Claire and Gavia break down the first three episodes of The Vampire Lestat, discussing the show's drastic tonal shift, its elaborate narrative structure, its bold exploration of abusive relationships - and much, much more. Adapting the iconic novel by Anne Rice, this season focuses more on Lestat's music career than on his historical backstory, reaffirming Interview with the Vampire's place among the best TV dramas of the decade.

Steven Spielberg's sci-fi conspiracy thriller Disclosure Day continues his career-long fascination with extraterrestrial life. Starring Emily Blunt and Josh O'Connor as two strangers being pursued by a shadowy military contractor, this film is a showcase for Spielberg's blockbuster expertise - although it also features some puzzling attitudes toward religion and conspiracy theories, culminating in a very divisive final act.

Claire and Gavia share their mixed feelings on Mother Mary, the stylish new psychological drama by David Lowery (The Green Knight). Exploring the tumultuous relationship between a Lady Gaga-esque pop star (Anne Hathaway) and her former costume designer (Michaela Coel), this genre-defying film incorporates elements of the supernatural into a story about creative collaboration and the destructive power of celebrity.

Anne Hathaway and Meryl Streep return for this smash-hit sequel, pivoting to a surprisingly bleak story about the demise of journalism. Among other topics, our review covers: Emily Blunt’s hilarious performance, the film’s inability to engage with its darker themes, and its depiction of how the magazine industry has changed in the 20 years since the original Devil Wears Prada movie came out.

The latest Mummy movie is a gruesome horror story about demonic possession, marking a departure from the blockbuster style of recent Mummy franchise instalments. It's also a bit of a misfire, so we're using this opportunity to look back at the original 1932 Mummy film, its Ancient Egyptian background, and its overlap with other Pre-Code horror classics like Dracula and Frankenstein.

Claire and Gavia look back at the influential Japanese survival thriller Battle Royale, a violent dystopian tale about a class of teenagers who are forced to fight to the death by their authoritarian government. Often compared to The Hunger Games, this film has a fascinating (and controversial) backstory, with director Kinji Fukasaku drawing inspiration from his own traumatic experiences as a teenager during World War II.

Steffan and Gavia discuss one of the most influential sci-fi movies of all time: Ridley Scott's Alien. Spawning an iconic franchise and dozens of copycats, Alien is part monster movie, part dystopian thriller, starring Sigourney Weaver in her breakout role. Renowned for its genre-defining production design, this film established a "space trucker" aesthetic for its working-class spaceship setting - and introduced a uniquely grotesque antagonist in the form of H.R. Giger's xenomorph.

Ahead of the 2026 Oscars, Claire and Gavia review three Best Picture contenders featuring Oscar-nominated performances: 1950s sports drama Marty Supreme (starring Timothée Chalamet), Brazilian political thriller The Secret Agent (starring Wagner Moura), and the dark comedy thriller Bugonia (Emma Stone's latest project with director Yorgos Lanthimos). Check out our Patreon soon for a more wide-ranging Oscars episode with Morgan and Gavia!

Steffan and Gavia share their praise for The Bone Temple, Nia DaCosta's deceptively hilarious sequel to 28 Years Later. With Ralph Fiennes and Alfie Williams reprising their roles, Jack O'Connell joins the cast as the sadistic cult leader Jimmy Crystal, offering a new angle on the franchise's dystopian setting. Among other topics, this episode covers the film's distinctive lead performances, its exploration of post-apocalyptic parenting, and its wild final-act musical sequence.

Claire and Gavia reveal their respective top ten lists for the best new movies released in 2025, including some major Oscar contenders (Sinners; One Battle After Another), several cool indie releases (The Shrouds; On Becoming A Guinea Fowl), plenty of queer cinema... and a record number of unexpected wildcard choices.