Optimism Vaccine

Dumpuary: The season that never changes and the one time of year that might drive the OV crew to the brink of insanity. This year, the boys are tasked with watching Liam Neeson’s latest “Like Taken but…” film, a pair of forgettable horror flicks, another M. Night Shyamalan vanity project, and Serenity AKA the greatest film ever made, ever.

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Released in 1979 amidst Star Wars mania, Moonraker is a film that sends James Bond where he (and every character in any long-running franchise) was always destined to go: SPACE! Plus, Jaws has a girlfriend in this one. What’s not to love! Steve Cuff joins Jake and Jack as they explore the ultimate cosmic spy cinematic experience.

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Oscar season is upon us, which means THE OFFICIAL Optimism Vaccine Oscar Omnibus™ has made its triumphant return. This year, a decidedly more sober OV crew dissects the best picture and best director noms. Imagine the sheer joy of sitting through films from a no talent alleged sex criminal AND the guy that gave the world Shallow Hal. Truly blessed.

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DEATH TO THE ALGORITHM! LONG LIVE THE NEW FLESH! The OV Crew talks about our impending doom and the latest wave of direct-to-streaming cinema including Roma, The Other Side of the Wind, Bird Box, Cam, Illang: The Wolf Brigade and more.

PLUS: The latest installment of the OV 9-1-1 recap featuring a brand new theme song

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The Spy Who Loved Me threw out Ian Fleming’s original story in favor of an over-the-top tale of a megalomaniac trying to destroy the world and build a new underwater civilization. It’s also the world’s first introduction to a non-shark cinematic Jaws! But is this goofy Roger Moore romp as entertaining as it is silly? Jake and Jack investigate.

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Steve, Miros and Jake pick apart the latest Hollywood horror remakes and recap the first half of the latest season of 9-1-1, AKA THE GREATEST TELEVISION SHOW EVER.

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Optimism Vaccine all-stars Til Knowles and Stephen Kohlmann return to the OpVac Cast to talk about the state of stand up comedy.

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Optimism Vaccine continues the time-honored October tradition of introducing Shawn to great horror auteurs. This year, for really no good reason at all, we chose Joe D’Amato. Yeah, seriously. Join us as Shawn experiences classic like Beyond the Darkness, Anthropophagous, Absurd and… umm… Porno Holocaust.

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Upon its release in 1974, Guy Hamilton’s final Bond movie was derided for its lighthearted tone. Is Roger Moore enough to buoy this James Bond film, or is the The Man with the Golden Gun still a dud over 40 years later?

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