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In this Episode, David discusses his recent travels to California and Connor’s visit to Nashville the week before.
David and Connor met up with Aaron Deter-Wolf of Archaeology Ink and Danny Riday of Totemic Tattoo in Nashville, who gave David and Connor hand-poked tattoos with bone and stone. David discusses the artistry, history, and process behind Danny’s work and his hand-poked tattoo, that is a memorial to his late dog, Strider.
David then discusses three Civil War era sites he and Connor toured in the Nashville area called the Carter House, Carnton Plantation, the Lotz House, which all were part of the Battle of Franklin. This battle was a major part of the Civil War and the eventual collapse of the confederate army.
In Part 2, David will then discusses the Bellemeade Mansion and the Hermitage in Nashville, and how these powerful Southern families partook in the war.
But mainly, David speaks candidly about how these historic sites have evolved (and not evolved) in their ways of including the story Black Americans and those of the African Diaspora into the landscape of these histories.
Transcripts5
1212 ratings
In this Episode, David discusses his recent travels to California and Connor’s visit to Nashville the week before.
David and Connor met up with Aaron Deter-Wolf of Archaeology Ink and Danny Riday of Totemic Tattoo in Nashville, who gave David and Connor hand-poked tattoos with bone and stone. David discusses the artistry, history, and process behind Danny’s work and his hand-poked tattoo, that is a memorial to his late dog, Strider.
David then discusses three Civil War era sites he and Connor toured in the Nashville area called the Carter House, Carnton Plantation, the Lotz House, which all were part of the Battle of Franklin. This battle was a major part of the Civil War and the eventual collapse of the confederate army.
In Part 2, David will then discusses the Bellemeade Mansion and the Hermitage in Nashville, and how these powerful Southern families partook in the war.
But mainly, David speaks candidly about how these historic sites have evolved (and not evolved) in their ways of including the story Black Americans and those of the African Diaspora into the landscape of these histories.
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