BY THE TIME Walt Disney Productions released “The Rescuers” in 1977, the idea of a “Rescue Aid Society” dedicated to the eradication of kidnapping felt quaint, old-fashioned, and fun.
But not many years earlier, when memories of the Progressive Era were fresher, it would not have scanned that way. In fact, “The Rescuers” was first pitched in 1962, at which time Walt Disney himself killed it. And that was probably a good call: members of the real Aid Societies were still alive and had matured into one of the fiercest and most serious cohorts of old ladies the world had ever known. A cartoon that seemed to poke fun at the great accomplishments of their younger lives, even gentle and good-natured fun, would have brought them out of retirement ready for battle.
And Walt knew what they were capable of — he had been there in those Aid Society ladies’ heyday. And he’d been working in show business — one of the industries they regularly locked horns with.
No, “The Rescuers” would not come out in 1962. It would have to wait until every society lady who in her youth had made it her life’s work to stamp out “white slavery” was gone, along with Disney himself, before it could be safely made.
For that was what the Aid Societies were about. They weren’t dedicated to finding and rescuing little orphan kids who had been kidnapped by evil flame-haired swamp witches to steal diamonds. They were anti-human-trafficking organizations.
And one of their most prominent and effective members was a Portland woman named Lola Greene Baldwin, known to history as the first paid female police officer west of the Rockies. (Portland, Multnomah County; 1900s) (For text and pictures, see https://offbeatoregon.com/23-06.lola-baldwin-municipal-mother-622.html)