John is sitting, Alison is watching, and Liz is typing.
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Content warnings this episode: AI (chapter 3), China (chapter 4), colonialism (chapter 5)
Letters of commentAbigail NussbaumChris GarciaDuncan MacGregorEdward MorlandErsatz CultureFarah MendlesohnAsh by Mary GentleRajRoman OrszanskiTranscriptionWe have uploaded transcripts and subtitles for Episodes 49, 62, and 72 as part of our Hugo Voter Packet submissionWhat do people want from transcripts? Do any of our listeners use them?You can find the transcripts and subtitles for episodes on our GitHubGlasgow in 2024Liz has taken a role in the Programme Division as the Area Head of Podcasting ContentJohn’s panel suggestion: “Why don’t podcasters just shout? Why use microphones? Our panel discusses the pros and cons of literally shouting into the void.”Please put this into the programme suggestion formGlasgow in 2024 has released an AI Art StatementASFAChengdu WorldconNone of us are planning to take the Worldcon up on their offer of a free tripFile 770 articles about finalists going to China: 1, 2, 3, 4PicksJohn: Asteroid CityAlison: Beyond a Boundary by CLR JamesMiles Jupp’s Fibber in the HeatLiz: The Last Blade Priest by WP WilesCreditsCover art: “Eight-Fingered Monkeys” by Alison ScottAlt text: Three monkeys, each with eight digits on their hands and eight on their feet, do the classic “see no evil, hear no evil, speak no evil” triptych under the words “Octothorpe 89”.Theme music: “Surf Shimmy” by Kevin MacLeod (CC BY 4.0)