Phi Fic

Guest Wes Alwan joins regulars Nathan Hanks, Mary Claire, Daniel St. Pierre, Laura Davis, and Cezary Baraniecki to discuss Mary Shelley's classic novel in this special cross-post from the newest member of the Partially Examined Life podcast network. More Phi Fic.

On the later Platonic dialogue. What is a sophist? These were guys in Ancient Greece who taught young people the tools of philosophy and rhetoric. They claimed to teach virtue. In Sophist, "the Eleatic Stranger" (i.e., not Socrates) tries to figure out what a sophist really is, using a new "method of division." This Plato era provides a nice transition to the category man Aristotle, and the whole concern with sophistry is certainly still relevant today!

End song: "Dumb," by Mark Lint and the Fake from the album So Whaddaya Think? (2000).

We talk about the novel by Mary Shelly, "Frankenstein, or the Modern Prometheus". Nathan Hanks hosts fellow readers Cezary Baraniecki, Daniel St. Pierre, Laura Davis, Mary Claire, and special guest, Wes Alwan from the Partially Examined Life.

Learn from me... how dangerous is the acquirement of knowledge and how much happier that man is who believes his native town to be the world, than he who aspires to become greater than his nature will allow. - Victor Frankenstein

Thanks to Christopher Nolen for the music.

Socrates hangs out in the country flirting with his buddy Phaedrus. And what is this "Platonic" love? Using the enticement of desire not to rush toward fulfillment, but to get you all excited about talking philosophy. Socrates critiques a speech by renowned orator Lysias, who claimed that love is bad because it's a form of madness, where people do things they then regret after love fades. Socrates instead delivers a myth that shows the spiritual benefits of loving and being loved. With guest Adam Rose.

End song: "Summertime" by New People, from Might Get It Right (2013).

More on The Ethics of Ambiguity (1947), this time on part III. Ep. 140 laid out man's "ambiguity," but what does that mean in terms of practical decision making? B. talks about the practical paradoxes of dealing with oppression and what it might mean to respect the individual, given that there's no ultimate, pre-existent moral rulebook to guide us, nothing we can point to to excuse the sacrifice of someone to a "greater good."

Become a PEL Citizen to listen to the the Aftershow featuring Beauvoir scholar Jennifer Hansen.

End song: "Indiscretion (Mess Things Up)" from the 1993 Mark Lint album Spanish Armada: Songs of Love and Related Neuroses.

On The Ethics of Ambiguity (1947), parts I and II. We return to existentialism! Instead of describing our predicament as "absurd," de Beauvoir prefers "ambiguous": We are a biological organism in the world, yet we're also free consciousness transcending the given situation. Truly coming to terms with this freedom means not only understanding that you transcend any label, but also recognizing that your freedom requires the freedom of others. The full foursome discuss whether this attempt to ground an existentialist ethics works.

End song: "Reasonably Lonely," by Mark Lint.