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The great cellist shares his philosophy of living. Turning fear into joy. Performance as hospitality and communal witnessing. Beauty as a transfer of life. Sound as visual. How music makes us better. And being a firm believer in accidental meetings.
Yo-Yo Ma is a citizen artist and a forensic musicologist, decoding the work of musical creators across time and space. In his art, Yo-Yo Ma resists fixed boundaries, and would like to rename classical music just “music” — born in improvisation, and traversing territory as vast and fluid as the world we inhabit. In this generous and intimate conversation, he shares his philosophy of curiosity about life, and of performance as hospitality.
Yo-Yo Ma has won 18 Grammy Awards and is the recipient of the National Medal of Arts, the Presidential Medal of Freedom, and the inaugural Fred Rogers Legacy Award. His newest album is “Brahms: The Piano Trios,” released with Emanuel Ax and Leonidas Kavakos. His most recent release with the Silk Road Ensemble is featured on the soundtrack to Ken Burns and Lynn Novick’s documentary “The Vietnam War.”
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The great cellist Yo-Yo Ma is a citizen artist and a forensic musicologist, decoding the work of musical creators across time and space. In his art, Yo-Yo Ma resists fixed boundaries, and would like to rename classical music just “music” — born in improvisation, and traversing territory as vast and fluid as the world we inhabit. In this generous and intimate conversation, he shares his philosophy of curiosity about life, and of performance as hospitality. This interview is edited and produced with music and other features in the On Being episode “Yo-Yo Ma — Music Happens Between the Notes.” Find more at onbeing.org.
Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Nothing is helping us more right now, as we watch human tragedies unfold on the U.S.-Mexican border and elsewhere, than a conversation Krista had last year with literary historian Lyndsey Stonebridge — on thinking and friendship in dark times. She applies the moral clarity of the 20th-century philosopher Hannah Arendt to now — an invitation to dwell on the human essence of events we analyze as political and economic. Our dramas of exile and displacement are existential, she says — about who we will all be as people and political community. What Arendt called the “banality of evil” was at root an inability to hear another voice. This interview is edited and produced with music and other features in the On Being episode “The Moral World in Dark Times: Hannah Arendt for Now — Lyndsey Stonebridge.” Find more at onbeing.org.
Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Nothing is helping us more right now, as we watch human tragedies unfold on the U.S.-Mexican border and elsewhere, than a conversation Krista had last year with literary historian Lyndsey Stonebridge — on thinking and friendship in dark times. She applies the moral clarity of the 20th-century philosopher Hannah Arendt to now — an invitation to dwell on the human essence of events we analyze as political and economic. Our dramas of exile and displacement are existential, she says — about who we will all be as people and political community. What Arendt called the “banality of evil” was at root an inability to hear another voice. Find the transcript for this show at onbeing.org.
Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
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