Philharmonia Orchestra Audio Podcast

Organist James McVinnie introduces the UK premiere of Peter Eotvos' Multiversum, which happened at the Royal Festival Hall in London on 7 February 2019.

Katy Hamilton talks to Principal Guest Conductor Santtu-Matias Rouvali and Pianist Alice Sara Ott ahead of the Sibelius & Ravel concert at the Royal Festival Hall in London on 24 January 2019.

Philharmonia Orchestra Principal Trumpet Alistair Mackie talks with Principal Guest Conductor Santtu-Matias Rouvali ahead of an all-Strauss programme at De Montfort Hall in Leicester on 5 December 2018.

Katy Hamilton opens the Philharmonia Orchestra's 2018/19 Royal Festival Hall season with an Insights Talk on Esa-Pekka Salonen's concert programme of Wagner, Schoenberg and Bruckner.

Broadcaster Gavin Plumley tells the story behind the creation of Arnold Schoenberg's extraordinary Gurrelieder, performed by the Philharmonia and Esa-Pekka Salonen to close the Philharmonia Orchestra's 17/18 London concert season.

The Philharmonia Orchestra's Principal Conductor and Artistic Advisor, Esa-Pekka Salonen, chats with journalist John Florance ahead of a concert of Mahler's 1st Symphony and Beethoven's 2nd Piano Concerto at De Montfort Hall in Leicester on 10 April 2018. Topics cover Gustav Mahler and Jean Sibelius's famous encounter in Finland and their differing opinions of what a symphony should contain, the power of provocation in music, and Esa-Pekka Salonen's own struggle to balance composing, conducting and life.

This concert repeats in London at Southbank Centre's Royal Festival Hall on Thursday 12 April 2018 at 7:30pm. Book here: https://www.philharmonia.co.uk/concerts/1752

Please note: Audience questions have been edited out due to being inaudible on the recording - we cut straight to the panellist answers.

Voices of Revolution: Russia 1917 Series Advisor Martin Sixsmith speaks to musicologist Marina Frolova-Walker about the different ways Soviet era composers navigated an increasingly volatile system, one that could be unpredictable, especially when it came to evaluating music.

Profiling composers featured in the Philharmonia Orchestra's Royal Festival Hall concert on 22 March 2018, Sixsmith and Frolova-Walker explore how Sergei Prokofiev was lured back to Russia with flattery; how Alexander Mosolov ended up in the Gulag; and how Reinhold Glière managed to work the system to his advantage by producing beautiful, accessible music.

Works discussed:

Mosolov: Iron Foundry

Prokofiev: Piano Concerto No. 3

Glière: Concerto for Coloratura Soprano and Orchestra, The Red Poppy

Recorded live at the Royal Festival Hall, Southbank Centre, London.

Philharmonia Orchestra's 'Voices of Revolution' series continues in March 2018. https://www.philharmonia.co.uk/concerts/series/68/voices_of_revolution_russia_1917

Series Advisor Martin Sixsmith leads a discussion about Battleship Potemkin with Russian and Soviet Film Studies professor, Philip Cavendish.

Cavendish discusses Battleship Potemkin's iconic role in world cinema, it's powerful cinematography and director Sergei Eisenstein's aim to capture the tragedy, the pathos and brutality of events that took part in Odessa.

Recorded live at the Royal Festival Hall, Southbank Centre, London.

Philharmonia Orchestra's 'Voices of Revolution' series continues in March 2018.

Philharmonia Orchestra Principal Guest Conductor Jakub Hrůša speaks with Hannah Nepil of the Financial Times to discuss his relationship with the Philharmonia and his upcoming performance of Smetana's Má Vlast.

Recorded live at the Royal Festival Hall, Southbank Centre, London.