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Opera - We love singing
Opera - We love singing episodes
- Dissecting... È luccevan le stelle
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In this season we are reviewing the most popular arias of all times. Who doesn't know this aria from Tosca by Maestro Puccini?
By far, one of the most beautiful melodies ever written for the tenor voice. There is no tenor who doesn't want to have it in his repertoire.
In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the situation the character is going through.
This will be a live session recording, subject to all technical challenges that this poses. So we beg your understanding should any trouble may arise.
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https://t.me/OperaWeLoveSinging42 min - S8E8 Spectacular Singing: En un país de Fabula from La Tabernera del Puerto
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This season is all about what impresses the public: high notes (sometimes super high notes), and ornaments. For a number of episodes we will be addressing the roles that more than once have left us wondering: How can the human voice do that? Premiering on Youtube and later audio dissemination to all streaming platforms.
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https://t.me/OperaWeLoveSinging56 min - S9 Premiere - Music was born with Life: O Sole mio
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What a better way to express our emotions than music? This season is a tour around a number of very well-known popular songs, so popular that many Opera singers have made them part of their repertoire. How well do they achieve it? Thumbs-up or down?
For this season we are having Raffa co-hosting these episodes. He has an immense passion for music and is also an experienced musician.
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https://t.me/OperaWeLoveSinging1 hr 11 min - Dissecting...Un bel dì vedremo
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In this season we are reviewing the most popular arias of all times. Who doesn't know this aria from Madama Butterfly by Maestro Puccini?
By far, one of the most beautiful melodies ever written for the soprano voice. There is no soprano who doesn't have it in her repertoire.
In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the situation the character is going through.
This was a live session recording, subject to all technical challenges that this posed. So we beg your understanding for any trouble that may distract you.
Support the show
You can join our channel in Telegram:
https://t.me/OperaWeLoveSinging37 min - Dissecting...La fleur que tu m'avait jetée from Carmen
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In this season we are reviewing the most popular arias of all times. Who doesn't know this aria from Carmen by Maestro Bizet?
By far, a very popular piece for the tenor voice. There is no tenor who doesn't want to have it in his repertoire.
In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the situation the character is going through.
Support the show
You can join our channel in Telegram:
https://t.me/OperaWeLoveSinging45 min - S8E7 Spectacular Singing - Ruiseñor from Las Musas Latinas
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This season is all about what impresses the public: high notes (sometimes super high notes), and ornaments. For a number of episodes we will be addressing the roles that more than once have left us wondering: How can the human voice do that? Premiering on Youtube and later audio dissemination to all streaming platforms.
Support the show
You can join our channel in Telegram:
https://t.me/OperaWeLoveSinging56 min - Dissecting... The Toreador from Carmen
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In this season we are reviewing the most popular arias of all times. Who doesn't know this aria from Carmen by Maestro Bizet?
By far, one of the catchiest melodies ever written for the baritone voice. There is no baritone who doesn't want to make it part of his repertoire.
In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the situation the character is going through.
Support the show
You can join our channel in Telegram:
https://t.me/OperaWeLoveSinging38 min - Dissecting...Carmen's Habanera
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In this season we are reviewing the most popular arias of all times. Who doesn't know this aria from Carmen by Maestro Bizet?
By far, one of the catchiest melodies ever written for the Mezzosoprano voice. There is no Mezzosoprano who doesn't have it in her repertoire.
In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the situation the character is going through.
This was a live session recording, subject to all technical challenges that this posed. So we beg your understanding for any problem that arose.
Support the show
You can join our channel in Telegram:
https://t.me/OperaWeLoveSinging37 min - S8E6 Spectacular Singing - Canción del Ruiseñor from Zarzuela Doña Francisquita
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This season is all about what impresses the public: high notes (sometimes super high notes), and ornaments. For a number of episodes we will be addressing the roles that more than once have left us wondering: How can the human voice do that? Premiering on Youtube and later audio dissemination to all streaming platforms.
Support the show
You can join our channel in Telegram:
https://t.me/OperaWeLoveSinging56 min - SPECIAL: 3 years anniversary Concert
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This is the audio piece of the concert we just premiered and aired on YouTube. Our apologies, as it is a live concert some problems arose.
We had to improvise as our pianist got an injury and we had to use recorded music from other channels.Support the show
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https://t.me/OperaWeLoveSinging1 hr 36 min
About Opera - We love singing
From the publisher's feed
Music, and more particularly singing is always with us. A certain day we may find ourselves moody and with a melody from La forza del destino playing over and over again in our head. Or maybe we…
feel like a superhero as we've doing great at work and then we feel like Calaf solving the 3 riddles that Turandot has proposed. First, we would like to share that this is not a place for the platitudes that are everywhere, telling my favorite singer is always the greatest in everything he's sung; and at the same time, we avoid being one of those toxic places where there's endless criticism around the minimum error of a given singer. We need more places where we can be respectful and still express our differences, as art is perception and no one perceives art equally to one another. Our second proposal is to come and share, both Katia and I are pretty sure there are a million questions you have always asked yourself about singing and as singers are sometimes not the most approachable people, well we hope can answers some of those questions!!
You can join our channel in Telegram:
https://t.me/OperaWeLoveSinging
You can join our channel in Telegram:
https://t.me/OperaWeLoveSinging