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In this season we are reviewing the most popular arias of all times. Who doesn't know this duet from La Traviata by Maestro Verdi?

By far, the great favorite to close a concert. There are times when even other tessituras join it and make it a superb experience for the public.

In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the situation the character is going through.

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You can always check our page in Ko-fi where we are posting more content related to the program and ourselves. We are very interested in learning from you:

https://ko-fi.com/operawelovesinging

More content is also being added to our Youtube Channel /operawelovesinging

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In this season we are reviewing the most popular arias of all times. This time another great favorite from La Traviata: Giorgio Germont's aria.

By far, one of the most beautiful melodies ever written for the baritone voice. There is no soprano who doesn't have it in her repertoire. 

In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the situation the character is going through.

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In this last time travel to Palacio de Bellas Artes in Mexico City, year 1952, we will witness a good variety of titles that show the wide range of roles and the versatility of her voice. Achievements that would add to would later be known as La Divina.
The result is a little uneven, with Rigoletto standing on the way and whose results are not that good, as she herself would admit years later.
Few times have the Orchestra and the Choir honored the singer and this farewell is wrapped up with one of the most touching moments in the history of this Opera house.
As a reference you can also check on Sophia Lambton's book, the author of The Callas Imprint - A centennial biography, which you can find in most of the world through Amazon.

https://www.amazon.com/Callas-Imprint-Centennial-Biography-ebook/dp/B0BRYPL5WN

For this final episode, we would like to suggest the following materials, the local radio program Viva la Opera also collaborated with comments and thought for this episode. You will find the reference of their own programs with excerpts from the titles here presented:
I Puritani:
https://open.spotify.com/episode/0Lau5BzS9wOE5QEO5mS8Fh?si=XCkxTL3RSxyljy-gfYkyvA

Maria Callas & Giuseppe Di Stefano: Bellini: I puritani  (Mexico City 29-05-1952)

Lucia di Lammermoore:
https://open.spotify.com/episode/2KmL5I8H2Zm3YfmSbXZ8bO?si=etA8ia3VThC1fGzbi0-meA

La Traviata:
https://open.spotify.com/episode/4PbIJ456gnB1w1iinjqqf2

https://youtu.be/tDeFvQ2r-DY?si=SNuTMPoFtepbZn7O

Rigoletto:
https://open.spotify.com/episode/3KbMIykIORCOC4uDByIC87

https://www.youtube.com/watch?v=svMW6LskxSI

Tosca:
https://open.spotify.com/episode/01z0jpcxQZeb2OCd4iDRPa?si=jGbQbtfyQRKuwMREL7cZhg

https://www.youtube.com/watch?v=wZm-oWqBS-s

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In this season we are reviewing the most popular arias of all times. Who doesn't know this aria from Rigoletto by Maestro Verdi?

By far, one of the most well-known melodies ever written for the tenor voice. All tenors would like to have it in their repertoire. By far one of the melodies people have heard before even if they're not familiar with Opera.

In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the situation the character is going through.

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In this season we are reviewing the most popular arias of all times. Who doesn't know this aria from Rigoletto by Maestro Verdi?

By far, one of the most beautiful melodies ever written for the soprano voice. There is no soprano who doesn't want to have it in her repertoire. 

In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the situation the character is going through.

Support the show

You can join our channel in Telegram:
https://t.me/OperaWeLoveSinging

Send us Fan Mail

In this season we are reviewing the most popular arias of all times. Who doesn't know this aria from L' Arlesiana from Maestro Cilea?

This incredible piece of music has been sung by tenors for decades already and for sure for many decades to come. This aria, as many in this season, is unfortunately very often overdone, with singers paying to little attention to the notes of the Maestro on how this is expected to be sung.

In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the situation the character is going through.

You can always check our page in Ko-fi where we are posting more content related to the program and ourselves. We are very interested in learning from you:

https://ko-fi.com/operawelovesinging

Support the show

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1951 in Mexico City was for Maria Meneghini Callas a little different from the previous year, with only two titles. The cast was different, and Sigora Meneghini Callas would continue to make her path in this country that would never forget her.

Some of the content here referred is based on The Callas Imprint book, for your reference:
https://www.amazon.com/Callas-Imprint-Centennial-Biography-ebook/dp/B0BRYPL5WN
Local radio program in Mexico Viva la Ópera by means of his host Erick Zermeño was in continuous communication sharing his thoughts on this year for who years later would be known as La Divina.

Reference recordings:
Her Traviata 1951:
https://open.spotify.com/episode/63P4mebrgXAyWjH2RKghpG?si=orBU-dLdRpmbajyEfEK_pw

Callas, Valletti, De Fabritiis - La Traviata, Mexico 1951 - Vinyl Source

Aida 1951:
https://open.spotify.com/episode/0r3t4tEXRR6elOH7whRuar

https://www.youtube.com/watch?v=zijODox3A2w

You can always check our page in Ko-fi where we are posting more content related to the program and ourselves. We are very interested in learning from you:

https://ko-fi.com/operawelovesinging

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Three quick updates:

• We are starting as of this July 2024 the live episodes recording in YouTube. 
• Follow our Telegram Channel for quicker updates, just a click away
• Google is shutting down Google Podcasts, please take action if you would like to keep following our content

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Is information provided by ChatGPT 3.5 worth reading it if I wanted to learn more about a given opera composer?

In the quest of answering it, this series will ask ChatGPT to provide info that when scarce, vague, just a platitude or simply wrong, new questions will be asked to guide the IA to provide more relevant information. Hope this technology does not get old too soon!!!

This is the final episode of the season and we are celebrating with a bottle of champagne, enjoying life as the Maestro taught us.

You can always check our page in Ko-fi where we are posting more content related to the program and ourselves. We are very interested in learning from you:

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In this season we are reviewing the most popular arias of all times. Who doesn't know this lovely piece from La Boheme by Maestro Puccini?

A short, still very effective song if done correctly both technically speaking and in the interpretation. Easy to sing? Not really, you will listen in this program why.

In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the situation the character is going through.
You can always check our page in Ko-fi where we are posting more content related to the program and ourselves. We are very interested in learning from you:

https://ko-fi.com/operawelovesinging

Support the show

You can join our channel in Telegram:
https://t.me/OperaWeLoveSinging