Rendy Jones returns to discuss what went right with Focus Features’ Obsession (which actually opened with a $17 million opening weekend, with a very promising 2.46x multiplier) and what went wrong for Is God Is.

- Rendy notes how Alisha Harris’ terrific crime melodrama caught between Michael (now at $705 million worldwide) last weekend and presumably Boots Riley’s more explicitely “light” I Love Boosters this coming Memorial Day weekend.

- Lisa Laman sings the praises of Orion president Alana Mayo for greenlighting the likes of Till, Women Talking, Hedda, Bottoms, Nickel Boys and American Fiction.

- Everyone agrees that Obsession is A) the kind of movie Blumhouse should be distributing and B) another strong example of a well-liked high-concept chiller aimed at present-tense moviegoers, hitting a commercial bullseye.

- Everyone also agrees that Mortal Kombat II is proving to be a for-fans-only sequel, while Scott Mendelson wonders if the target demos just spent the weekend catching up on Karl Urban’s The Boys before the (pretty good) series finale.

- There is some slight disagreement over whether The Sheep Detectives’s softer overseas grossers will somewhat mitigate its solid domestic earnings. Jeremy Fuster is more pessimistic and, thus, probably correct.

- There are a few minutes spent offering salutes to Michael, Devil Wears Prada 2, Project Hail Mary and The Super Mario Galaxy Movie and point-and-laugh scorn for In the Grey.

- The opening third of this episode’s discourse features quite a bit of Shrek talk, since the first film returned to theaters last weekend for its 25th anniversary. You’ll never believe this, but the general consensus is that Shrek 2 > Shrek the Third!

- And yes, there’s another Financial Flashback game, this time based around the highs, lows and “huh?” of 2001.

Recommended Reading (or Listening)…

* Scott Mendelson discusses why the best box office comp for The Mandalorian and Grogu is not a Star Wars movie but rather Batman Begins.

* Jeremy Fuster interviews Drop Out CEO Sam Reich on Game Changer and more.

* Lisa Laman argues that 2009 was an all-time great year for theatrical animation and that corporate consolidation means we won’t get another like it.

* Ryan Scott champions the notion that The Girl Who Loved Tom Gordon is exactly the kind of modern-classic Stephen King book that should be prioritized for feature film adaptation. Here’s hoping Lionsgate optioning the rights (and hiring Strange Darling’s JT Molner to write and direct) bears fruit.

* Max Deering pours one out for the 2006 Silent Hill movie.

* Rendy Jones champions twenty movies, not just Netflix titles, that damn well deserve physical media releases.

If you like what you hear...

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* Scott Mendelson - The Outside Scoop and Puck News

* Jeremy Fuster - TheWrap

* Lisa Laman - Dallas Observer, Pajiba, Looper, Comic Book and Autostraddle

* Ryan C. Scott - SlashFilm, Fangoria and Inverse

* Max Deering - Fangoria and Action For Everyone

* Rendy Jones - Rendy’s Reviews

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