In the last week and a half, Ye, the artist formerly known as Kanye West, has appeared on Tucker Carlson’s show on Fox News, been photographed with far-right provocateur Candace Owens wearing a “White Lives Matter” shirt, and tweeted that he was going “death con 3 on JEWISH PEOPLE” (which landed him in social media jail). Redacted footage from the Fox interview revealed that Ye made a number of antisemitic comments there too, referring to Hannukah as a vehicle for “financial engineering” and casting Black people as the real Jews, with non-Black Jews as imposters. In the wake of these comments, Jewish organizations have raised the alarm about worsening antisemitism; meanwhile, tensions have been rising online between some Black and Jewish people, playing out familiar grievances about acknowledgement and allyship. What, if anything, can we learn from this instance of high-profile antisemitism and this latest round of Black–Jewish discourse? And is there any path to solidarity between those targeted by Ye’s anti-Black and antisemitic ideas? Jewish Currents contributing writer Rebecca Pierce, Atlantic staff writer Adam Serwer, and Currents editor-in-chief Arielle Angel discussed Ye’s antisemitism.

Note: This episode was taped on Friday, October 14th, before it was announced that Ye plans to buy the right-wing social media platform Parler. Stay tuned at the end of the episode for a postscript from Pierce and Angel on this new development.

Articles and Tweets Mentioned:

“Watch the Disturbing Kanye Interview Clips That Tucker Carlson Didn’t Put on Air,” Anna Merlan, Vice 

“Musk and West, Inc.,” John Ganz’s Substack

“What Kanye Can Teach Us About Anti-Semitism,” Yair Rosenberg, The Atlantic

Kimberly Nicole Foster’s tweets about antisemitism

“Black Antisemitism Is Not Inherently ‘Left Wing,’” Rebecca Pierce, Jewish Currents

“Beyond Grievance,” Arielle Angel, Jewish Currents 

Sarah Silverman’s Jewish grievance tweet

“Kanye West to acquire conservative social media platform Parler,” Brian Fung, CNN Business

“An Antisemitic Judge, a White Supremacist System,” Rebecca Pierce, Jewish Currents

Thanks to Jesse Brenneman for producing and to Nathan Salsburg for the use of his song “VIII (All That Were Calculated Have Passed).”

For 15 years, Israel has imposed an air, land, and sea blockade on the Gaza Strip, barring most Palestinians in the coastal enclave from leaving the area under any circumstances. Fishermen who venture out past an Israeli-imposed limit are shot at and arrested, while Palestinian farmers have been killed by soldiers for working land that lies near the boundary fence. Israel also tightly controls the entry and exit of goods, and its restrictive policies have devastated the Gazan economy and led to an unemployment rate of about 50%. In the same period, Israel has waged five military assaults on Gaza, killing thousands of Palestinians, the majority of whom were civilians. To discuss Israel’s severe restrictions on Palestinian movement from Gaza and what it’s like to live under blockade and bombardment, Jewish Currents staff reporter Alex Kane interviewed an anonymous writer and Miriam Marmur, the director of public advocacy for Gisha—Legal Center for Freedom of Movement, the leading Israeli group focusing on Israel’s blockade of Gaza. 

This episode also features a special segment from Palestinian think tank Al-Shabaka’s podcast Rethinking Palestine that analyzes Israel’s extrajudicial killings of Palestinian fighters in Nablus and the psychology of the new generation of Palestinian armed resistance fighters.

ARTICLES MENTIONED

“Ramadan in Gaza,” Anonymous, Jewish Currents

“A Butterfly in Gaza,” Anonymous, Jewish Currents

“From Jenin to Gaza to Nablus: Palestinian Resistance Under Attack,”Rethinking Palestine, Al-Shabaka

Thanks to Jesse Brenneman for producing and to Nathan Salsburg for the use of his song “VIII (All That Were Calculated Have Passed).”

In the wake of the recent extensive New York Times investigation into Hasidic yeshivas, a fierce and often acrimonious debate has emerged about the ethics of covering the Hasidic world from the outside, how private institutions that receive government funds are accountable to the broader public, and religious minority communities’ right to insist on their way of life, even when it brings them into conflict with the state. On this episode, Jewish Currents Contributing Editor Joshua Leifer hosts a conversation between Naftuli Moster, executive director of Young Advocates for Fair Education (YAFFED), and Frieda Vizel, a writer and tour guide of Hasidic Brooklyn. Moster and Vizel—who both grew up in, and later left, Hasidic communities—draw on their own educational experiences to offer very different perspectives on the Times article and reactions to it, on the best way to advocate for change in the Hasidic world, and on what’s at stake in the fight over secular education.

Articles and Podcast Episodes Mentioned:

“In Hasidic Enclaves, Failing Private Schools Flush With Public Money,” Eliza Shaprio and Brian M. Rosenthal, The New York Times

“Thoughts on the NYT exposé on Hasidic education,” Frieda Vizel

“Progressives Have Abandoned Haredi Children,” Naftuli Moster, Jewish Currents

“The Great Yeshiva Slander,” Commentary podcast

“Private Religious Schools Have Public Responsibilities Too,” Nomi M.Stolzenberg and David N. Myers, The Atlantic

Thanks to Jesse Brenneman for producing and to Nathan Salsburg for the use of his song “VIII (All That Were Calculated Have Passed).”

On this episode, Jewish Currents Editor-in-Chief Arielle Angel talks with her mother, Jeri Cohen, co-founder of the Women’s Emergency Network, the first abortion fund in South Florida. Cohen, who spent 28 years as a judge in child abuse and dependency court, retired two years ago and has since gotten back into the struggle for reproductive justice. But the movement has changed since the peak of her involvement in the ’70s and ’80s, rooting itself in different political frameworks and organizing cultures, and she now finds herself a fish out of water—a committed liberal on the cusp of 70, learning the mores of the contemporary left. Cohen discusses the process of reacquainting herself with the struggle that defined her young adulthood and which has subsequently transformed.

If you liked this podcast, please donate to the Women’s Emergency Network, an abortion fund serving women in South Florida.

On this episode, Jewish Currents Contributing Editor Joshua Leifer talks with Oren Ziv—co-founder of the award-winning photojournalist collective Activestills and reporter for +972 Magazine and its Hebrew sister site, Local Call—about Oren’s decade-plus experience documenting protest and resistance in Israel/Palestine. Since the Activestills collective’s founding in 2005, Ziv and the group have captured some of the most iconic, and often painful, images of social and political struggle: from the demonstrations against the Israeli separation barrier in the late 2000s, to the campaign for African asylum seekers’ rights in the 2010s, to the opposition to gentrification in the Mizrahi neighborhood of Givat Amal, and much more. Ziv’s own dogged reporting has made him one of the most perceptive journalists in the field; through his camera, Ziv has opened up the injustices of the occupation to the world. Ziv discusses his journalistic method and the experience of documenting the violence of apartheid.

One note: This conversation was recorded before August 18th, when Israeli forces raided and sealed the offices of six leading Palestinian civil society and human rights organizations in the occupied West Bank.

Articles, Statements, and Websites Mentioned

“Bil’in: Photographing a decade of popular struggle” by Activestills

“Desperation and hope in the eviction of Givat Amal” by Haggai Matar

“Reconstruction of Umm al-Hiran killings disproves car-ramming claims” by Yael Marom

Visual investigation of Umm al-Hiran incident, by Forensic Architecture and Activiestills

“Joint militias: How settlers and soldiers teamed up to kill four Palestinians” by Yuval Abraham

“Sent to Rwanda by Israel: ‘We have no food or work. Don’t come here’” by Oren Ziv

“At Tel Aviv rally, a Mizrahi-asylum seeker alliance is born” by Joshua Leifer

“Israeli gunfire killed journalist Shireen Abu Akleh, U.N. says” by Bill Chappell

“Secret Israeli document offers no proof to justify terror label for Palestinian groups” by Yuval Abraham, Oren Ziv, and Meron Rapoport

“‘You will pay the price’: Shin Bet threatens Palestinian NGO directors” by Oren Ziv

“‘We killed a little boy, but it was within the rules’” by Yuval Abraham

“Netanyahu’s authoritarian rule is turning Israelis against the state” by Meron Rapoport

“Peace Now is taking direct action against settler outposts. Can it succeed?” by Oren Ziv and Meron Rapoport

“The End of the Green Line—Two Views” by Haggai Matar

Thanks to Jesse Brenneman for producing and to Nathan Salsburg for the use of his song “VIII (All That Were Calculated Have Passed).”

Last week, Graywolf Press released Civil Service, the debut poetry collection by Jewish Currents Culture Editor Claire Schwartz. The book is a daring study of the violence woven into our world, from everyday encounters to the material of language itself. The poems unfold in three main sequences: a quartet of lyric lectures, a fragmentary narrative that follows a cast of archetypal figures named for the coordinates of their complicities with power—the Dictator, the Curator, the Accountant, and so on—and a series of interrogation scenes centered on a spectral, fugitive figure named Amira, who gives us a glimpse of another world. To celebrate the release of Civil Service, Schwartz spoke with Managing Editor Nathan Goldman and the book’s editor at Graywolf Press, Chantz Erolin, about the book, as well as poems by Paul Celan and Edmond Jabès that deeply informed it. They discussed dispersed responsibility for state violence, thinking as feeling, and the political possibilities of poetry.

Works Mentioned:

Civil Service by Claire Schwartz

“Lecture on Loneliness” by Claire Schwartz

“Mourning and Melancholia” by Sigmund Freud

“The Felt House That Moves Us: A Conversation with Saretta Morgan,” a conversation with Muriel Leung and Joey De Jesus

“The Concept of Character in Fiction” by William H. Gass

The Souls of Black Folk by W.E.B. Du Bois

“Death Fugue” by Paul Celan, trans. Pierre Joris

“Stretto” by Paul Celan, trans. Pierre Joris

“Celan’s Ferryman,” a conversation between Fanny Howe and Pierre Joris

Voyage of the Sable Venus by Robin Coste Lewis

“Robin Coste Lewis: ‘Black Joy is My Primary Aesthetic,’” a conversation between Claire Schwartz and Robin Coste Lewis

The Book of Questions by Edmond Jabès, trans. Rosmarie Waldrop

“Rosmarie Waldrop: The Nick of Time,” a conversation with David Naimon 

Austerlitz by W.G. Sebald, trans. Anthea Bell

“The Ga(s)p” by M. NourbeSe Philip

“Fred Moten’s Radical Critique of the Present” by David S. Wallace

Minima Moralia by Theodor Adorno

Reconsidering Reparations by Olúfẹ́mi O. Táíwò

“Assuming the Perspective of the Ancestor,” a conversation between Claire Schwartz and Olúfẹ́mi O. Táíwò

“Perennial” by Claire Schwartz

Thanks to Jesse Brenneman for producing and to Nathan Salsburg for the use of his song “VIII (All That Were Calculated Have Passed).”

On this episode, Jewish Currents editor-in-chief Arielle Angel speaks with two Germany-based writers and organizers, Emily Dische-Becker and Michael Sappir, about the bizarre and worrisome ways that Germany’s understandably zealous Holocaust memory culture is playing out among Jews, Palestinians, and other Germans in contemporary Germany. An anti-BDS resolution passed in the Bundestag in 2019 has led to draconian repression of speech across German society, much of it directed not only at Palestinian Germans, but also at some critical Israeli Jews, upward of 10,000 of whom live in Germany. These politics are complicated further by the prevalence on the left of an “anti-Deutsche” tendency, characterized by strong support for the state of Israel as part of a nominally antifascist politics, and also by high numbers of German converts to Judaism who sometimes bring different assumptions about Jewishness to the table when weighing in on questions of communal concern. 

Recently, Dische-Becker, a German American leftist Jew, has become a target of the ongoing German anti-antisemitism hysteria. As one of the organizers of the recent Hijacking Memory conference in Berlin, which sought to explore the ways the global right is appropriating Holocaust memory, and as an erstwhile adviser to the German art fair documenta, which has been embroiled in antisemitism scandals for months, Dische-Becker has emerged as the latest bogeyman for Germans eager to prove their anti-antisemitism bona fides. In this conversation, Dische-Becker and Sappir lay the groundwork for Germany’s upside-down politics and discuss the meaning of the recent attacks.

This is Part 1 of a two-part series on Germany. Part 2, featuring different guests, will cover crackdowns on Palestinian identity and political expression, particularly in German media. 

ARTICLES, STATEMENTS AND WEBSITES MENTIONED:

“The Challenge of Defending Memory in Germany” by Joshua Leifer

“When ‘Antifa’ Is the Enemy,” an interview with Michael Sappir by Isabel Frey

“In Germany, a Witch Hunt Is Raging Against Critics of Israel. Cultural Leaders Have Had Enough” by Itay Mashiach

About Blank FAQ on Israel/Palestine politics

Goethe-Institut rescinding an invitation to Mohammed El-Kurd

Hannah Tzuberi’s lecture on “Desiring Victimhood: German Self-Formation and the Figure of the Jew” at the Hijacking Memory Conference in Berlin

“Documenta Was a Whole Vibe. Then a Scandal Killed the Buzz.” by Siddhartha Mitter 

“Rethinking empathy: emotions triggered by the Holocaust among Muslim-minority in Germany” by Esra Özyürek

Thanks to Sophia Steinert-Evoy for producing and to Nathan Salsburg for the use of his song “VIII (All That Were Calculated Have Passed).”

Late last month, the Autonomous Tenants Union Network—a collaboration of tenant unions from cities across North America—held its first-ever in-person convention in Los Angeles. ATUN formed in 2018 to consolidate the energies of a movement that has exploded in scope in response to a deepening crisis for tenants. Over the course of the weekend, members of 20 tenant unions from Eugene, Oregon to Houston, Texas held strategy sessions on everything from organizing around climate disaster to mutual aid to political education. On this episode, senior editor Ari Brostoff—who attended the conference as a member of the Crown Heights Tenants Union in Brooklyn—spoke with Kenia Alcocer, of the Los Angeles Tenants Union; Claire Spiehler, of the Houston Tenants Union; and Danya Martinez-Spider, of the West River Tenants Union in South Dakota. 

Thanks to Sophia Steinert-Evoy for producing and to Nathan Salsburg for the use of his song “VIII (All That Were Calculated Have Passed).”

In early June, an anonymous collective of Boston-area activists published “The Mapping Project,” an interactive map listing various institutions in Massachusetts and descriptions of their complicity in Zionism or US imperialism. The list includes universities, foundations, nonprofits, schools, and police departments. The group said they set out to deepen activist “understanding of local institutional support for the colonization of Palestine,” as well as how Israel’s colonization of Palestine is connected to US policing, US foreign policy, and the displacement of local communities. Mainstream Jewish groups such as the Anti-Defamation League reacted to the map with outrage, claiming that listing Jewish foundations, nonprofits, and the like—alongside their addresses—could incite antisemitic violence. Jewish establishment groups were particularly incensed at The Mapping Project’s call to “dismantle” and “disrupt” the institutions listed. Dozens of congressional lawmakers also denounced the project, and the FBI announced it was investigating it. Meanwhile, the map also sparked controversy from an unexpected source: the Palestinian-led Boycott National Commitee, which distanced itself from the website and, in a private letter to BDS Boston, a local group that endorsed the project, said the project will lead to backlash and open up Palestinian rights groups to “infiltration” and “repression.”

Jewish Currents editor-in-chief Arielle Angel, contributing editor Josh Leifer, assistant editor Mari Cohen, and senior reporter Alex Kane convened to discuss the accusations against The Mapping Project, whether the website is an effective way to counter Israeli apartheid, and the political divisions that have come to the fore because of the controversy over the project.

Articles, Statements and Websites Mentioned:

The Mapping Project

“House lawmakers urge federal inquiry into ‘Mapping Project’” by Marc Rod 

“FBI looking into ‘The Mapping Project,’ pro-Palestinian site targeting ‘Zionist leaders’ in Boston” by Forward staff

Boycott National Committe’s letter to BDS Boston

“Palestinian BDS National Committee Has No Connection To and Does Not Endorse The Mapping Project” by Palestinian BDS National Committee

“‘Our struggles are truly connected’: an interview with the Mapping Project” by Adam Horowitz

“The Mapping Project is not antisemitic but it is destructive activism” by Nora Lester Murad

“Sunrise, Sunset” podcast by Jewish Currents staff

Thanks to Sophia Steinert-Evoy for producing and to Nathan Salsburg for the use of his song “VIII (All That Were Calculated Have Passed).”

A broad spectrum of the American left agrees that the existing political system is not working—that it is dysfunctional, corrupt, anti-majoritarian, and utterly unable to address the serious economic, social, and ecological crises confronting the public. But despite pervasive exhaustion with the status quo, and despite omnipresent warnings about a looming constitutional threat from the radical right, there have been few signs of mobilization for a full-scale left-wing revolution since the 2020 uprisings against racism and police violence after the murder of George Floyd. Today, America’s most liberal cities have largely doubled down on carceralism, and the right has far more insurgent energy than the left. To discuss the dog that isn’t barking, David Klion spoke with Mike Duncan—the creator of the popular podcast Revolutions, which examines the history of ten historical upheavals in great detail—about what makes America in 2022 different from France in 1789 or Russia in 1917, and what it would take to see a real revolution.

Books, Articles, TV Shows, and Podcasts Mentioned:

Mike Duncan’s Revolutions and History of Rome podcasts

The Storm Before the Storm by Mike Duncan

Hero of Two Worlds by Mike Duncan

The Black Jacobins by C.L.R. James

“The Institutionalist: Dianne Feinstein’s Long Fight for Abortion and Gun Control” by Rebecca Traister 

“Mike Duncan Takes on the Turmoil of History” by David Klion 

Thanks to Jesse Brenneman for producing and to Nathan Salsburg for the use of his song “VIII (All That Were Calculated Have Passed).”