Phi Fic

On Fromm's The Art of Loving (1956). What is love, really? This psychoanalyst of the Frankfurt school thinks that real love is not something one "falls" into, but is an art, an activity, and doing it well requires a disciplined openness and psychological health.

End songs: "Kimmy" (1995) and "Kimmy 2002" by Mark Lint.

On selected "moral epistles" (from around 65 CE) by Lucius Annaeus Seneca: 4. On the Terrors of Death, 12. On Old Age, 49. On the Shortness of Life, 59. On Pleasure and Joy, 62. On Good Company, 92. On the Happy Life, 96. On Facing Hardship, and 116. On Self Control. We're joined by Massimo Pigliucci of the How to Be a Stoic blog, who for a long time was on the Rationally Speaking podcast. How can one most profitably interpret weird-sounding Stoic recommendations about the emotions and about following nature?

End song: "I Lose Control" by The MayTricks from So Chewy! (1993).

Our second discussion of De Anima or On the Soul (350 BCE), this time on book 3. What is the intellect? We talk about its highest part/function: nous, which is a "form of forms," literally nothing until it thinks, survives death and is not actually yours or mine, but just the universal mind!

This continues the discussion from ep. 130 and includes a preview of the Aftershow featuring Rebecca Goldner.

End song: "Wonderful You" (live 2001) by Mark Lint.

On De Anima or On the Soul (350 BCE), books 1 and 2, after some listener mail. What can this ancient text tell us about biological life? What counts as a scientific explanation? A. describes life as "the first actuality of a natural body which has organs," so bodies express their nature only when they're growing and reproducing and all that stuff that bodies do. The body is potential, and life is its actuality. So what the heck kind of explanation is that, and how does it tie into Aristotle's convoluted metaphysics?

End song: "Intermission Song" by Mark Lint from Spanish Armada: Songs of Love and Related Neuroses (1993).

Mark is joined by numerous previous guests to catch up and engage the musical part of PEL's past episodes by introducing and playing the entirety of Mark Lint's "Songs from the Partially Examined Life," which you can own, along with the 2016 PEL wall calendar.

Nathan Gilmour (Christian Humanist podcast) and Rob Dyer (God Complex Radio) join Mark and Wes for to discuss the reasonableness of religious belief reading Antony Flew's "The Presumption of Atheism," Norwood Russell Hanson's “The Agnostic’s Dilemma," Steven Cahn's "The Irrelevance of Proof to Religion," Alvin Plantinga's “Is Belief in God Properly Basic?" Merold Westphal's "Sin and Reason," Basil Mitchell's “Faith and Criticism," Peter van Inwagen's "Clifford's Principle," William Alston's "Experience in Religious Belief," Richard Swinburne's "The Voluntariness of Faith" and “The World and Its Order," and Paul Helm's "Faith and Merit." Read synopses of all these at partiallyexaminedlife.com.

End song: "Let Us Meet" by Mark Lint, setting an old poem by Kim Casey Linsenmayer.

On "The Meaning of Meaning" (1975). If meaning is not a matter of having a description in your head, then what is it? Hilary Putnam reformulates Kripke's insight (from #126) in terms of Twin Earths: Earthers with H20 and Twin Earthers with a substance that seems like water but is different have the same mental contents but are referring to different stuff with "water," so that word is speaker-relative in a certain way. With guest Matt Teichman. 

End song: "In the Boatyard" by Mark Lint & the Madison Lint Ensemble (2004, finished now).

On Experience and Nature (1925), through ch. 4. What's the relationship between our experience and the world that science investigates? Dewey thinks that these are one and the same, and philosophies that call some part of it (like atoms or Platonic forms) the real part while the experienced world is a distortion are unjustified.

End song: "Uncontrollable Fear" by The MayTricks from So Chewy! (1993).

On Naming and Necessity (1980). What's the relationship between language and the world? Specifically, what makes a name or a class term pick out the person or things that it does? Saul Kripke wanted to correct the dominant view of his time (which involved a description in the speaker's mind), and used talk of "possible worlds" to do it! With guest Matt Teichman.

End song: "Reason Enough" by Mark Lint.

On Isaac Asimov's "The Last Question," Albert Camus's "The Fall," Karl Jaspers's "Truth and Symbol," C.S. Peirce's "The Fixation of Belief," Bertold Brecht's "Theatre for Pleasure or Theatre for Instruction," and Thomas Sheehan's Stanford lectures on the Historical Jesus.

These are snippets covering topics we haven't had time to cover on the podcast proper. Brief yourself via these 10–15 minute bursts, or become a PEL Citizen to listen to the full discussions.