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In these outtakes from the Rodescu Hopkins episode, we divulge many personal tales from the Trigger Warning Open Mic (these stories include Rodescu's first time hosting and a man who tried to sell him a fiefdom in Africa), and we cap it off with the full report of his would-be business dealings with Cards Against Humanity.
Timestamps:
01:20 – My Kyle Parris Impression at Trigger Warning
3:00 – Rodescu's First Time Hosting Trigger Warning
06:33 – One More Trigger Warning Story
08:54 – "That guy tried to convince me to be a dictator once"
11:06 – "That guy caught me up in a Nike store"
11:45 – "All those reps don't matter when 400 pounds of dude grabs you by the shoulder"
13:01 – The Trigger Warning Documentary Series [In Progress]
15:25 – The Cards Against Humanity Story
Rodescu Hopkins engages in a socially-distanced interview about his set at We Still Like You in the before times of July 2019. his stories include peeing in a crowded car during Wrestlemania, getting caught stealing from Whole Foods, and discovering his dead father's porn collection.
Rodescu runs The Trigger Warning Open Mic with his co-host Ed Towns, which has been described as "Stand-Up Boot Camp," and is currently studying film full-time.
Time Stamps:
01:00 – Set from 'We Still Like You'
11:55 – "When did you realize comedy was a thing you could do?"
15:20 – "I was definitely ready to run"
15:58 – My first time performing stand-up [Jeremy Arroyo]
17:30 – Starting out in Cleveland
19:30 – Trigger Warning Open Mic, or "boot camp for comedians"
22:36 – The Drop "Cave," Explained
24:45 – "A corporate party showed up"
27:05 – Trying to Move to New York
28:25 – Moving to Chicago
31:02 – Ed Towns: Teddy Bear, "We're trying to crush souls"
33:10 – Getting into the Set
34:33 – "Problematic"
36:00 – "Now that we're going steady, I think I'm ready for you to see my act"
37:40 – "You can't fight the wave"
39:40 – Cards Against Humanity
41:15 – Peeing in a White Girl's Car
49:33 – Stealing from Whole Foods
52:45 – "Is that sense of shame powerful?"
55:35 – Part I. Finding Your Dead Father's Porn Collection
58:15 – Part II. Your Dead Father Was A Sugar Daddy
1:02:33 – Part III. Your Dead Father Was A Pillar of the Community
1:06:00 – Reviewing the Set
1:09:47 – Current Projects and Final Words
Timestamps
02:00 – What have you been doing since the pandemic started?
02:58 – Sending Packets to Late Night Shows
03:41 – Pitching Ideas in the Writer's Room vs. Performing a Stand-Up Set
04:00 – "If you can pitch, but can't write, you're still useful"
06:01 – "A good producer will cut a good joke just because it doesn't fit in the show"
07:05 – "Conan's people are smart as shit"
08:48 – "I've got a political science degree"
09:40 – "[Ed Towns] thinks I'm a hack"
10:39 – "How many pounds ago did you buy it [the speedo]?"
12:25 – "A lot of good music is from Olympia"
12:55 – A Brief Summary of the Northwest
16:36 – Chicago vs. Seattle Restaurants
20:43 – The Impromptu Hobo Tasting Menu Sketch
23:11 – The Origin of the Fez
23:51 – "A lot of cool shit doesn't happen to me"
24:26 – "I don't like political jokes"
25:22 – From Maz Jobrani to Bill Hicks
Sohrab Forouzesh engages in a socially-distanced performance review on a set from Strip Joker in 2019. He performed this set wearing a speedo, sunglasses, pasties, a fez, and nothing else.
Sohrab is a comedian, producer, and writer. You may recognize him from The Love Below comedy show, or his work on Group Therapy and 'Hello, It's Hobert!'
Find out more about Sohrab on his website sohrabisbrown.com
View the set at the Performance Revue YouTube channel:
Time Stamps:
01:00 – Strip Joker Set
16:04 – Early Influences (ugh, including Seinfeld)
18:51 – Starting Stand-up in College
22:50 – Academic Troubles
33:28 – Quitting Comedy in Chicago (and getting back in)
26:12 – "When you first move here [Chicago], it's intimidating"
27:25 – "You're being defensive because it's difficult to accept a compliment"
28:53 – "I have to drag myself to mics"
30:03 – The Science of Stand-Up
31:30 – "Your goal should be to do as many mics as possible until you don't have to do them anymore"
34:35 – "Host your own show. That's the best advice I was ever given"
36:53 – Getting into the set
36:58 – The Speedo
37:55 – "I wasn't even born here"
38:12 – The Fez
38:28 – "My mom is the most badass person I know"
40:26 – "Jared Kush-ner"
41:29 – "White people" and crowdwork
46:46 – "You're bad at racism"
48: 35 – "Don't call Amish people 'Farm Jews'"
50:20 – "Amish people are just cute fundamentalists"
50:34 – "If I was a terrorist, I would have screwed everything up on September 8th"
51:57 – The greatest gift you can give a comedian is material
53:29 – [Factual Error: There were no dinosaurs during the Paleolithic Era]
53:45 – Folding the Flag
53:54 – The Pasties
54:32 – "I need more fat friends"
55:35 – Reading the Room
56:29 – "No exit strategy"
56:55 – "Wares, silks, and spices" and "Please, my friend, buddy, come on…"
1:01:30 – Advertisements in Pornography
1:01:43 – Big Dick Pills
1:04:20 – "Middle Eastern people can't lose their temper at airports"
1:04:57 – "I want to hire a white Sherpa"
1:05:58 – "One titty out on an airplane"
1:07:24 – The Set Revue
1:09:25 – Final Words
Winslow Dumaine reveals the myriad of projects he has undertaken during the pandemic, from organizing, donating, and protesting, to taking another deep dive back into his ever-growing Tarot Restless universe.
Winslow is a writer, artist, comedian, and merch wizard. You may recognize him from opening for Kyle Kinane, his Tarot Restless project, or art featured on his website.
His new Kickstarter launches soon. Check it out here, when it's available.
Time Stamps:
01:07 – Useless advice on getting booked
02:30 – A goth and a metalhead discuss Marilyn Manson's album 'We Are Chaos'
05:40 – "He's a hair's breadth away from being actually cancelled"
06:04 – "Is the 'Trump Effect' actually the Marilyn Manson Effect?"
08:12 – "Mike Pence is irrelevant"
11:39 – How fascists infiltrate nerd sub-cultures
14:04 – "When I was a kid, I was obsessed with the apocalypse"
15:03 – A brief history of the Tarot Restless Universe
21:28 – "…And you're also a comedian"
22:14 – The Lost Summer of Winslow
24:03 – Protesting and other civic duties
26:07 – "Not doomsday prepping…"
27:33 – Violent Social Justice Fantasies
28:00 – End-times currency
30:38 – Naked Cowboy Summer
32:31 – Awkward, aggressive flirting
35:20 – Scrutinizing online receipts and how to apologize
37:27 – "We live in a world that demands constant apology and gives no forgiveness"
40:31 – "People see your crimes, but they don't see you doing the time"
41:13 – How to apologize on Twitter; James Gunn edition
43:44 – Silly thirst traps
44:49 – I was the fat kid
45:59 – Winslow was the skinny kid
49:04 – "When I started lifting weights, heavy"
49:47 – Working through depression
52:10 – "How has your approach to social media changed?"
53:05 – "Gatorade Should Be Thicker"
53:45 – Mayor of Silent Hill
55:09 – Gatorade Should Be Thicker, explained
59:49 – Success is not overnight
60:55 – Water bottles labelled "CUM!"
1:04:19 – "Judge ask me if I regret I name my son Barp…"
1:06:12 – Media Diet
1:11:06 – I pitch 'The Wire' to Winslow
1:15:44 – "Where does comedy go from here?"
1:19:05 – My son Barp, Redux
1:20:04 – Final Words
Sabeen Sadiq updates us on her life during the lockdown and takes a stab at the question 'Where Does Comedy Go From Here?'
Sabeen is an actress, producer, and stand-up comic. You may recognize her from the series 'Code Switched', her commercial work, or her time on the 'Wallah, She's Funny' comedy tour.
Time Stamps:
01:30 – "I'm a skincare addict"
01:45 – "I didn't have the funding until the pandemic relief"
02:06 – Dermatologists on Tik Tok
02:23 – "You're THIRTY?!"
02:36 – 'Sex and the City'
02:49 – Online backlash against female creators
04:40 – Cancelled schedule due to COVID
07:39 – The Lottery Commercial
09:08 - The 'Wallah, She's Funny' Tour
10:40 – The gradual COVID performance shutdown
11:29 – "Um…What's your job?"
12:51 – Corporate gigs on Zoom
15:32 – Audience members throwing on tags without heckling
17:56 – Socially-distanced live shows
20:35 – Trying to find the funny in COVID times
22:01 – Jim Gaffigan's Twitter Tirade
24:55 – "Everyone's cracking a little bit, and it's coming out in weird ways"
25:45 – Self-taping auditions when you live with your parents
26:50 – What is the entertainer's role right now? How have you been helping?
29:34 – "You're doing the work"
31:45 – Internalized Capitalism vs. COVID Lockdown
38:53 – [This bit was stolen from Rachel Feinstein]
39:26 – Meghana Indurti and the Inadvertent Social Media Cleanse
40:44 – Does social media have any utility?
43:12 – Media Diet
44:10 – "I have gotten into… Anime"
46:58 – 'American Horror Story'
47:27 – Losing hours to relationship coaches on Tik Tok
51:20 – 'Space Force'
54:08 – "I left and I don't know why"
55:08 – I pitch 'Watchmen' to Sabeen
56:12 – Sabeen stans for 'Baskets'
59:28 – Maria Bamford's 'Weakness is the Brand'
1:01:57 – "Where does comedy go from here?"
1:03:15 – "There was never just one path into comedy"
1:03:55 – "It was so nice meeting you" (our version of "Aloha")
The first installment of Performance Revue's 'Where Does Comedy Go From Here?' is a conversation/interview/check-in with Jillian Ebanks.
Jillian is a comedian, actor, a Bob Curry fellow, a co-producer of B.A.P.S., and a brilliant black woman just trying to survive during a global pandemic in a regressive country.
Jillian's waxing video is now on YouTube! Give it a look: https://youtu.be/-_0sikMMaZQ.
Time Stamps:
01:20 - Recap of Previous Episode Begins
01:55 – "I've toned down my love of rappers"
02:16 – "I'm trying not to idolize celebrity"
02:52 – "I think celebrity is dangerous"
03:00 – Recapping the "Drake Rant"
04:01 – Recommending 'Unlocked' by Denzel Curry and Kenny Beats
05:14 – Harry Potter and the Curse of the TERF Author
08:03 – Lauryn Hill, 'Doo Wop (That Thing)' is a slut-shaming song
09:42 – Kanye West is a mental landmine in my randomized playlists
12:20 – "I host weekly support meetings for people who have given up their favorite rapper"
13:58 – The Covid Waxing Video
17:20 – "Covid Chic"
19:43 – Chicago Winters
21:17 – Will all performances be online?
23:31 – "I got invited to do a stand-up show in a back yard"
24:38 – "Broadway is closed until January"
25:14 – COVID Begins; the impact on gigs and jobs
27:25 – The governmental response, or lack thereof
30:40 – How has COVID changed your comedy?
32:21 – "I haven't been able to find anything funny about Corona Virus, itself"
33:13 – Impact of the George Floyd protests
33:45 – "Even white people are protesting now"
34:14 – "I've never watched any footage. Ever."
36:30 – "Being black in America was hard enough"
38:05 – Mention of Colorism
38:30 – Mentions of Trayvon Martin, Sandra Bland
39:25 – "Where does comedy go from here?"
40:48 – "We are living in farce"
41:51 – "I write from a source of insecurity"
43:53 – Sidebar on Marxism
44:43 – Fuck Starbucks
44:57 – Internalized Capitalism
46:37 – "I was up for a promotion and I didn't want it"
48:26 – "I feel like I wasted this stay-at-home order"
50:00 – Jillian has a hard time accepting compliments
Life During Quarantine
50:34 – Dating during quarantine
51:49 – Intimacy (or lack thereof) during COVID
53:10 – Addressing priorities and FOMO
54:00 – Roommates and companionship
56:30 – The creative process
57:10 – Jillian accepts the compliment
57:40 – Pay people a living wage (unions are good)
59:28 – "This is the most money I've ever had, and it's because I'm on unemployment. That's not fun for me"
1:01:28 – "This feels like 2008 all over again"
1:02:10 – My biggest investing win
1:03:30 – How industries and jobs are changing
1:05:06 – "We have no national guidance"
1:05:44 – "I'm not a sharp enough satirist to satirize what's going on right now"
1:06:52 – Political false equivalency, "Why are we appeasing racists?"
1:08:30 – Mitch McConnell can die
1:08:36 – Media Diet
1:09:35 – Jillian Recommends HBO's 'Watchmen' and 'Gentefied'
1:09:55 – We review 'Veep'
1:11:31 – Jillian's criteria for consuming quarantine media
1:12:16 – For the record, 'Insecure' is an amazing show
1:12:25 – Jillian recommends 'Rami', 'Snowpiercer', 'I May Destroy You', and 'Killing Eve'
1:14:35 – Jillian does not recommend 'Ozark'
1:14:45 – I recommend 'The West Wing'
1:15:49 – "It's hard to watch newer shows right now"
1:16:02 – Jillian enthusiastically recommends 'Hamilton'
1:16:48 – We both recommend 'Blindspotting', 'Black Panther', and 'Into The Spiderverse'
1:18:10 – We both recommend 'Always Be My Maybe'
1:18:53 - Jillian pitches me on 'The Lovebirds'
1:20:17 – I pitch Jillian on 'The Witcher'
1:21:30 – No black main character in 'The Witcher' (Mimi Ndiweni as Fringilla Vigo notwithstanding)
1:21:54 – "Storse material"
1:22:28 – Jillian recommends the new 'Charmed' reboot
1:23:07 – First impressions of 'Space Force'
1:27:23 – Jillian can't stop watching 'Hamilton'
1:27:56 – I stan for 'Hedwig and the Angry Inch'
1:28:20 - Jillian stans for 'Hamilton'
1:30:48 – "I love fantasy, I just don't feel represented in fantasy"
1:34:29 – Disney corporation constantly changes laws on public domain
1:36:40 – Possible futures for media production and live performance
1:39:04 – "All the things we want, we can have. We just don't want to wait for them"
1:39:40 – Final Thoughts
A short primer for Performance Revue's 3rd season.
The first 3 episodes will revolve around the question "Where does comedy go from here?" Featuring Jillian Ebanks, Sabeen Sadiq, and Winslow Dumaine.
Episodes 4-6 are socially distanced interviews featuring Sohrab Forouzesh, Rodescu Hopkins, and Devin Middleton.
The last 4 episodes were recorded in the Before Times with Jamie Shriner-Biddle, Spencer Blair, Brittani Ferguson, and Amy Sumpter.
The ever-hilarious Marilee discusses Tiffany Haddish, auditioning for 'Empire', creating a fantasy draft for potential husbands, plans for her future wedding, and more!
Season 2 is going out in style with the amazing Marilee!
Marilee Pheniece Dale-Williams, colloquially known as Marilee, can take any premise and push it well beyond anyone's comfort zone. All with an irreverent, biting, anti-patriarchal edge.
View the performance:
https://youtu.be/Xu4qeYNew8s View the performance with commentary: https://youtu.be/uBqLC44s2a4From the publisher's feed