In this week’s episode of the show: Peter takes a look at an Academy Award-winning composer applying a cinematic score to The Last of Us and Joe analyzes the many-styled vocal compression of Takeharu Ishimoto's work in The World Ends With You.

In this week’s episode of the show: Joe explores the heavy beats and Arabian stylings in the soundtrack of Shantae and the Pirate's Curse and Peter takes a look at the 1930s big band jazz of Kristofer Maddigan's debut work in Cuphead.

In this week’s episode of the show: Peter explores the emotional gut-punches that exist throughout the soundtrack of Professor Layton and the Unwound Future and Joe has no objection to Masakazu Sugimori's courtroom work on Phoenix Wright: Ace Attorney.

In this week’s episode of the show: Joe takes a look at the blending of film score writing across different cultures into the sci-fi plot of Beyond Good & Evil and Peter delves into the Victorian chamber orchestra insight of Austin Wintory's work on Assassin's Creed Syndicate.

In this week’s episode of the show: Peter marvels at the infusion of J-pop into the first game from his youth in Sonic the Hedgehog 2 and Joe discovers the tumultuous development struggles of Yasuaki Fujita's work on Mega Man 3.