To be in conversation with Maira Kalman is like wandering into one of her cartoons in The New Yorker. Millions have been prompted to smile and think by Maira Kalman’s illustrated revision of Strunk and White’s Elements of Style or a New York Times blog or her lovely books and her drawings about dogs. Her words and pictures bring life's whimsy and quirkiness into relief right alongside its intrinsic seriousness, its most curious truths.

To be in conversation with Maira Kalman is like wandering into one of her cartoons in The New Yorker. Millions have been prompted to smile and think by Maira Kalman’s illustrated revision of Strunk and White’s Elements of Style or a New York Times blog or her lovely books and her drawings about dogs. Her words and pictures bring life's whimsy and quirkiness into relief right alongside its intrinsic seriousness, its most curious truths.

No conversation we’ve ever done has been more beloved than this one. This Irish poet, theologian, and philosopher insisted on beauty as a human calling. He had a very Celtic, lifelong fascination with the inner landscape of our lives and with what he called “the invisible world” that is constantly intertwining what we can know and see. This was one of the last interviews he gave before his unexpected death in 2008. But John O’Donohue’s voice and writings continue to bring ancient mystical wisdom to modern confusions and longings. This interview is edited and produced with music and other features in the On Being episode “John O’Donohue — The Inner Landscape of Beauty.” Find more at onbeing.org.

No conversation we’ve ever done has been more beloved than this one. This Irish poet, theologian, and philosopher insisted on beauty as a human calling. He had a very Celtic, lifelong fascination with the inner landscape of our lives and with what he called “the invisible world” that is constantly intertwining what we can know and see. This was one of the last interviews he gave before his unexpected death in 2008. But John O’Donohue’s voice and writings continue to bring ancient mystical wisdom to modern confusions and longings.

In the 1960s, Nikki Giovanni was a revolutionary poet of the Black Arts Movement that nourished civil rights. She had a famous dialogue with James Baldwin in Paris in 1971. As a professor at Virginia Tech, she brought beauty and courage by the way of poetry after the shooting there. Today, she is a self-proclaimed space freak and a delighted elder — an adored voice to hip-hop artists and the new forms of social change this generation is creating. This interview is edited and produced with music and other features in the On Being episode “Nikki Giovanni — Soul Food, Sex, and Space.” Find more at onbeing.org.

In the 1960s, Nikki Giovanni was a revolutionary poet of the Black Arts Movement that nourished civil rights. She had a famous dialogue with James Baldwin in Paris in 1971. As a professor at Virginia Tech, she brought beauty and courage by the way of poetry after the shooting there. Today, she is a self-proclaimed space freak and a delighted elder — an adored voice to hip-hop artists and the new forms of social change this generation is creating.

The civil rights icon Ruby Sales names “a spiritual crisis of white America” as a calling of this time. During the days of the movement, she learned to ask the question, “Where does it hurt?” It’s a question we scarcely know how to ask in public life now, but it gets at human dynamics that we are living and reckoning with. A probing conversation at a convening of 20 theologians seeking to reimagine the public good of theology for this century. This interview is edited and produced with music and other features in the On Being episode “Ruby Sales — Where Does it Hurt.” Find more at onbeing.org.

The civil rights icon Ruby Sales names “a spiritual crisis of white America” as a calling of this time. During the days of the movement, she learned to ask the question, “Where does it hurt?” It’s a question we scarcely know how to ask in public life now, but it gets at human dynamics that we are living and reckoning with. A probing conversation at a convening of 20 theologians seeking to reimagine the public good of theology for this century.

Life as an improvisational art, at every age. This idea animates the wise linguist and anthropologist Mary Catherine Bateson, whose book “Composing a Life” has touched many. Since her childhood as the daughter of the iconic anthropologists Margaret Mead and Gregory Bateson, she’s had an ability to move through the world as both an original observer and a joyful participant. Now in her 70s, she’s pondering — and living — what she calls the age of “active wisdom.” She sees longer life spans creating a new developmental stage for our species. This interview is edited and produced with music and other features in the On Being episode “Mary Catherine Bateson — Composing A Life.” Find more at onbeing.org.

Life as an improvisational art, at every age. This idea animates the wise linguist and anthropologist Mary Catherine Bateson, whose book “Composing a Life” has touched many. Since her childhood as the daughter of the iconic anthropologists Margaret Mead and Gregory Bateson, she’s had an ability to move through the world as both an original observer and a joyful participant. Now in her 70s, she’s pondering — and living — what she calls the age of “active wisdom.” She sees longer life spans creating a new developmental stage for our species.