Photo Archives VI: The Place of Photography

Photo Archives VI: The Place of Photography

By Oxford UniversityEducation
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Photo Archives VI: The Place of Photography episodes

  • Photo Archives VI: The Archive in Transition: Reframing Josef Sudek’s Photographic Reproductions of Art
    Katarina Masterova (Institute of Art History, The Czech Academy of Sciences) discusses the objecthood of Josef Sudek's photographic archive. This paper examines the process of revaluing Josef Sudek’s (1896–1976) professional archive of almost 20,000 photographic reproductions of works of art housed in the photo library of the Institute of Art History of the Czech Academy of Sciences. Transferred from Sudek’s studio in 1978, this collection was, until recently, interpreted merely as an art historical tool to view the depicted artworks. The paper discusses the ways in which restoring the objecthood of the analogue photographs facilitates the process of reclaiming and re-identifying the archive’s lost functions and meanings. Thus this methodological shift reconstructs the archive as a multifunctional reservoir, which, through the process of transfer between various spaces, uncovers innovative analytical approaches and produces new layers of historical knowledge.
    23 min
  • Photo Archives VI: Transports of Vision: Frederic Edwin Church's Photographic Collection of the Mediterranean and Middle East
    Frederick N. Bohrer (Hood College) discusses Frederic Edwin Church's photographic collection. The 19th-century American painter Frederic Edwin Church’s photographic collection is an object lesson in archival curation. It does not fully illustrate or inform a viewer about place so much as it assembles (and excludes from vision) a controlled locale. Church’s collection embodies a variety of uses of photographic imagery in the context of a mobile subject, located within a larger network of cultural authorities and visual purveyors. It also presents a view of the porous boundaries between other visual media that photography inserted itself within, which works to problematize or fracture their claims to objectivity and invites new ways to theorize them.
    23 min
  • Photo Archives VI Welcome Day 2
    Opening remarks on the second day of the conference. Costanza Caraffa has been Head of the Photothek at the Kunsthistorisches Institut in Florenz, Max-Planck-Institut since 2006. In 2009 she initiated the Photo Archives conference series dedicated to the interaction between photographic archives, photography and academic disciplines.
    7 min
  • Photo Archives VI Welcome Day 1
    Opening remarks on the first day of the conference. Geraldine A. Johnson is Associate Professor of History of Art at Oxford University and a Fellow of Christ Church, Oxford. She is the editor of Sculpture and Photography: Envisioning the Third Dimension and co-editor of Picturing Women in Renaissance and Baroque Italy. Deborah Schultz is Senior Lecturer in Art History and Visual Culture at Regent’s University London. She completed her doctorate at the University of Oxford on Marcel Broodthaers: Strategy and Dialogue (published 2007).
    13 min

About Photo Archives VI: The Place of Photography

From the publisher's feed

This major international conference was convened by Geraldine Johnson (University of Oxford), Deborah Schultz (Regent's University London), and Costanza Caraffa (Kunsthistorisches Institut in Florenz—Max-Planck-Institut). It is the sixth in the Photo Archives conference series.

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