I recently had the pleasure of speaking with producer, director, writer and former film marketing executive Christine La Monte, whose career has included working with major studios such as Universal, Disney and Orion before founding La Monte Productions.

Christine shared beautiful memories of growing up in an Italian family in New York, where Sunday sauce at her grandmother’s home became a tradition that brought generations together through food, storytelling and connection. She also spoke about her lifelong love of film, how she visualised stories from a young age, and her journey into the film industry.

With a deep understanding of filmmaking from both the creative and business side of the industry, Christine now creates meaningful films that celebrate humanity, art and connection.

We also spoke about her moving documentary Viva Verdi, featuring the Academy Award® nominated song “Sweet Dreams of Joy” by Nicholas Pike. The film offers an intimate glimpse into the lives of celebrated opera singers and musicians living at Casa Verdi in Milan — the extraordinary home built by Giuseppe Verdi in 1896 for retired musicians. More than a residence, Casa Verdi is a living artistic community where older musicians mentor young music students, creating a beautiful exchange between generations.

This conversation deeply inspired me and once again reminded me of the essential role the arts play in society. Art connects us, preserves stories, creates empathy and gives meaning to the human experience.

Lilit Margaryan a recent graduate of the Anton Bruckner Private University in Linz Austria, where she studied under Peter Tavernaro. In this inspiring interview, Lilit reflects on her journey from growing up in Armenia to pursuing her musical studies abroad, sharing the personal and artistic challenges that shaped her path. Interestingly, Lilit’s introduction to the oboe happened almost by accident. Drawn to the instrument because it was something unusual and rarely played, she was fascinated by its unique character and expressive sound. What began as curiosity soon became a passion that would lead her far from home in search of the musical education she dreamed of. Lilit speaks openly about the difficult decision many young musicians face when leaving their home countries to study abroad. Moving to Austria meant adapting not only to a new educational system, but also to a different language, culture, and way of life. She explains how these shared experiences create strong bonds between international music students, who understand the emotional and practical obstacles each other faces while building a life far from home. The conversation also explores the intricate and demanding nature of the oboe itself — an instrument often considered one of the most challenging to master. Lilit discusses the patience, discipline, and dedication required to pursue a career as a musician, especially on such a technically sensitive instrument. She gives fascinating insight into the art of reed making, explaining how oboists carefully craft and adjust their own reeds over time. Even the smallest variation in the reed can dramatically influence the tone, intonation, response, and emotional colour of the instrument. Through years of practice, she has learned how essential reed making is to developing a personal sound and artistic identity as an oboist. Always drawn to the road less travelled, Lilit is also deeply interested in exploring jazz on the oboe — a rare and exciting direction for the instrument. Her curiosity and willingness to push beyond traditional boundaries reflect both her adventurous musical spirit and her determination to keep discovering new possibilities. This was a wonderful and thoughtful conversation with a young musician whose journey has taught her not only about music, but also about resilience, independence, adaptability, and personal growth. Lilit’s story is a reminder that the path of an artist is as much about life experience as it is about technical mastery, and that the courage to follow an uncommon path can lead to something truly meaningful.

In this episode of The Artist’s Voice, I speak with Rachel Ashwell, designer, author, and founder of the iconic Shabby Chic. Rachel shares stories of her childhood in England, growing up surrounded by antiques through her father’s work as a dealer, and the gentle artistry of her mother, who restored antique dolls and bears. These early influences shaped her deep appreciation for beauty, history, and the poetry of imperfection. We talk about her early career in costume and prop styling, and how this creative foundation later informed her distinctive aesthetic. In a pivotal chapter of her life, as a single mother of two young children, Rachel opened a small shop, a moment that would lead to the birth of Shabby Chic. Her vision was simple yet profound: to create furniture and linens that were both beautiful and child-friendly, spaces that could be lived in fully and lovingly. Rachel speaks openly about the early years of building her business through trial and error, and how determination carried her through every challenge. She also shares the story behind the name “Shabby Chic,” and how it reflects not only a design philosophy, but her personality and way of seeing the world. Now releasing her 12th book, Meadow Manor, Rachel offers insight into this latest project and what it represents at this stage of her life. We also touch on motherhood, what her children have learned from her journey, and the deeper meaning behind creating a home. For Rachel, Shabby Chic is more than a design style — it is about memory, authenticity, and making a home wherever you find yourself. This conversation is filled with warmth, wisdom, and quietly powerful business insights woven through a life lived creatively. Meadow Manor https://a.co/d/02x0kPfs https://www.shabbychic.com/?srsltid=AfmBOoq8-XUtRIE2KbBWgt51HHHmmFlhCR21PrpLr3u2m9ByewSU1IrQ https://www.shabbychic.com/blogs/rachel-ashwell-shabby-chic-couture-official-blog-amp-news/title?srsltid=AfmBOopt3hChAQz1C9miT3opRtQ6iK_jboyhDoLgF8pwppdafB8Yk698

The Inspiration by Keys of Moon | https://soundcloud.com/keysofmoon Attribution 4.0 International (CC BY 4.0) https://creativecommons.org/licenses/by/4.0/ Music promoted by https://www.chosic.com/free-music/all/

In this interview, I speak with German banjo player Konstanze Wunderle, who shares the story of how she first fell in love with the unique and captivating sound of the banjo. Drawn to its character from the very beginning, Konstanze reflects on what inspired her to pick up the instrument and follow its musical path. She takes us on a journey through the rich and complex history of the banjo, tracing its roots back to West African instruments and its evolution in America. From early gourd banjos crafted by enslaved people to the development of various modern forms, including the five-string banjo commonly used in bluegrass, the four-string tenor and plectrum banjos popular in jazz, Konstanze highlights how each style carries its own voice and tradition. The banjo’s sound, she explains, holds a raw sincerity, deeply connected to its origins. Reflecting on its history, particularly its use among enslaved communities in America, she speaks about the emotional power of music born from hardship and resilience. Konstanze also shares her personal journey to the United States, where she immersed herself in the heart of banjo culture, playing alongside local musicians to deepen her understanding and refine her craft. It was there that she truly connected with the spirit of the instrument. Together with her husband, Nashville-based singer-songwriter Joe Wunderle, she performs and tours across America and Europe, bringing their music to diverse audiences. In recent years, Konstanze has also begun exploring the bass, discovering a new dimension to her musical expression and a fresh connection to rhythm and groove. This is a warm and inspiring conversation with a dedicated musician who followed her passion across continents — a German artist who found her musical home in Nashville while carrying the soulful voice of the banjo wherever she plays.

In this conversation, I speak with Martin Lorenz—a passionate singer, vocal coach, and choir facilitator based in Germany—about his innovative One Day Choir project. Martin shares how these unique, one-off choir events invite people of all backgrounds to come together and experience the joy of singing without pressure or expectation. The focus is not on perfection, but on presence—on enjoying the moment, connecting through music, and rediscovering the simple pleasure of using one’s voice. What makes this initiative so special is the transformation that happens within just a few hours: strangers arrive, and by the end of the session, they leave as friends, united through a shared musical experience. Martin reflects on the deep emotional and social benefits of singing in a choir—from reducing stress and boosting mood, to improving breathing, posture, and overall well-being. Choir singing also fosters a sense of belonging, strengthens listening skills, and creates a powerful collective energy that is both uplifting and healing. We also dive into Martin’s work with Quintense, the a cappella group he is part of, where he not only performs but also composes and arranges music tailored specifically to the voices within the ensemble. He shares insights into their concert work and the creative process behind crafting music that truly fits the group’s unique sound. Martin’s journey is equally compelling—originally trained in mechanical engineering, he chose to follow a more meaningful and purpose-driven path in music. Today, he is deeply committed to making singing accessible to everyone, especially children, recognizing the importance of introducing young people to the joy and confidence that comes from singing together. This is a heartfelt and uplifting conversation about music, community, and the courage to follow what truly brings fulfillment. The Inspiration by Keys of Moon | https://soundcloud.com/keysofmoon Attribution 4.0 International (CC BY 4.0) https://creativecommons.org/licenses/by/4.0/ Music promoted by https://www.chosic.com/free-music/all/

In this fascinating and deeply insightful interview, I had the pleasure of speaking with composer and conductor Nimrod Borenstein about his latest recording, released at the end of March. Conducting the English Chamber Orchestra, Nimrod brings to life a beautiful and evocative program featuring Shakespeare Songs, a Mandolin Concerto, and an Oboe Concerto. The recording showcases an exceptional lineup of artists, including soprano Sarah Fox, mandolinist Alon Sariel, and oboist Sanja Romic, all under Nimrod’s own direction. During our conversation, Nimrod shares the inspiration behind his music, speaking passionately about his desire to create beauty through composition—something that lies at the very heart of his artistic vision. He offers wonderful insight into his writing process, particularly his love for the mandolin, whose unique tone and expressive qualities continue to inspire him as a composer. We also delve into the striking artwork featured on the album cover, which holds special personal meaning: it is a painting by his father, Alec Borenstein. This connection adds another layer of depth to the project, blending music and visual art in a truly meaningful way. This interview offers a rare glimpse into Nimrod’s creative world—his influences, his philosophy, and the stories behind his works. He also shares his aspirations for the future, including his wish to compose an opera in the near future. A rich and inspiring conversation that sheds light on a composer dedicated to beauty, expression, and artistic connection. https://www.nimrod-borenstein.com

In this interview, I talk with Serbian-born jazz double bassist Miloš Čolović, whose dynamic presence spans both the Austrian and Serbian jazz scenes. Currently based in Vienna, Miloš is steadily building an international career while completing his master’s studies, following his education at the University of Music and Performing Arts Graz. Miloš reflects on his early musical beginnings, which started with classical piano before he discovered a passion for bass guitar at the age of 11. Influenced initially by the sounds of 90s rock, his path took a decisive turn toward jazz, leading him to study classical double bass in order to master the technique and depth of the instrument. This foundation would later shape his expressive voice as both a performer and composer. Throughout the interview, Miloš shares insights into his journey into Vienna’s vibrant jazz scene, where he has become a sought-after sideman, performing with various ensembles across Europe. Alongside his collaborative work, he leads his own projects, bringing his distinctive compositional style to life—rooted in post-bop traditions and inspired by legends such as Wayne Shorter, Joe Henderson, Andrew Hill, and Bill Evans. A highlight of our discussion is his debut album, To The Beat Of My Footsteps, released in early 2025 on A.MA Records. The album showcases a compelling fusion of jazz with elements of grunge and cinematic soundscapes, performed in both trio and sextet formats alongside leading Serbian jazz musicians. Listening to Miloš speak about music—his creative process, his influences, and his experiences—feels both inspiring and contagious. His passion for jazz resonates deeply, leaving you not only with a richer understanding of his artistry but also with a renewed desire to immerse yourself in the world of jazz.

In this conversation, I speak with choir conductor Sinhaeng Lee, Assistant Professor of Music and Director of Choral Programs at Colgate University, as well as the founder and artistic director of Vox Amicis, a professional ensemble based in Seoul, South Korea. Sinhaeng shares his rich experience working with a wide range of choirs—from youth ensembles to professional singers—and reflects on a particularly meaningful collaboration between the Colgate University Choir and the Hamilton College Choir, alongside Director Charlotte Botha. He offers a glimpse into the artistic exchange and energy that made this joint project so memorable. We also explore the fascinating parallels and distinctions between conducting choirs and orchestras, as Sinhaeng reveals how each demands a unique approach while ultimately serving the same musical purpose. A part of our discussion centers on his journey from Korea to the United States. Sinhaeng speaks candidly about the challenges of adapting—not only to a new language and culture, but also to a transformed mindset as a conductor. He shares how his perspective evolved from striving for technical perfection toward embracing the emotional core of music-making. For Sinhaeng, choral conducting is not just about perfect pitch and rhythm—it’s about connection, intention, and the powerful act of expressing music from the heart to the audience. The Inspiration by Keys of Moon | https://soundcloud.com/keysofmoon Attribution 4.0 International (CC BY 4.0) https://creativecommons.org/licenses/by/4.0/ Music promoted by https://www.chosic.com/free-music/all/

In this inspiring conversation, I talk with Hanna Schaubmar, a dynamic young artist whose work beautifully bridges music, movement, and cultural expression. Currently studying Rhythmics at MDW – University of Music and Performing Arts Vienna through the Erasmus program, Hanna shares insights into a discipline that merges music with body, movement, and dance. Rhythmics is more than a practice—it’s an approach to learning that develops both musicality and motor skills, where the interaction between sound and movement becomes a foundation for creativity and personal expression. Alongside her studies in Vienna, Hanna is also pursuing music pedagogy in Würzburg, embracing the richness and variety that comes with exploring different educational and artistic environments. Her passion for diversity extends into her performance work: she is a member of the Global Groove Orchestra, an ensemble dedicated to interpreting musical styles from around the world while honoring their cultural roots. Through oral traditions, improvisation, and flexible collaboration, the group creates a vibrant and inclusive musical experience. Hanna also brings her energy to the stage as part of Funkloch, a four-piece band performing funk music in German, showcasing yet another facet of her artistic identity. A strong thread throughout our conversation is Hanna’s deep appreciation for folk music. She reflects on how it serves as a powerful cultural language—one that transcends borders, expressing universal human emotions across different languages and traditions. This is a thoughtful and uplifting discussion with an artist who truly embraces the possibilities of her path. Hanna speaks with clarity and optimism about growth, change, and creativity, reminding us that when one door closes, another opportunity is always waiting to be discovered.
The Inspiration by Keys of Moon | https://soundcloud.com/keysofmoon Attribution 4.0 International (CC BY 4.0) https://creativecommons.org/licenses/by/4.0/ Music promoted by https://www.chosic.com/free-music/all/