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The year is 2020: the Covid-19 Coronavirus has turned local multiplexes into desolate wastelands. The only studio releasing new films? Blumhouse. So hey, why don’t we break quarantine and talk about Invisible Man and Fantasy Island?
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The James Bond franchise takes a six year hiatus, says goodbye to Timothy Dalton and hello to the Pierce Brosnan 007 era. One question remains: Is Brosnan’s Bond film debut as good as the Nintendo 64 game based on it? Only one way to find out.
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PART TWO of our Oscar extravaganza features the acclaimed film critic and international playboy Alistair Ryder, who was kind enough to call in from one of those little red English phone booths that are always full of pee and garbage. This episode we bite into Joker, Jojo Rabbit, Marriage Story, and The Irishman like a little disgusting rat gnawing on a cinnamon roll.
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Another year, another Oscar pod. OV discusses the first wave of best picture nominations in a single UNCUT 90 minute take in honor of Sam Mendes. In addition to 1917, we talk Once Upon a Time in Hollywood, Parasite, Ford vs Ferrari, Little Women, and, most importantly, why Shawn is a total Meg even though deep down he wants to be a Jo.
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Once again we’re neck deep in our favorite season, DUMPUARY. Dump Santa was kind enough to drop a cornucopia of classic cinema logs in our laps this year, including a new Grudge remake, a Kristen Stewart sea monster joint, and a Tiffany Haddish comedy so forgettable that even the aggressive marketing campaign has evaporated from our collective memory.
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License to Kill is the final James Bond flick to star Timothy Dalton and the first to not use the title of an Ian Fleming story. It’s also the only film in the franchise that uses the British spelling of “Licence” in defiance of its own marketing materials. Adam Miros joins Jake and Jack to investigate.
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WHO WATCHES THE WATCHMEN? Optimism Vaccine, I guess. Don’t ever accuse us of not discussing something semi culturally relevant. The real question that remains is whether or not Damon Lindelof’s new take on the classic comic is any good. More importantly, can a man survive watching the 215 minute Ultimate Cut of the 2009 Watchmen film?
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Jake, Jack and special guest Steve Cuff discuss Timothy Dalton’s action-packed Bond debut, The Living Daylights.
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The OV Crew examines the filmography of J-Horror G.O.A.T., Kiyoshi Kurosawa
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The long and storied Optimism Vaccine tradition of exposing Shawn Glinis to horror auteurs every October continues with a look at American horror icon and all-around weird dude, Tobe Hooper. Join us for an in-depth discussion of Texas Chainsaws, Texas alligator motels, naked space vampires, and… uhh… killer laundry machines?
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