One by Willie

This week, legendary Muscle Shoals bass player David Hood talks about recording Willie’s classic 1974 album Phases and Stages with his fellow Swampers, focusing on his favorite track on the record, “(How Will I Know) I’m Falling in Love Again.” Phases was, of course, named Willie’s finest album ever by Texas Monthly, and it prompts memories from Hood on the fabled R&B producer who brought the project to Muscle Shoals, Jerry Wexler; the mere two days they took to cut it; and the weird moment when Willie first walked into the studio.

This week, Americana singer-songwriter Nathaniel Rateliff talks about the cut that closes Willie’s 1973 album Shotgun Willie, “A Song for You.” It was arguably Willie’s first iconic cover song, written by one of his closest friends and most important collaborators, Tulsa legend Leon Russell, and it prompts Nathaniel to think aloud about the biker funeral where he first heard it; the crazy, early-70s days when Leon and Willie first hooked up...and the great lesson Nathaniel learned from Willie on creating a space—and a life—that brings friends together to make music.

This week, Willie’s longtime harmonica player, Mickey Raphael, talks about a song Willie cut not long before leaving Nashville for good in 1972, the aptly titled “The Words Don’t Fit the Picture.” Mickey was just a sideman on the Dallas folkie scene when he first heard it, and it’s the song that made him want to play with Willie. He talks about that experience, plus what his fifty-plus years with Willie have been like, from joining the band to shows they played until dawn, mysterious stowaways who spent days on the bus, he and Willie’s onstage telepathy...and how their half-century of friendship changed his life.

This week, one of America’s greatest living composers, Jimmy Webb, the writer of such classics as “By the Time I Get to Phoenix,” “Galveston,” “Macarthur Park,” and “Wichita Lineman,” talks about another of his iconic songs, “Highwayman.” Willie, of course, recorded it with Johnny Cash, Waylon Jennings, and Kris Kristofferson in 1985, and it went on to win that year’s Grammy for best country song, as well as give country’s first supergroup their name. From there, Jimmy touches on reincarnation, the way Glen Campbell got the song to Willie, et al.—with a weird assist from the Knack and “My Sharona”—and a great idea for Willie’s next album.

This week, Vince Gill—a 21-time Grammy-winning singer-songwriter, guitarist, and honkytonk historian—talks about “Healing Hands of Time.” It’s a song Willie’s cut several times, but Vince focuses on the version from 1976’s The Sound in Your Mind, before getting into the power of an irresistible first line in a lyric, the seminal role in country music history played by Willie and his old friend Ray Price, and why writing a song that helps people through a hard time—like “Healing Hands” and Vince’s own “Go Rest High on that Mountain”—matters so much more than having a #1 hit.

This week, we ring in Willie’s 89th birthday with his daughter Paula Nelson, who talks about “Devil in a Sleeping Bag,” off of his 1973 album Shotgun Willie. It’s a song Willie wrote about his longtime drummer and best friend, Paul English—who happens to be Paula’s namesake—and it gets her thinking about Paul’s dual role as Willie’s well-armed money-collector, a gunfight her dad was in, and hanging with Michael Jackson at the “We Are the World” recording session—before closing with some sweet memories of her dad’s older sister, pianist Bobbie Nelson.

Singer-songwriter-superstar Kacey Musgraves goes deep into Willie’s back catalog to discuss “Are You Sure.” It was one of the first demos he cut when he moved to Nashville—though it’s probably best-known by the duet Kacey and Willie recorded for her Grammy-nominated 2015 album Pageant Material—and it prompts her to talk about what she calls “real-ass country songs,” the lucky joint Willie gave her, and singing “Rainbow Connection” with him at the 2019 CMA awards. Oh and she also does the best Owen Wilson impression you will hear all year.

Season 3 launches on April 20th with Kacey Musgraves, Vince Gill, Nathaniel Rateliff, Jimmy Webb, and many others.

The original Dallas Cowboys Cheerleaders squad burst onto the field back in 1972—the same year Title IX passed, the same year Deep Throat came out, and a year before Roe v. Wade. Sarah Hepola digs into the untold stories behind the global pop culture phenomenon, from the stripper who allegedly inspired the squad’s creation, to a scandalous Playboy cover shoot that was partly a battle over fair wages, to the ongoing debate about sexuality and women’s bodies in a post-#MeToo world. The result is a vibrant mix of history, cultural criticism, and storytelling, featuring interviews with New Yorker writer Jia Tolentino, award-winning novelist Ben Fountain, Oscar-nominated director Dana Adam Shapiro, local television sports legend Dale Hansen, folk-writing hero Joe Nick Patoski, and a whole bunch of cheerleaders whose names you don’t know yet—but should.

This week, we celebrate Willie’s 88th birthday with singer-songwriter Sheryl Crow, who discusses what may be the single best-known song that Willie ever wrote, “Crazy.” She’ll walk us through what it means to compose a pop standard, explaining the differences she hears in Patsy Cline’s original, 1961 version and the one that Willie still does nightly, but she’ll also describe what it does to her heart when she hears her 10-year-old son singing “Crazy” in the kitchen. And then she’ll get into her long friendship with Willie…and that time he tried to pass a backstage joint to her dad.