In Part 2 of our conversation, Pasi talks about the reason he and his trumpet section in the Helsinki Philharmonic perform Sibelius on German trumpets, which sheds some light on Sibelius’ background and concepts of sound. In addition, we talk about interpreting Sibelius, the Finnish tradition of phrasing, how it can be different from the American approach, and what it is like for Pasi and Valtteri when playing Sibelius as substitutes in non-Finnish orchestras.

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