Esperanza and Irwin discuss the preservation of Barcelona Neck and The Grace Estate in East Hampton's Northwest Woods. The land was bought for $6.3 million from collector Ben Heller in 1985 after a referendum, the largest and most expensive public land purchase ever undertaken here at the time. The Nature Conservancy contributed $500,000 to the cost. Randall Parsons, who, in his former post as an East Hampton Town councilman, was instrumental in negotiating the purchase described at the time a Town at the crossroads. "There were subdivision applications in on Barcelona Neck [across Northwest Harbor], the Grace Estate, and Hither Hills in Montauk. It was the first time that people really rose up and said this is not what we want" The purchase was made after a prolonged public debate. Opponents argued against borrowing so much money, saying that if the Grace Estate were developed, town zoning laws would sufficiently limit development at far less expense. But fast forward 40 years, and imagine this much acreage with houses, condominiums and...

Esperanza and Irwin welcome Hannah Lasurdo. Hannah is a Miller, one of the oldest East End families, going back generations. Hannah shares her formative years honestly, including her personal struggles. But what Hannah truly explores is the intangible that we never seem to adequately explain. What is it about this place, that continues to draw us, despite the drastic changes evident to all.

Esperanza and Irwin welcome Hannah Lasurdo. Hannah is a Miller, one of the oldest East End families, going back generations. Hannah shares her formative years honestly, including her personal struggles. But what Hannah truly explores is the intangible that we never seem to adequately explain. What is it about this place, that continues to draw us, despite the drastic changes evident to all.

Esperanza and Irwin reflect on the Lost Montauk, from a terrific article written by Henry Osmers for the Montauk Historical Society. Curiously, Montauk often doesn't get the historical respect, for lack of a better term, than other East End villages or hamlets do. We'll visit First House, the Montauk Island Club, Sandpiper Hill and the Wyandanee Inn and more in this homage to Montauk's rich history.

Esperanza and Irwin talk about the Shinnecock Summer School of Art, the first outdoors Art School in the US, founded in 1891. Students had the opportunity to learn from the renowned artist William Merritt Chase. Now, Chase was and is a well known Artist. But it was the Art Village cottages, grouped near the studio in the Shinnecock Hills, that is the off-radar part of the story. These properties, in different styles on curving streets created its own sense of wonder. What presented itself was almost whimsical, a storybook like setting. Best of all, it exists to this day. Listening is believing!

Esperanza and Irwin discuss the beginnings of the Southampton Summer Colony, inspired by Dr. David Goddard's "Colonizing Southampton". In September of 1863, a young Manhattan physician of means by the name of Theodore Gaillard Thomas went by horse and wagon out to visit the farms and rural villages of Long Island with his wife. The trip lasted many days. The couple spent their first two nights in Babylon staying at a rooming house, then pressed on to Quogue, Southampton, East Hampton and Montauk, finally spending a night out at the lighthouse with the keeper and his family there. During this sojourn, Thomas fell in love with the simple though bucolic communities of eastern Long Island and, after returning to Manhattan, vowed that sometime in the future he would return with some friends with the intention of establishing a summer colony there. He had become charmed by the farmland that went down to the ocean, the single Main Streets with the Presbyterian Church, the blacksmith shops, feed stores and dry goods stores that marked what were essentially old New England Communities. Dr. Thomas is considered to have been the founder of the Southampton Summer Colony as we know it today. Within four years, he had persuaded many others to build there. By 1882, there were 30 summer owners (a dozen “cottages”) where five years earlier there had been none. Two years later, Dr. Thomas and others in that group met in a Fifth Avenue apartment in Manhattan to found what was then called the Southampton Village Improvement Association to “beautify the principal streets” and “see to the removal of nuisances” so as to make Southampton even more attractive to possible future summer residents. As you might have imagined, they soon came into conflict with the local residents of the community—there were about 500 of them, who were enjoying the town as their ancestors had for 200 years before—farming the land, fishing the waters and otherwise engaging successfully in rural activities. Sound familiar?

Esperanza and Irwin welcome Ellin and Eliabeth Saltzman. In the early 1960's, Ellin and Renny Saltzman hired a 33 year old architect named Richard Meier to design a modernist family home in East Hampton. Small by today's standards at 4000 square feet, Ellin and her daughter Elizabeth reflect on 5 decades of summers spent in an ever changing East Hampton, as well as the future of their iconic home. A not to be missed Our Hamptons podcast.

Esperanza and Irwin discuss the proliferation of dairy farms on the east end in the not too distant past. If you define a dairy as any farm with more than eight cows, there were once 42 operational dairy farms in East Hampton alone, according to the East Hampton Farm Museum. At that time, “most of the milk was for local consumption,” said Robert Hefner, historic preservation consultant for East Hampton Village. By the 1960s, most dairies on the East End had been shuttered, with the last two operating into the early 1980s—Carwytham Farm in Bridgehampton and Cow Neck Farm in North Sea. We'll focus primarily in East Hampton with the Sherril, Hardscrabble, and Dune Alpin Farms. The dialogue about the Gould and Tillinghast farms, and their subsequent merger to form G&T took us to a side story: the beloved G&T Chicken House on Race Lane.

Esperanza and Irwin first met in 2000, when Esperanza was operating her art gallery, Art Solar on North Main Street, East Hampton. Irwin became a client of the gallery (though it took him a year to buy his first painting!). More importantly, it opened up a dialogue between Esperanza and Irwin, conversations that transcended Art, including the type of subjects you hear today on the podcast. I guess the groundwork for Our Hamptons started well before its May 2022 inception. Listen, and go back in time to where it all started, and how it got here!

Esperanza and Irwin talk of a few versions of Bonac Tonic. The first was a nickname used by bonackers when referring to Hampton Dairy brand iced tea beverage that comes in a green and yellow carton, and is real, fresh brewed tea. The second, and our topic for today, is defined by one of its founders, Grant Haffner, as the following: “Bonac Tonic is a collective of painters, sculptors, photographers, and other artists based in the Hamptons who curate local group shows with an emphasis on new and emerging artists,” explained Haffner. “Bonac Tonic formed in 2005 to reinvigorate the artscene". We'll talk about Grant, and the other founding members of Bonac Tonic, and some of the artists who passed through. There was an energy to Bonac Tonic, and what they brought to the east end art scene at the time was something special. We miss them!