Morgan and Gavia reunite to discuss Christopher Nolan's The Odyssey, an ambitious cinematic endeavour that showcases Nolan's greatest strengths as a filmmaker - along with some of his recurring weaknesses. Among other topics, this episode covers the film's star-studded cast, its relationship with the original poem, and the way Nolan uses an ancient story to explore contemporary anxieties. Also, we dig into some of the surrounding discourse, including classicist Emily Wilson's controversial (and piercingly negative) review.

Claire and Gavia return to discuss the second half of AMC's The Vampire Lestat, delving into the show's wide array of abusive and complicated relationships, this season's increasingly ambitious departures from Anne Rice canon, the divisive nature of the finale, and much more.

Based on a popular creepypasta concept and directed by a 20-year-old filmmaker who started out on YouTube, Backrooms became a runaway hit this summer, helping to kickstart a new wave of film deals for YouTube directors. In this episode, Steffan and Gavia discuss director Kane Parsons' impressive grasp of physical space as a source of horror, the film's underwhelming script, the online origins of the Backrooms, and whether Hollywood studios will actually do anything interesting on their quest to find the next lucrative YouTube movie.

Claire and Gavia break down the first three episodes of The Vampire Lestat, discussing the show's drastic tonal shift, its elaborate narrative structure, its bold exploration of abusive relationships - and much, much more. Adapting the iconic novel by Anne Rice, this season focuses more on Lestat's music career than on his historical backstory, reaffirming Interview with the Vampire's place among the best TV dramas of the decade.

Steven Spielberg's sci-fi conspiracy thriller Disclosure Day continues his career-long fascination with extraterrestrial life. Starring Emily Blunt and Josh O'Connor as two strangers being pursued by a shadowy military contractor, this film is a showcase for Spielberg's blockbuster expertise - although it also features some puzzling attitudes toward religion and conspiracy theories, culminating in a very divisive final act.

Claire and Gavia share their mixed feelings on Mother Mary, the stylish new psychological drama by David Lowery (The Green Knight). Exploring the tumultuous relationship between a Lady Gaga-esque pop star (Anne Hathaway) and her former costume designer (Michaela Coel), this genre-defying film incorporates elements of the supernatural into a story about creative collaboration and the destructive power of celebrity.

Anne Hathaway and Meryl Streep return for this smash-hit sequel, pivoting to a surprisingly bleak story about the demise of journalism. Among other topics, our review covers: Emily Blunt’s hilarious performance, the film’s inability to engage with its darker themes, and its depiction of how the magazine industry has changed in the 20 years since the original Devil Wears Prada movie came out.

The latest Mummy movie is a gruesome horror story about demonic possession, marking a departure from the blockbuster style of recent Mummy franchise instalments. It's also a bit of a misfire, so we're using this opportunity to look back at the original 1932 Mummy film, its Ancient Egyptian background, and its overlap with other Pre-Code horror classics like Dracula and Frankenstein.

Claire and Gavia look back at the influential Japanese survival thriller Battle Royale, a violent dystopian tale about a class of teenagers who are forced to fight to the death by their authoritarian government. Often compared to The Hunger Games, this film has a fascinating (and controversial) backstory, with director Kinji Fukasaku drawing inspiration from his own traumatic experiences as a teenager during World War II.

Steffan and Gavia discuss one of the most influential sci-fi movies of all time: Ridley Scott's Alien. Spawning an iconic franchise and dozens of copycats, Alien is part monster movie, part dystopian thriller, starring Sigourney Weaver in her breakout role. Renowned for its genre-defining production design, this film established a "space trucker" aesthetic for its working-class spaceship setting - and introduced a uniquely grotesque antagonist in the form of H.R. Giger's xenomorph.