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Opera - We love singing
Opera - We love singing episodes
- S8 Spectacular Singing: Frühlingsstimmen - Voices of Spring
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This season is all about what impresses the public: high notes (sometimes super high notes), and ornaments. For a number of episodes we will be addressing the roles that more than once have left us wondering: How can the human voice do that? Premiering on Youtube and later audio dissemination to all streaming platforms.
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https://t.me/OperaWeLoveSinging56 min - Dissecting...Non più andrai from Mozart's Le Nozze di Figaro
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In this season we are reviewing the most popular arias of all times. Who doesn't know this aria from Le Nozze di Figaro by Maestro W.A. Mozart?
By far, one of the most beautiful melodies ever written for the bass voice. There is no bass who doesn't have it in his repertoire.
In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the situation the character is going through.
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https://t.me/OperaWeLoveSinging38 min - Dissecting...Sì. Mi chiamano Mimi
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In this season we are reviewing the most popular arias of all times. Who doesn't know this aria from La Boheme by Maestro Puccini?
By far, one of the most beautiful melodies ever written for the soprano voice. There is no soprano who doesn't have it in her repertoire.
In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the situation the character is going through.
This was a live session recording that premiered on Youtube, subject to all technical challenges that this poses. So, we beg your understanding should any trouble may arise.
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https://t.me/OperaWeLoveSinging58 min - S8 Spectacular Singing: C'est l'histoire amourese- Auber's Laughing song from Manon Lescaut
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This season is all about what impresses the public: high notes (sometimes super high notes), and ornaments. For a number of episodes we will be addressing the roles that more than once have left us wondering: How can the human voice do that? Premiering on Youtube and later audio dissemination to all streaming platforms.
Support the show
You can join our channel in Telegram:
https://t.me/OperaWeLoveSinging50 min - Dissecting...Júrame by Mexican composer María Grever
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In this season we are reviewing the most popular arias of all times. Who doesn't know this song by Mexican composer Maria Grever?
Tenors and Sopranos of all nationalities very often make it part of their recitals.
In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the situation the character is going through.
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https://t.me/OperaWeLoveSinging42 min - Dissecting... Stride la vampa from Il Trovatore
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In this season we are reviewing the most popular arias of all times. Who doesn't know this aria from Il Trovatore by Maestro Verdi?
A very interesting piece for the Mezzosoprano voice. And still, hardly ever a regular on their presentations. Very brief piece also by the way.
In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the situation the character is going through.
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https://t.me/OperaWeLoveSinging33 min - Dissecting... Core 'ngrato
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In this season we are reviewing the most popular arias of all times. Who doesn't know this Neapolitan song by Maestro Cardillo?
One of the most beautiful melodies ever written for the tenor voice. There is no tenor (and many times sopranos) who doesn't have it in his repertoire.
In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the situation the character is going through.
This episode was premiered on Youtube. This episode is the audio piece of it.
This will be a live session recording, subject to all technical challenges that this poses. So we beg your understanding should any trouble may arise.
Support the show
You can join our channel in Telegram:
https://t.me/OperaWeLoveSinging47 min - Spectacular singing!!! Adele's Laughing song from Die Fledermaus: Mein herr Marquis
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This season is all about what impresses the public: high notes (sometimes super high notes), and ornaments. For a number of episodes we will be addressing the roles that more than once have left us wondering: How can the human voice do that? Premiering on Youtube and later audio dissemination to all streaming platforms.
Support the show
You can join our channel in Telegram:
https://t.me/OperaWeLoveSinging46 min - Dissecting...Nessun dorma from Turandot
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In this season we are reviewing the most popular arias of all times. Who doesn't know this aria from Turandot by Maestro Puccini? At the end of the last century Luciano Pavarotti made this a regular in his concerts.
By far, one of the most beautiful melodies ever written for the tenor voice. Most tenors would like to have it in their repertoire, though very few can handle it.
In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the situation the character is going through.
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https://t.me/OperaWeLoveSinging38 min - Dissecting...Dalila's aria: Mon coeur s'ouvre à ta voix
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In this season we are reviewing the most popular arias of all times. Who doesn't know this aria from Samson et Dalila by Maestro Camille Saint-Saens?
Ceertainly one of the most beautiful melodies ever written for the mezzo soprano voice. There is no mezzosoprano who doesn't want to have it in her repertoire. But it is also a likely aria for a contralto.
In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the situation the character is going through.
Support the show
You can join our channel in Telegram:
https://t.me/OperaWeLoveSinging41 min
About Opera - We love singing
From the publisher's feed
Music, and more particularly singing is always with us. A certain day we may find ourselves moody and with a melody from La forza del destino playing over and over again in our head. Or maybe we…
feel like a superhero as we've doing great at work and then we feel like Calaf solving the 3 riddles that Turandot has proposed. First, we would like to share that this is not a place for the platitudes that are everywhere, telling my favorite singer is always the greatest in everything he's sung; and at the same time, we avoid being one of those toxic places where there's endless criticism around the minimum error of a given singer. We need more places where we can be respectful and still express our differences, as art is perception and no one perceives art equally to one another. Our second proposal is to come and share, both Katia and I are pretty sure there are a million questions you have always asked yourself about singing and as singers are sometimes not the most approachable people, well we hope can answers some of those questions!!
You can join our channel in Telegram:
https://t.me/OperaWeLoveSinging
You can join our channel in Telegram:
https://t.me/OperaWeLoveSinging