ Now, with ‘History of the World, Part II,’ he’s returning to his sketch comedy roots. In this episode, the Second City and ‘MADtv’ alum talks about how he ended up becoming one of the driving forces (along with Nick Kroll and Wanda Sykes) behind the continuation of his comedy hero Mel Brooks’ 1981 classic and how he thinks about what it means to be “offensive” in 2023. Barinholtz also shares stories about ‘MADtv’ going up against SNL in the early 2000s, convincing Mindy Kaling he was really Russian on ‘Eastbound and Down,’ his breakthrough movie performance in ‘Neighbors’ and a lot more.  

Follow Ike Barinholtz on Twitter @ikebarinholtz and Instagram @ikebarinholtz

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Highlights from this episode and others at The Daily Beast

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When Danny Pudi received the pilot script for ‘Community,’ his agents wrote at the top that Abed was the role he was “born to play.” He had no idea at the time how true that would be. In this episode, Pudi traces his road from guest star on dramas like ‘The West Wing’ and ‘ER’ to his breakthrough role as the pop culture-obsessed Abed to his charming reunion with ‘Community’ co-star Alison Brie in her new rom-com ‘Somebody I Used to Know.’ We also talk about the career challenges he faced after the sixth season of that cult hit sitcom and how he’s feeling about the chance to inhabit the character again when the ‘Community’ movie finally starts shooting in the near future. 

Follow Danny Pudi on Twitter @dannypudi and Instagram @danielpudi

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Follow The Last Laugh on Instagram @lastlaughpod

Highlights from this episode and others at The Daily Beast

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Ken Marino knows that he’s often called upon to play one of two archetypes. From his earliest days as a member of his NYU sketch group The State to his roles in films like ‘Wet Hot American Summer’ and ‘Wanderlust’ and TV shows like ‘Eastbound and Down’ and ‘The Other Two,’ he mostly swings between insecure buffoon and “straight-up asshole.” But no character better captures his particular comedic gifts than Ron Donald of ‘Party Down,’ which returns this week for its long-awaited third season—13 years after it was canceled. In this episode, Marino talks about what it was like to reunite with Adam Scott, Jane Lynch and the rest of the ‘Party Down’ crew and what fans can expect from the new batch of episodes. He also reflects on the biggest moments of his career, including almost losing out on his roles in ‘Party Down’ and ‘Wet Hot’ to Steve Carell and Sam Rockwell, respectively, the decision to take things into his own hands as a screenwriter with movies like ‘Role Models’ and how he views his place in the comedy world after 30 years on screen. 

Follow Ken Marino on Twitter @KenMarino

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Follow The Last Laugh on Instagram @lastlaughpod

Highlights from this episode and others at The Daily Beast

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