One Poem Only

A daily reading from One Poem Only—a quiet space for a single poem, read aloud.

Today’s poem is A-town Blues by Kendra Whitfield . Read the full poem on Substack.

More from Kendra Whitfield ↓

• @kendrarising on Instagram

Support + Stay Connected to OPO

If you’d like to support the show, Substack and Patreon members receive a copy of my book, For My Daughter, along with episodes from the audiobook.

Follow OPO on Instagram, Substack, Threads, TikTok & YouTube.

Poetry reminds us what matters. Thank you for listening.

Mentioned in this episode:

One Poem Only submissions are open.

This round, I’m looking for poems about what remains. What stays with us when we experience change? What survives? What do we yearn to carry forward? Send me the poem you wrote and want the world to hear. Also, if you’d like to read your own poem on the podcast, you can. Submit a clear audio file recorded in a quiet space—no perfect studio recording required. And yes, your poem can have been previously published in a literary magazine, in print, or on social media. Submissions close Thursday, October 29. I’ll respond by Wednesday, November 11. Whether I read your poem or you read it yourself, I’d love to hear what you have to share.

One Poem Only Submissions Form

Wednesdays on One Poem Only are a double feature: one poem here on the podcast, and one more by the same poet shared on Instagram.

Today’s poem is Cry of the Tempestuous Light by Theo Lonic. Read the full poem on Substack.

More from Theo Lonic ↓

• @theoonink on Instagram
• @theolonic on Substack
• Read more from her at Phantomania where you'll find her Phantomaniacs fantasy trilogy along with work by other fantasy, sci-fi, and paranormal authors.
• Her poetry collection, Soul Crush: The (Very?) Dark Side, will be published soon.

Watch the Second Poem

You can watch and listen to At a loss by Theo Lonic as part of our Wednesday double feature on Instagram at @rembrandts.cure.

Support + Stay Connected to OPO

If you’d like to support the show, Substack and Patreon members receive a copy of my book, For My Daughter, along with episodes from the audiobook.

Two poems. One poet. Let the words keep moving.

Mentioned in this episode:

One Poem Only submissions are open.

This round, I’m looking for poems about what remains. What stays with us when we experience change? What survives? What do we yearn to carry forward? Send me the poem you wrote and want the world to hear. Also, if you’d like to read your own poem on the podcast, you can. Submit a clear audio file recorded in a quiet space—no perfect studio recording required. And yes, your poem can have been previously published in a literary magazine, in print, or on social media. Submissions close Thursday, October 29. I’ll respond by Wednesday, November 11. Whether I read your poem or you read it yourself, I’d love to hear what you have to share.

One Poem Only Submissions Form

One Poem Only is a daily ritual: one poem, center stage, just for now.

Today’s poem is The Days by Lynne Thompson. Read the full poem on Substack.

More from Lynne Thompson ↓

• @letpms on Instagram
• Her book, Blue on a Blue Palette, from Boa Editions is out now.

Support + Stay Connected to OPO

If you’d like to support the show, Substack and Patreon members receive a copy of my book, For My Daughter, along with episodes from the audiobook.

Follow OPO on Instagram, Substack, Threads, TikTok & YouTube.

Feed yourself poetry every day.

Mentioned in this episode:

One Poem Only submissions are open.

This round, I’m looking for poems about what remains. What stays with us after we experience change? What survives? What do we yearn to carry forward? Send me the poem you wrote and want the world to hear. Also, if you’d like to read your own poem on the podcast, you can. Submit a clear audio file recorded in a quiet space—no perfect studio recording required. And yes, your poem can have been previously published in a literary magazine, a book, or on social media. Submissions close Thursday, October 29. I’ll respond by Wednesday, November 11. Whether I read your poem or you read it yourself, I’d love to hear what you have to share.

One Poem Only Submissions Form

One Poem Only is a daily poetry podcast offering a quiet moment with a single poem—read aloud, without analysis or noise.

Today’s poem is Turning Fifty by Emily Wharton. Read the full poem on Substack.

More from Emily Wharton ↓

• @poet.geek on Instagram
• Her book, Zoomorphic: A Poetry Chapbook, is out now.
• You can read more on her blog: Poetry.One.

Support + Stay Connected to OPO

If you’d like to support the show, Substack and Patreon members receive a copy of my book, For My Daughter, along with episodes from the audiobook.

Follow OPO on Instagram, Substack, Threads, TikTok & YouTube.

Poetry slows us down. Thank you for listening.

Mentioned in this episode:

One Poem Only submissions are open.

This round, I’m looking for poems about what remains. What stays with us after we experience change? What survives? What do we yearn to carry forward? Send me the poem you wrote and want the world to hear. Also, if you’d like to read your own poem on the podcast, you can. Submit a clear audio file recorded in a quiet space—no perfect studio recording required. And yes, your poem can have been previously published in a literary magazine, a book, or on social media. Submissions close Thursday, October 29. I’ll respond by Wednesday, November 11. Whether I read your poem or you read it yourself, I’d love to hear what you have to share.

One Poem Only Submissions Form

One Poem More gathers all of this week’s poems from One Poem Only—an unhurried chance to listen again, or catch what you missed.

• Why I Love the Mud by Jo Guzman
• Frida by GiGi
• Moss-Laden by Irisanya Moon
• People Watching by Hagintha Woods
• Every Night-Haired Woman by Penelope Mark
• Unfolded Out of the Folds by Walt Whitman

Plus one new one to carry us into the week ahead - Nets of Stone - by Maggie Devers. Read the poem in full on Substack.

More from Maggie Devers ↓

• My debut poetry collection, For My Daughter, available as an audiobook.
• Purchase a copy of For My Daughter or get one free by subscribing to the podcast: One Poem Only on Patreon
• Follow me on Instagram for more poetry @rembrandts.cure

More from this week’s poets

Find links to each poet’s work, books, and social accounts in the show notes for the individual episodes.

Support + Stay Connected to OPO

If you’d like to support the show, Substack and Patreon members receive a copy of my book, For My Daughter, along with episodes from the audiobook.

Poetry is better when it’s lived with. Thank you for listening.

One Poem Only is a daily ritual: one poem, center stage, just for now.

Today’s poem is Unfolded Out of the Folds by Walt Whitman. Read the full poem on Substack.

Support + Stay Connected to OPO

If you’d like to support the show, Substack and Patreon members receive a copy of my book, For My Daughter, along with episodes from the audiobook.

Follow OPO on Instagram, Substack, Threads, TikTok & YouTube.

Poetry shows us what we need. Thank you for being part of the experience.

Mentioned in this episode:

One Poem Only submissions are open.

This round, I’m looking for poems about what remains. What stays with us when we experience change? What survives? What do we yearn to carry forward? Send me the poem you wrote and want the world to hear. Also, if you’d like to read your own poem on the podcast, you can. Submit a clear audio file recorded in a quiet space—no perfect studio recording required. And yes, your poem can have been previously published in a literary magazine, in print, or on social media. Submissions close Thursday, October 29. I’ll respond by Wednesday, November 11. Whether I read your poem or you read it yourself, I’d love to hear what you have to share.

One Poem Only Submissions Form

One Poem Only is a daily poetry podcast offering a quiet moment with a single poem—read aloud, without analysis or noise.

Today’s poem is Every Night-Haired Woman by Penelope Mark. Read the full poem on Substack.

More from Penelope Mark ↓

• @penny_m24 on Instagram
• @penelopem24 on Substack

Support + Stay Connected to OPO

If you’d like to support the show, Substack and Patreon members receive a copy of my book, For My Daughter, along with episodes from the audiobook.

Follow OPO on Instagram, Substack, Threads, TikTok & YouTube.

Poetry sustains. Thank you for supporting the podcast.

Mentioned in this episode:

One Poem Only submissions are open.

This round, I’m looking for poems about what remains. What stays with us after we experience change? What survives? What do we yearn to carry forward? Send me the poem you wrote and want the world to hear. Also, if you’d like to read your own poem on the podcast, you can. Submit a clear audio file recorded in a quiet space—no perfect studio recording required. And yes, your poem can have been previously published in a literary magazine, a book, or on social media. Submissions close Thursday, October 29. I’ll respond by Wednesday, November 11. Whether I read your poem or you read it yourself, I’d love to hear what you have to share.

One Poem Only Submissions Form

A daily reading from One Poem Only—a quiet space for a single poem, read aloud.

Today’s poem is People Watching by Hagintha Woods. Read the full poem on Substack.

More from Hagintha Woods ↓

• @haginthawoods on Instagram
• Read more on their blog: Hagintha Woods

Support + Stay Connected to OPO

If you’d like to support the show, Substack and Patreon members receive a copy of my book, For My Daughter, along with episodes from the audiobook.

Follow OPO on Instagram, Substack, Threads, TikTok & YouTube.

Poetry reminds us what matters. Thank you for listening.

Mentioned in this episode:

One Poem Only submissions are open.

This round, I’m looking for poems about what remains. What stays with us when we experience change? What survives? What do we yearn to carry forward? Send me the poem you wrote and want the world to hear. Also, if you’d like to read your own poem on the podcast, you can. Submit a clear audio file recorded in a quiet space—no perfect studio recording required. And yes, your poem can have been previously published in a literary magazine, in print, or on social media. Submissions close Thursday, October 29. I’ll respond by Wednesday, November 11. Whether I read your poem or you read it yourself, I’d love to hear what you have to share.

One Poem Only Submissions Form

Wednesdays on One Poem Only are a double feature: one poem here on the podcast, and one more by the same poet shared on Instagram.

Today’s poem is Moss-Laden by Irisanya Moon. Read the full poem on Substack.

More from Irisanya Moon ↓

• @irisanya.moon on Instagram
• @irisanya on Substack
• You can view a list of their published books here.

Watch the Second Poem

You can watch and listen to (this might be a poem for Brigid) by Irisanya Moon as part of our Wednesday double feature on Instagram at @rembrandts.cure.

Support + Stay Connected to OPO

If you’d like to support the show, Substack and Patreon members receive a copy of my book, For My Daughter, along with episodes from the audiobook.

Two poems. One poet. Let the words keep moving.

One Poem Only is a daily ritual: one poem, center stage, just for now.

Today’s poem is Frida by GiGi. Read the full poem on Substack.

More from GiGi ↓

• @thematriarchyrising on Substack
• She has two books: The Scorpio Rising and The Marilyn Rising: Letters to Marilyn. Her book in progress, The California Rising: Poems from San Francisco to LA, will be published in late 2026.

Support + Stay Connected to OPO

If you’d like to support the show, Substack and Patreon members receive a copy of my book, For My Daughter, along with episodes from the audiobook.

Follow OPO on Instagram, Substack, Threads, TikTok & YouTube.

Feed yourself poetry every day.

Mentioned in this episode:

One Poem Only submissions are open.

This round, I’m looking for poems about what remains. What stays with us after we experience change? What survives? What do we yearn to carry forward? Send me the poem you wrote and want the world to hear. Also, if you’d like to read your own poem on the podcast, you can. Submit a clear audio file recorded in a quiet space—no perfect studio recording required. And yes, your poem can have been previously published in a literary magazine, a book, or on social media. Submissions close Thursday, October 29. I’ll respond by Wednesday, November 11. Whether I read your poem or you read it yourself, I’d love to hear what you have to share.

One Poem Only Submissions Form