Photography Xperiment Podcast

Photography Xperiment Podcast

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Photography Xperiment Podcast episodes

  • TPX20: Craig Wetjen – Create and Accomplish with Personal Photography Projects

    Craig Wetjen of www.craigwetjen.com has been a professional photographer in Australia and the US for 31 years. He has a string of awards that would make any photographer proud and he’s been exhibited on numerous occasions and he’s arguably best known for his book… Men and Their Shed where he photographed and captured the stories of 101 men and their backyard sheds.

    I found myself at many points in my career so far, which is still going, that I get wallowed up with looking on the other side of the fence rather than looking in my own backyard, and looking at my own ideas, and doing my own thing, and not worrying about what’s going on out behind you but look out what’s going ahead of you in your own two feet, in your own backyard – Craig Wetjen

    In addition to his accolades and photography, Craig has taught SEO and web marketing for photographers. This guy is one accomplished photographer and I’m rapt to have him for this interview where we go deep into personal photography projects and everything that goes into creating something you will be truly proud of.

    Here’s some of what we cover:

  • How Craig makes a living as a photographer
  • Where to study in Australia to get a degree in photography
  • Advantages of enrolling in a photography course instead of self-taught learnings
  • What an aspiring photographer must do to learn photography
  • Considering an apprenticeship as a means to learn photography
  • The best approach to take when applying as a second shooter or looking to get an apprenticeship
  • Working out a deal in exchange for carrying a photographer’s bags
  • How and why photographers should detach themselves from their work
  • Craig’s reasons for not selling his digital files.
  • What rights will you give up when selling your digital files to the National Gallery/Archives
  • The difference between giving your digital files to commercial and domestic clients
  • Craig’s personal projects
  • Why it took Craig 30 years before working on his own personal projects
  • How Craig’s personal project came about and the parameters and guidelines he considered before starting
  • Rule of thirds, backlighting and other lighting patterns
  • Craig’s end goal when starting his personal projects with men and their sheds
  • Writing a project plan when planning to write a book
  • Craig’s health issues and how he channels things through photography
  • The importance of utilising available resources to help cope with depression
  • Can you earn money through selling prints from your personal projects
  • Why it is so costly to self-publish your book
  • Hiring a publisher and how the process works
  • What kind of royalties you receive when hiring a publisher to sell your books
  • Can writing and publishing books be a profitable business for a photographer
  • Craig’s new project about dementia
  • How Craig coped with juggling his business, personal projects and personal life
  • Do what you want to do and focus on your own ideas
  • Is it normal to think negative thoughts when conceptualising ideas
  • How to deal with your personal demons when completing projects
  • Why you don’t need to rush to finish personal projects
  • How Craig finds subjects for his photography projects
  • Is it necessary to promise your photography subjects something in return for posing for your projects
  • The process involved with Craig’s book layout and getting to the end product
  • Craig’s reaction when he finally received the first copy of his book
  • The advantages of hiring a publisher to sell your book
  • Craig’s reason for choosing dementia as inspiration for his next project
  • Using photography as a vehicle to help generate community awareness on social issues
  • Craig’s advise to people who have an idea for a personal photography project
  • Writing a project report is key to successfully implementing an idea
  • An idea is not real until it’s tangible
  • A digital file is not tangible. A print is tangible
  • What is your big takeaway?

    Following this interview, I’d love to read your feedback and comments. Was there something from this interview that struck a chord, inspired or motivated you?

    Will you take any kind of action after hearing what Craig had to share?

    Life is not always about money. It’s about doing what you love. You know they say if you do whatever you love, you never have to work a day in your life. And I just wanted to do what I love. Selling prints was an absolute bonus – Craig Wetjen

    Let me know by leaving your thoughts in the comments below.

    If you have any questions that I missed, a specific question you’d like to ask Craig or if you just want to say thanks for coming on the show, feel free to add them below too.

    You’ve got to detach from your photography. You’ve got to detach the fact that you’re a creative and you’ve got this sense of ownership of the photograph – Craig Wetjen

    To really keep your own mindset is to go with your own journey and follow with your heart – Craig Wetjen

    Everybody is worthy of a photograph no matter what age or what gender – Craig Wetjen

    Links to people, places and things mentioned in this episode:

    Men and their Sheds Website

    Men and their Sheds by Craig Wetjen from Booktopia

    Men and their Sheds by Craig Wetjen from Book Depository (Free international shipping)

    Men and their Sheds by Craig Wetjen from Angus & Robertson

    Men and their Sheds by Craig Wetjen from Dymocks

    Men and their Sheds by Craig Wetjen from Collins

    Men and their Sheds in the News

    Craig Wetjen Website

    Craig Wetjen on Facebook

    Craig Wetjen on Twitter

    Craig Wetjen on Instagram

    Jesse Marlow

    Andrew Esposito

    Michael Teo

    Episode 005 Premium Only: Michael Teo – Photography Projects Pay Off When You Commit

    Beyond Blue

    Australian Men’s Shed Association

    How to Win Friends & Influence People by Dale Carnegie

    Thank you!

    Thanks again for listening to the show and thanks to Craig for coming on and experimenting with a new and different format for this photography podcast and for sharing his thoughts, views and ideas.

    Go with your heart and stay true to what you want to do. Take input and inspiration from others but stay true to your idea. Put your idea on paper – Craig Wetjen

    If you have any suggestions, comments or questions about this episode, please be sure to leave them below in the comment section of this post, and if you liked the episode, please share it using the social media buttons you see at the bottom of the post!

    That’s it for me, hope everything is going well for you in life and photography!

    Thanks and speak soon

    Andrew

    51 min
  • TPX19: Kristof Ramon – Breaking Through to Become a Pro Cycling Photographer

    Kristof Ramon of kramon.photoshelter.com is a pro-cycling photographer who covers some of the worlds biggest and most prestigious races including the Tour de France, the Giro d Italia, the Tour of Flanders and Paris Roubaix.

    Kristof was born and raised in Belgium and attended film school at the age of 19. It was here that he discovered photography. He eventually followed his passion for cycling and photography and started photographing the sport.

    It’s difficult to define Kristof as a sports photographer. His photography captures so much more than the action.

    He says the riders are always his main focus… and that comes through when you see his portfolio which features close ups portraits of racers caked in sweat, mud, dust, snow and grime.

    You’re not going to catch all those little moments and it’s exactly those little moments that set you apart or that makes it unique and what makes it absolutely worth for me are those little moments – Kristof Ramon

    Here’s some of what we cover:

  • How Kristof defines himself as a photographer
  • How Kristof started his career in cycling photography by photographing the lesser known riders
  • What a normal cycling event is like for Kristof
  • What to expect at cycling events and how to prepare when photographing the different styles of races
  • Getting paid as a sports photographer in cycling
  • How Kristof keeps his focus on what to prioritise when photographing racing events
  • Techniques on how to capture race photos in Kristof’s style
  • The disadvantages of chasing cyclists during a race
  • Utilising an agent to manage photography work
  • What will you be required to deliver when commissioned to photograph cycling events?
  • Magazines and other publications look for that unique viewpoint in cycling photos
  • How to capture unique photos that make you stand out during sporting events
  • How soon can people access Kristof’s race photos after a race
  • What restrictions does Kristof place on the use of his photos?
  • What kind of photos do magazines and other publications choose from Kristof’s work?
  • Getting paid or getting published – what takes priority?
  • What Kristof does when his photo lands on magazine covers
  • Hosting an exhibition of your photography work
  • Why Kristof doesn’t work for other agencies
  • Is Kristof willing to take on another photographer to cover races he can’t attend?
  • How Kristof came to shift his career from music to cycling photography
  • How to get lucky when photographing the famous personalities in cycling
  • How Kristof started to get noticed as a cycling photographer
  • What made Kristof’s photos stand out and get shared by so many people?
  • Who discovered Kristof’s work first?
  • Why Kristof won’t use the photography style that got him noticed anymore
  • Amateur photographers are not critical enough of their own work
  • Kristof’s thought process when shooting in black and white or colour
  • Cultural influences and how it affects a photographer’s style
  • Does Kristof have the freedom to shoot what he wants to shoot during a race?
  • Social media and using it to get your style out there and noticed
  • People will hire you based on what you do, not by how adaptable you are as a photographer
  • Is it necessary to bring your camera with you all the time when at a race?
  • The need to always ask permission before taking photos of cyclists
  • How to gain the trust of your clients during cycling events
  • How to handle publications who use your work without your consent
  • How to price your photos when sending a bill for non-consent publications
  • Kristof’s workflow when photographing cycling events
  • How much does Kristof shoot during an event?
  • Why you need to rename and caption your photos using the best applicable keywords possible
  • Marcel Kittel (DEU/Etixx-Quickstep) congratulates teammate Tom Boonen (BEL/Etixx-Quickstep) with his win
    Brussels Cycling Classic 2016

    What is your big takeaway?

    Following this interview, I’d love to read your feedback and comments. Was there something from this interview that struck a chord, inspired or motivated you?

    Will you take any kind of action after hearing what Kristof had to share?

    The thing is you evolve. When you begin something and you learn a trick or a technique and you try it out, you always tend to overdo it. But in later photography, it’s like those little tricks you try to implement them more subtly and that’s when it becomes interesting because I needed those to go really overboard to be able later on to make that trick more subtle and maybe not noticeable or not as noticeable as the trickery it is, and that’s technique – Kristof Ramon

    Let me know by leaving your thoughts in the comments below.

    If you have any questions that I missed, a specific question you’d like to ask Kristof or if you just want to say thanks for coming on the show, feel free to add them below too.

    A Tinkoff rider couldn’t resist getting a feel of the snow up the misty Colle dell’Agnello (2744m)
    stage 19: Pinerolo(IT) – Risoul(FR) 162km
    99th Giro d’Italia 2016

    Your own voice is much much much more important than being a tool for whatever art director or somebody who is not into photography and telling you how to do it is completely wrong – Kristof Ramon

    New (and old) CX World Champion Wout Van Aert (BEL/Crelan-Willems) after finishing
    Men’s Elite Race
    UCI 2017 Cyclocross World Championships
    january 2017, Bieles/Luxemburg

    I’m a sports photographer in that I focus on one sport and it’s simply the one sport I really like and the one sport I’m passionate about, which is cycling – Kristof Ramon

    Sep Vanmarcke (BEL/LottoNL-Jumbo)
    Post-Tour Criterium Mechelen (Belgium) 2016

    The difficulty is that I don’t want to put a style on anybody. And I think I have a style or a specific point of view and an experience, and I can only bring that experience to that person and hope that he develops a style all by him/herself – Kristof Ramon

    The Espresso Mafia coffee bar is another enterprise (like La Fabrica) owned by former professional cyclist Christian Meier and his wife, Amber Meier.

    I want in the future to have a more classical look that can hold the test of time. So that’s when you get away from effect or heavy effect and be very much more interested and that’s where I am now is storytelling – what makes a picture – Kristof Ramon

    black melted ice mud festival
    Azencross Loenhout 2014

    As a photographer, you develop a style simply by your cultural reference – Kristof Ramon

    Stephen Hyde’s (USA/Cannondale) post-race mudface
    Elite Men’s Race
    UCI 2017 Cyclocross World Championships
    january 2017, Bieles/Luxemburg

    I think the biggest, absolute biggest mistake you can make is to let yourself be told how to shoot – Kristof Ramon

    Links to people, places and things mentioned in this episode:

    Kristof Ramon Website

    Kristof Ramon on Instagram

    Kristof Ramon on Twitter

    Bahamontes Magazine

    Soigneur Magazine

    Rouleur Magazine

    PhotoShelter

    Wout Van Aert (BEL) during course recon & training in the snow
    2015 UCI World Championships Cyclocross
    Tabor, Czech Republic

    Thank you!

    Thanks again for listening to the show and thanks to Kristof for coming on and experimenting with a new and different format for this photography podcast and for sharing his thoughts, views and ideas.

    Shoot how you want and need and feel to shoot. People pick up on that. If people come to you  and tell you how specifically to shoot, then that’s the wrong client for you. Or you’re doing it wrong because if you give in to that, you’ve lost – Kristof Ramon

    Also, a big thanks to the Laura Babb and the people behind the SNAP Photography Festival  for sponsoring this episode of the podcast and making the show possible.

    Use the promo code SNAP100 to save $100 British pounds (roughly AUD$170 and USD$125) on your Snap Tickets.

    SNAP will take place on a farm in West Wales, UK on the 24th – 28th July 2017 and will be attended by photographers from all over the world.

    It’s largely aimed at wedding and lifestyle photographers but they will have speakers from across all sectors of the photography industry, including photojournalists, fashion photographers, landscape photographers and academics.

    SNAP organisers are focussed on learning outcomes, rather than just throwing together a line up of big names.  They aim for a well balanced, diverse programme.

    I’ve heard the closing parties are epic and there are always a few surprises along the way.  At last years event, two festival attendees got married!

    As well as the learning and speakers, there will be activities like wild swimming, beach trips and camp fire hangouts.  SNAP is a chance to recharge your batteries before wedding season starts.

    To young photographers or aspiring photographers, specifically, find your voice and let it be heard – Kristof Ramon

    If you have any suggestions, comments or questions about this episode, please be sure to leave them below in the comment section of this post, and if you liked the episode, please share it using the social media buttons you see at the bottom of the post!

    That’s it for me, hope everything is going well for you in life and photography!

    Thanks and speak soon

    Andrew

    1 hr 1 min
  • TPX18: Paul and Kate Atkins – The Real Fine Art Photography Printers

    Today we’re swinging away from the usual and instead of talking to a photographer, we are lucky enough to have both Paul and Kate of Atkins of Atkins Pro Lab with us.

    The Atkins photography lab is celebrating their 80 year anniversary which makes them Australia’s oldest professional photo lab, run by a third generation husband and wife team.

    Atkins is also the only lab in the world printing on handmade cotton rag sheets, something they developed with their devotion to real fine art printing.

    Based in Adelaide, Australia and servicing pro photographers world wide, I’m rapt to have them as interview guests.

    Here’s some of what we cover:

  • How to classify fine art prints
  • What is an indigo press?
  • What is pigment inkjet printing?
  • What is the quality benchmark for printing photos?
  • Ending the confusion in the marketplace pertaining to different print types
  • Why two photo books can have different colours when printed on separate occasions using the same digital files
  • How the print operator’s mood affects the colour shift of a photo print
  • The challenges facing digital press prints
  • What usually takes place to guarantee printing consistencies
  • What makes a ‘real’ fine art print?
  • Why you should not trust companies who simply say they offer fine art printing
  • Who are Atkins Pro Lab’s typical clients?
  • How do you justify the price increase when ordering a fine art print?
  • What is cotton rag paper?
  • How much does a fine art print cost?
  • What is a professional exclusive product and who can purchase it?
  • How to position yourself against your competition using prints
  • Not discussing product or only offering a single print product is the biggest problem in the wedding and portrait photography market today
  • Why you should not limit your clients’ options
  • Creating an edge in your business by doing something different from the rest
  • Can photographers sell fine art print from their website or do clients need to see the product to make a sale?
  • The type of print papers Atkins Pro Lab uses
  • How to frame handmade paper prints properly
  • How are photographers guaranteed to see the same colour on their monitors
  • How to calibrate your on-screen colours
  • How is film treated at Atkins Pro Lab?
  • What photographers should do before shooting with film and sending it to a photo lab
  • As film ages, it loses its ISO and speed
  • Why you need to be wary of buying an old film camera
  • Joining Facebook Groups for film for learning
  • What’s one product photographers absolutely should try at Atkins Pro Lab?
  • The benefits of sending your printing to a photo lab
  • What is your big takeaway?

    Following this interview, I’d love to read your feedback and comments. Was there something from this interview that struck a chord, inspired or motivated you?

    Will you take any kind of action after hearing what Paul and Kate had to share?

    Let me know by leaving your thoughts in the comments below.

    If you have any questions that I missed, a specific question you’d like to ask Paul and Kate  or if you just want to say thanks for coming on the show, feel free to add them below too.

    We make sure that the prints we actually do make are worthy of their subject matter. – Paul and Kate

    It is really important that photographers look for what works for them in terms of their own branding and their own marketplace and then really pitch something to that.  – Paul and Kate

    Links to people, places and things mentioned in this episode:

    Atkins Pro Lab Website

    Atkins Pro Lab on Instagram

    Atkins Photo Lab Retail on Instagram

    Paul Atkins on Instagram

    Kate Atkins on Instagram

    Atkins Pro Lab on Facebook

    Atkins Photo Lab on Facebook

    Image Permanence Institute

    Bentinmarcs

    Eizo Color Edge monitors

    Spectra view – NEC equivalent

    Xrite i1 Display – screen calibrator

    Atkins Pro Lab advice on color and calibration

    Jose Villa

    Thank you!

    Thanks again for listening to the show and thanks to Paul and Kate for coming on and experimenting with a new and different format for this photography podcast and for sharing his thoughts, views and ideas.

    Also, a big thanks to the Laura Babb and the people behind the SNAP Photography Festival  for sponsoring this episode of the podcast and making the show possible.

    Use the promo code SNAP100 to save $100 British pounds (roughly AUD$170 and USD$125) on your Snap Tickets.

    SNAP will take place on a farm in West Wales, UK on the 24th – 28th July 2017 and will be attended by photographers from all over the world.

    It’s largely aimed at wedding and lifestyle photographers but they will have speakers from across all sectors of the photography industry, including photojournalists, fashion photographers, landscape photographers and academics.

    SNAP organisers are focussed on learning outcomes, rather than just throwing together a line up of big names.  They aim for a well balanced, diverse programme.

    I’ve heard the closing parties are epic and there are always a few surprises along the way.  At last years event, two festival attendees got married!

    As well as the learning and speakers, there will be activities like wild swimming, beach trips and camp fire hangouts.  SNAP is a chance to recharge your batteries before wedding season starts.

    We believe in prints and we believe in the power of prints to last, and the longevity of prints is incredibly important to us. – Paul and Kate

    If you have any suggestions, comments or questions about this episode, please be sure to leave them below in the comment section of this post, and if you liked the episode, please share it using the social media buttons you see at the bottom of the post!

    That’s it for me, hope everything is going well for you in life and photography!

    Thanks and speak soon

    Andrew

    1 hr 19 min
  • TPX17: Craig George – Giving Up on Digital and Moving to Film for Wedding Photography

    Craig George of www.craig-george.com was interviewed for episode 140 of PhotoBizX podcast in one of the most downloaded episodes where he shared how he rose from nothing to a fully booked destination wedding photographer in one year!

    Last month, I saw a social media post from Craig that he is giving up on digital photography and moving to film. This goes for all future bookings and any existing bookings who want him to shoot film for their wedding. He’s now facing a bunch of challenges including pricing, packages, education and having to re-learn how to shoot conservatively.

    In this interview, my aim is to uncover why the change and the complete thought process behind the BIG change including how Craig is going to pull this off successfully and stay profitable.

    Here’s some of what we cover:

  • An update on what Craig has been focusing on for the past year
  • Why the switch to film photography?
  • How to capture audience’s attention
  • How to stand out as a photographer
  • How to add value to the work you do
  • How to handle client bookings when you’re in the middle of a switch from shooting digital to film
  • What significant changes should you expect in your business when you shift from digital to film
  • How a shift from digital to film can affect pricing and packages
  • The need to constantly challenge yourself to excel in photography
  • Learning to be frugal with your film shots after shooting digital
  • Shooting film changes the way you approach photography… in a good way
  • Breaking away from the photography norms
  • Craig’s thought process before deciding to make the switch
  • What business considerations to think through before shifting to film
  • How to differentiate yourself from other photographers to get noticed
  • The need to offer something unique in the saturated wedding photography market
  • How to convince clients there’s value in the kind of photography you do
  • How to add soul to your photographs
  • Why shoot film if your digital photography already look like film?
  • Using film to be authentic in the look that Craig wants to emulate in his photos
  • How Craig films videos and stills at the same wedding
  • Craig’s workflow when photographing children
  • Getting feedback from clients through scribbling testimonials on your camera bag
  • What Craig thinks of future competition in his newly defined market
  • What bugs Craig in the current wedding photography industry
  • Why Craig is worried the value of photography will drop in the future
  • What is your big takeaway?

    Following this interview, I’d love to read your feedback and comments. Was there something from this interview that struck a chord, inspired or motivated you?

    Will you take any kind of action after hearing what Craig had to share?

    Let me know by leaving your thoughts in the comments below.

    If you have any questions that I missed, a specific question you’d like to ask Craig or if you just want to say thanks for coming on the show, feel free to add them below too.

    I just think that you have to have a presence these days to be able to cut through the noise – Craig George

    I have to shoot for myself. I have to love what I’m doing. Otherwise, by the very nature of it, I’m doing a disservice to my clients – Craig George

    I have to love what I’m doing. If I don’t, then I’m not giving the best that I can possibly give – Craig George

    I’m not going to conform to what should be produced. It’s about me putting an artwork on to people’s weddings. That’s what they booked me for – Craig George

    Links to people, places and things mentioned in this episode:

    Craig George Website

    Craig George on Instagram

    Craig George on Facebook

    A Paris Love Story – 1962 Film Camera

    I Re-assessed – And I’ve Decided To Stop!!

    Canadian Film Lab

    Episode 140: Craig George – Wedding Photography Success, It Takes More Than You Think

    Episode 172: Spencer Lum – The Blog Challenge for Photographers

    171: Jen Huang – Develop Your Photography Style then Trust Your Pricing

    Jonny Barratt Photography

    Thank you!

    Thanks again for listening to the show and thanks to Craig for coming on and experimenting with a new and different format for this photography podcast and for sharing his thoughts, views and ideas.

    Also, a big thanks to the Laura Babb and the people behind the SNAP Photography Festival  for sponsoring this episode of the podcast and making the show possible.

    Use the promo code SNAP100 to save $100 British pounds (roughly AUD$170 and USD$125) on your Snap Tickets.

    SNAP will take place on a farm in West Wales, UK on the 24th – 28th July 2017 and will be attended by photographers from all over the world.

    It’s largely aimed at wedding and lifestyle photographers but they will have speakers from across all sectors of the photography industry, including photojournalists, fashion photographers, landscape photographers and academics.

    SNAP organisers are focussed on learning outcomes, rather than just throwing together a line up of big names.  They aim for a well balanced, diverse programme.

    I’ve heard the closing parties are epic and there are always a few surprises along the way.  At last years event, two festival attendees got married!

    As well as the learning and speakers there will be activities like wild swimming, beach trips and camp fire hangouts.  SNAP is a chance to recharge your batteries before wedding season starts.

    It’s so hard to be different. But it doesn’t matter because essentially nobody else can look through that viewfinder in my camera and nobody else can write the words that I write – Craig George

    If you have any suggestions, comments or questions about this episode, please be sure to leave them below in the comment section of this post, and if you liked the episode, please share it using the social media buttons you see at the bottom of the post!

    That’s it for me, hope everything is going well for you in life and photography!

    Thanks and speak soon

    Andrew

    43 min
  • TPX16: Neale James – Photofilms and Bringing Photography to Life with Audio

    Neale James of nealejames.com is a former BBC Radio 1 broadcaster and his background in sound alongside his documentary photographic style has seen him become the pioneer of wedding photo films. If you’re unfamiliar with the term Photofilm – it’s a combination of stills and sound, recorded on the wedding day at an event or on a shoot.

    Think, cinematography meets stills photography where you see the images captured by Neale with the voices and sounds of the real wedding day, portrait session or event interspersed with Neale’s narration as he ties the story together.

    Looking through his Vimeo channel, it’s easy to recognise Neale is the consummate professional when it comes to both sound and imaging and I love the way he’s using both to tell his stories.

    Here’s some of what we cover:

  • A background in radio broadcasting and how that started
  • Is radio broadcasting really an art form?
  • Is there room for creativity in commercial radio broadcasting?
  • Why Neale fell out of love with broadcasting
  • Has Neale ever considered a career in podcasting
  • How Neale shifted from a carrier in broadcasting to photography
  • Moving from portrait photographer to wedding photographer
  • Neale’s impressions after doing his first wedding session
  • Dealing with photography from a business perspective rather than seeing its artistic side
  • How Neale’s father played a part in how he was able to fulfil his childhood dream
  • Does Neal define himself and his work as “the” wedding film maker?
  • How a photofilm becomes an edge in your business
  • Why sound is so potent in film production
  • Neale shares what photofilm is all about
  • The disadvantage of having a photofilm as a product you offer in business
  • How Neale first came up with the idea of a photofilm
  • The importance of recording audio for keeping memories alive years after the recording
  • Wedding photography is a photographer’s legacy to couples
  • How much gear will you ned to invest in to start recording audio at your sessions?
  • Then and now – what gear Neale is using to record audio
  • Adding narration to a photo film is a business differentiator
  • Using a lapel mic will set you apart
  • Why adding an audio recording to a slideshow can be so much more potent than music
  • What does Neale gets in return for shooting photofilms?
  • Neale’s process when approaching and talking to strangers before photographing them
  • What is your big takeaway?

    Following this interview, I’d love to read your feedback and comments. Was there something from this interview that struck a chord, inspired or motivated you?

    Will you take any kind of action after hearing what Neale had to share?

    Let me know by leaving your thoughts in the comments below.

    My father’s lesson to me was humility is really really important. “If you can keep your humility son, you will go far.” – Neale James

    If you have any questions that I missed, a specific question you’d like to ask Neale or if you just want to say thanks for coming on the show, feel free to add them below too.

    It’s not because sound can be potent, it’s everything about sound that flavours what you experience. – Neale James

    One day, their stories will not be there to be told anymore. – Neale James

    Most photographers are really genuine people that are really happy to discuss what they do as you well found. – Neale James

    If you don’t do it, you’ll never know the luxury thing, you gotta be in it to win it. – Neale James

    Links to people, places and things mentioned in this episode:

    Neale James Website – Documentary wedding photography and sound

    Neale James Wedding Photofilm

    Neale James on Vimeo

    Neale James on Facebook

    Neale James on Twitter

    Tom Stoddart Film by Neale James

    Jim Mortram Film by Neale James

    One day somebody believed in me. It took that one person to say “I have that”. And that’s the same with everybody who succeeds in life, isn’t it? One day if somebody says “That’s crackin’, we’ll have a bit of that.” And then before you know it, you’re a filmmaker. – Neale James

    David Bailey

    Tom Stoddart

    Jim Mortram

    John Swannell

    Episode 122: Kevin Mullins – Talking Photography Technique and Wedding Business

    TPX09: Paul Rogers – From News Photographer to Documentary Wedding Photographer

    Franck Boutonnet on Snap Photo Festival

    Thank you!

    Thanks again for listening to the show and thanks to Neale for coming on and experimenting with a new and different format for this photography podcast and for sharing his thoughts, views and ideas.

    Also, a big thanks to the Laura Babb and the people behind the SNAP Photography Festival  for sponsoring this episode of the podcast and making the show possible.

    Use the promo code SNAP100 to save $100 British pounds (roughly AUD$170 and USD$125) on your Snap Tickets.

    SNAP will take place on a farm in West Wales, UK on the 24th – 28th July 2017 and will be attended by photographers from all over the world.

    It’s largely aimed at wedding and lifestyle photographers but they will have speakers from across all sectors of the photography industry, including photojournalists, fashion photographers, landscape photographers and academics.

    SNAP organisers are focussed on learning outcomes, rather than just throwing together a line up of big names.  They aim for a well balanced, diverse programme.

    I’ve heard the closing parties are epic and there are always a few surprises along the way.  At last years event, two festival attendees got married!

    As well as the learning and speakers there will be activities like wild swimming, beach trips and camp fire hangouts.  SNAP is a chance to recharge your batteries before wedding season starts.

    Wedding photography, whilst important to somebody on their day, I never quite saw it as a legacy thing. And now I do. – Neale James

    If you have any suggestions, comments or questions about this episode, please be sure to leave them below in the comment section of this post, and if you liked the episode, please share it using the social media buttons you see at the bottom of the post!

    That’s it for me, hope everything is going well for you in life and photography!

    Thanks and speak soon

    Andrew

    0 min
  • TPX15: Franck Boutonnet – Photography Projects, Awards and Legacy

    Franck Boutonnet of franckboutonnet.com has been a documentary photographer for over 15 years. He is a celebrated wedding photographer, photojournalist and lecturer with a very long list of awards!

    He describes himself as a cool dude, cool dad and is based in Lyon, France. Frank shoots JPG and is as passionate about his personal long-term photography projects as his clients work and is working continually toward a legacy worth leaving.

    I’m a better photographer because I attended all these conferences – Franck Boutonnet

    Franck will be presenting at the SNAP Photography Festival in April 2017. SNAP is a unique all inclusive photography retreat, workshop, festival, conference and week long party all rolled into one. It’s happening on a farm in West Wales and is put together for wedding and lifestyle photographers.

    Here’s some of what we cover:

  • The pressure to deliver at every wedding
  • Are Franck’s clients really aware of what true documentary photography is?
  • Direction and photojournalism, do they go together?
  • How to identify key moments at wedding shoots
  • Will you still be considered a documentary photographer if you change your style often
  • Why hiding the fact that you are a documentary photographer becomes an issue
  • Steve McCurry’s iconic images and the truth behind those photos
  • How Franck started his career as wedding photographer
  • Using photography as a means to escape the corporate world
  • How Franck became a world-renowned photographer
  • Take advantage of referrals with overseas clients to increase international coverage
  • Long term projects and Franck’s reasons for shooting it
  • Is Franck leaving behind a legacy through his long term projects?
  • The importance of staying true to yourself and taking photographs of subjects you want to take
  • Why Franck wants to leave a legacy in the wedding photography industry
  • Why wedding photography is considered the lowest form of photography
  • Why Franck still choses to enter photo competitions despite his fame and recognition
  • Using awards as a marketing tool for clients and photographers
  • Wedding contests offer visibility and exposure for your business
  • Using photography contests to push yourself
  • Does Franck worry his work will end up looking like someone else’ work?
  • The difference between copying a technique and copying the same picture
  • How to build your own photography style
  • Composition can be a technique on its own
  • Can you learn photography at a conference?
  • What Franck teaches when presenting at conferences
  • Franck’s goal as a photographer
  • Why Franck shoots JPEG
  • Is it forbidden to take photos in the streets of France
  • Information rights on photography in France comes first before personal rights
  • What is your big takeaway?

    Following this interview, I’d love to read your feedback and comments. Was there something from this interview that struck a chord, inspired or motivated you?

    Will you take any kind of action after hearing what Franck had to share?

    Let me know by leaving your thoughts in the comments below.

    For my wedding photography, I am working for my legacy – Franck Boutonnet

    If you have any questions that I missed, a specific question you’d like to ask Franck or if you just want to say thanks for coming on the show, feel free to add them below too.

    I am sure 100% that one day, wedding photography is going to be considered as fashion photography, as portrait photography, as war photography. It’s going to be considered as an art in itself – Franck Boutonnet

    I’m not thinking about this legacy and all these things. I’m just, in the moment, doing what I want to do now. I really want to be appreciating the very moment I am living in – Franck Boutonnet

    For me, being competitive allows me to push myself ahead – Franck Boutonnet

    I’m trying to convince people that from any kind of situation, you can get incredible imagery – Franck Boutonnet

    Links to people, places and things mentioned in this episode:

    Franck Boutonnet Website

    Franck Boutonnet on Instagram

    Franck Boutonnet on Facebook

    Colectif Item

    Franck Boutonnet on Fearless Photographers

    Franck Boutonnet Photography on ISPWP

    Franck Boutonnet on Shot Kit

    Franck Boutonnet on Snap Photo Festival

    Me, my approach is to give super nice, like striking imagery, really nice pictures – Franck Boutonnet

    Botched Steve McCurry Print Leads to Photoshop Scandal

    Ansel Adams

    Lynsey Addario

    James Nachtwey

    Milena Perdriel  – Franck’s headshot photographer

    Episode 157: Tyler Wirken – Approaching Photography Business Like an Assignment 

    The way I chose to exist in this industry is to be visible through contests – Franck Boutonnet

    Thank you!

    Thanks again for listening to the show and thanks to Franck for coming on and experimenting with a new and different format for this photography podcast and for sharing his thoughts, views and ideas.

    Also, a big thanks to the Laura Babb and the people behind the SNAP Photography Festival  for sponsoring this episode of the podcast and making the show possible.

    SNAP will takes place on a farm in West Wales, UK on the 24th – 28th July 2017 and will be attended by photographers from all over the world.

    It’s largely aimed at wedding and lifestyle photographers but they will have speakers from across all sectors of the photography industry, including photojournalists, fashion photographers, landscape photographers and academics

    SNAP organisers are focussed on learning outcomes, rather than just throwing together a line up of big names.  They aim for a well balanced, diverse programme.

    I’ve heard the closing parties are epic and there are always a few surprises along the way.  At last years event, two festival attendees got married!

    As well as the learning and speakers there will be activities like wild swimming, beach trips and camp fire hangouts.  SNAP is a chance to recharge your batteries before wedding season starts.

    If you want to find something, you need to look for this. If you don’t look for anything, for sure you won’t find anything – Franck Boutonnet

    If you have any suggestions, comments or questions about this episode, please be sure to leave them below in the comment section of this post, and if you liked the episode, please share it using the social media buttons you see at the bottom of the post!

    That’s it for me, hope everything is going well for you in life and photography!

    Thanks and speak soon

    Andrew

    0 min
  • TPX14: Brian Aris – War Photographer turned Photographer to the Rich, Famous and Royal

    Brian Aris of Aris Photography began his photographic career as a photojournalist covering assignments around the world including the civil unrest and riots in Northern Ireland, the plight of Palestinian children in Jordan, the civil war in Lebanon, famine in Africa and the war in Vietnam.

    He then decided on a complete change in direction, and opened a studio in London where he started photographing models for newspapers and magazines.

    At the same time he broadened his studio work to include pop and rock stars such as Blondie, The Jam, Madonna, The Clash, The Boomtown Rats, Roxy Music, the police David Dewey , The Beatles, The Rolling stone, Sting and actors such as Meryl Streep, Anthony Hopkins and Sophia Loren.

    After 3 years, Brian turned away from the model world to concentrate on the music industry. Glamorous weddings followed including the marriage of David Beckham to Victoria in an Irish castle.

    Brian went on to photograph Her Majesty The Queen Mother, Her Royal Highness Princess Margaret. And he was commissioned to produce the official portraits, marking both Her Majesty the Queen 70th Birthday. Later, the Golden Wedding Anniversary of her marriage to his Royal Highness, the Duke of Edinburgh.

    I only ever had one ambition, really, and that was to be a news photographer. I had no intention of going anywhere close to studios or celebrities. It was just everything I wanted to do at the age of 14, 15 was to go out and take pictures of news events – Brian Aris

    I’m rapt to have Brian Aris with me for this interview.

    Here’s some of what we cover:
    • Can you have any idea where photography will take you when starting out in the industry?
    • How a photo of a fire kicked off Brian’s career in journalism
    • The struggles Brian went through to get his career going in photojournalism
    • Does Brian consider himself a good photographer when looking back at his older images
    • Who influenced Brian’s photography style when starting his career
    • Why it’s so difficult to train people to have that photographer’s eye
    • Always wait and wait until you click that shutter
    • Don’t take pictures that are not necessary
    • How to look through contact sheets for that one special image
    • How often is Brian shooting today
    • Does Brian believe film is coming back
    • Who commissions Brian to do work nowadays
    • Why Brian switched from film to digital
    • Photographing Prince Andrew was the realisation that shooting film wouldn’t be possible for his business anymore
    • Using film is just too time consuming
    • Did Brian ever think shooting war photography was something he wanted to do long term
    • Does Brian follow a specific shot list when working on his assignments
    • Running into issues with the how publishers control what photos go out to publication
    • Brian’s reason for shifting from war photography into fashion photography
    • Why agents came to Brian with offers of fashion and celebrity shoots despite his documentary photography background
    • What went through Brian’s head the first time he photographs celebrities like Madonna
    • Why having your photo taken is an intimidating experience
    • How Brian breaks the ice with his subjects before the start of a shoot
    • Brian makes sure he gets to know his models before every photo session
    • Seeing dressing rooms as a vulnerable area to break barriers
    • Brian’s studio setup looks like
    • How a flexible studio setup helps when photographing different personalities
    • Brian won’t allow egotistical or sycophantic people in his studio
    • Why it’s important to establish rules in your studio when a photo shoot is ongoing
    • Has Brian ever felt intimidated photographing famous people
    • How Brian recalls photographing for the Royal Family for the first time
    • Why it’s best not to bring in your entire team when photographing high profile clients
    • How Brian landed a job photographing members of the Royal Family
    • Who contacts Brian to commission work for the Royal Family
    • Why Brian thinks it’s great to see newcomers being asked to photograph the Royal Family
    • The kind of style expected from you when you photograph the Royal Family
    • Losing avant-garde jobs because of your association of being a photographer for high-profile clients
    • The approach to photographing modern royalty is changing
    • The dilemma of photographers in London with copyright control
    • Brian’s library plays a huge part in his income stream
    • Marketing images online is hard work and difficult to do
    • People who buy art prefer seeing images in a gallery not a screen
    • Does Brian have the artistic freedom to shoot the style he wants to shoot when photographing celebrities
    • Where Brian gets his inspiration
    • Brian prefers starting every shoot with a blank mind and no preconceived vision
    • Brian’s thoughts on looking at other people’s work or art as inspiration for his shoots
    • Hesitation has no room in journalism
    • Brian’s thoughts on war and famine stricken countries that have not made it’s way to the mainstream media
    • Does Brian share the same passion with his journalism work as with photographing celebrities
    • What is your big takeaway?

      Following this interview, I’d love to read your feedback and comments. Was there something from this interview that struck a chord, inspired or motivated you?

      Will you take any kind of action after hearing what Brian had to share?

      Let me know by leaving your thoughts in the comments below.

      I like the idea of just going in with a camera and a blank canvass and see what we can turn up on the day – Brian Aris

      If you have any questions that I missed, a specific question you’d like to ask Brian or if you just want to say thanks for coming on the show, feel free to add them below too.

      My own personal feeling about photography is it’s all about the eye – Brian Aris

      I really strongly feel you should shoot and show the brutality and how vile war is and famine – Brian Aris

      I think taking photographs is always a challenge and that’s what I love about it – Brian Aris

      I love the reportage thing because you don’t know what you’re gonna get out of that. You don’t know where you are headed when you’re in Bombay or when you’re in Belfast or when you’re out with Geldof in Thailand. You don’t know where you’re gonna end up and you have to think on your feet. And I absolutely love that. That aspect of it – Brian Aris

      I have to say I think we’re overloaded with visual stimulation. In a way, I think you have to cut off from it sometimes because we’re bombarded with it 24/7 – Brian Aris

      Live concerts are like shooting reportage in a violent sort of situation

      Links to people, places and things mentioned in this episode:

      Brian Aris Website

      Brian Aris Fine Art Photographic Prints

      Brian Aris on Facebook

      Brian Aris on Twitter

      You leave your ego at the door. There’s only one ego in the studio. And that belongs to the person being photographed – Brian Aris

      Shoot First! Assignments of a Newsreel Camera Man by Ronnie Noble

      Don McCullin

      Twiggy

      Kent Gavin

      David Essex

      Irving Penn

      Richard Avedon

      Annie Leibovitz

      Camera Press

      The camera acts as a real barrier and take it away and I don’t think I’d be very good at some of the events I’ve been to – Brian Aris

      Thank you!

      Thanks again for listening to the show and thanks to Brian for coming on and experimenting with a new and different format for this photography podcast and for sharing his thoughts, views and ideas on photography.

      Also, a big thanks to Chris and Yuan from Studio Ninja for sponsoring this episode of the podcast and making the show possible.

      I always hope that in my lifetime I’d see Ireland settled, perhaps that’s true. I really felt passionately about the Israel-Palestinian thing. We’re not seeing that settled. And now what we’re seeing on the contrary is the Middle East just shredding itself apart. And famine. War’s something but when you see famine, which is what you will see in Yemen at the moment, I find that heartbreaking – Brian Aris

      If you have any suggestions, comments or questions about this episode, please be sure to leave them below in the comment section of this post, and if you liked the episode, please share it using the social media buttons you see at the bottom of the post!

      That’s it for me, hope everything is going well for you in life and photography!

      Thanks and speak soon

      Andrew

      0 min
    • TPX13: Donato Di Camillo – Reaching for The Holy Grail of Photography

      Donato Di Camillo of donatodicamillo.com is on his way to reaching the holy grail of photographers and artists alike… having his photography recognised as his own. In my opinion, Donato is developing into one of the photographers of our time.

      I discovered his work via Instagram and was immediately drawn to his up close and environmental style and the people he was photographing. His work is based in and around the streets and beaches of New York and it’s as if a mix of Bruce Gilden and Martin Parr have been blended and a striking new portfolio is being born.

      Donato has a past that included prison and a tough childhood, which I’m guessing influences his photography today.

      I love the amazing differences in people and how beautifully unique we all are. Good bad or indifferent; People never cease to amaze me.

      I’m rapt to have him with me for this interview.

      Here’s some of what we cover:
      • Donato’s photography style
      • How Donato learned photography
      • How Donato approaches his photography subjects
      • How Donato handles subjects who get upset when he takes stolen photos of them
      • The importance of learning people’s mannerisms and body language for street photography
      • Are model releases important before photographing people
      • The challenges associated with signing model release contracts
      • How Donato got into photography
      • How long did Donato take to develop his photography style
      • Why Donato thinks his photos are not good enough
      • Can you make a living from street photography
      • What Donato considers when conceptualising a photography project
      • Using photography to release anxiety and frustrations
      • Becoming the photographer that you are now through life experiences in the past
      • The importance of being approachable when doing street photography
      • Donato’s initial feelings when looking for his photography subjects
      • Can approaching people and making them feel comfortable be something you can learn
      • Donato’s plans for his street photography
      • Donato’s workflow
      • The benefits of slowing down and shooting less
      • How Donato backs up and archive his images
      • Where Donato looks for inspiration in his photography
      • What is your big takeaway?

        Following this interview, I’d love to read your feedback and comments. Was there something from this interview that struck a chord, inspired or motivated you?

        Will you take any kind of action after hearing what Donato had to share?

        Let me know by leaving your thoughts in the comments below.

        Slowing down taught me to look more, to be more observant – Donato Di Camillo

        If you have any questions that I missed, a specific question you’d like to ask Donato or if you just want to say thanks for coming on the show, feel free to add them below too.

        I’m my worst critic. Any photograph that I take is just not good enough. It’s almost become an obsession with me – Donato Di Camillo

        I learned how to use a camera through trial and error – Donato Di Camillo

        My main goal was to be able to express myself the way I needed to express myself – Donato Di Camillo

        I approach people like it was an attack, like I was on a hunt – Donato Di Camillo

        Links to people, places and things mentioned in this episode:

        Donato Di Camillo Website

        Donato Di Camillo on Facebook

        Donato Di Camillo on Instagram

        Donato Di Camillo on Twitter

        Donato Di Camillo on YouTube

        Donato Di Camillo on National Geographic

        Beach Body Bingo Project

        Schizophrenia – Our New Neighbor by Donato Di Camillo

        Donato Di Camillo’s Playful New York City Street Portraits (American Photo Mag)

        The beautiful story of one man who taught himself photography in prison (Feature Shoot)

        Everybody inspires me. I learn from everyone – Donato Di Camillo

        Eddie Adams

        William Klein

        Bruce Gilden

        Martin Parr

        William Eggleston

        Vivian Maier

        Prison opened my mind to the possibilities of maybe exploring the avenue of photography – Donato Di Camillo

        Equipment:

        Canon Rebel XSi DSLR Camera with EF-S 18-55mm f/3.5-5.6 IS Lens (OLD MODEL)

        Leica cameras

        Thank you!

        Thanks again for listening to the show and thanks to Donato for coming on and experimenting with a new and different format for this photography podcast and for sharing his thoughts, views and ideas on photography.

        Also, a big thanks to Chris and Yuan from Studio Ninja for sponsoring this episode of the podcast and making the show possible.

        My photography, the way I look at it, it’s this certain…there’s a bit a soul to it. I’m looking for like a bit of soul to a photograph. It separates from a snapshot – Donato Di Camillo

        If you have any suggestions, comments or questions about this episode, please be sure to leave them below in the comment section of this post, and if you liked the episode, please share it using the social media buttons you see at the bottom of the post!

        That’s it for me, hope everything is going well for you in life and photography!

        Thanks and speak soon

        Andrew

        0 min
      • TPX12: CJ Chilvers – You are not just a Photographer, You Need to Be a Publisher

        CJ Chilvers of cjchilvers.com is a writer, blogger and photographer. CJ appeared in episode 119 of PhotoBizX Podcast right after I read his thought provoking book, “A lesser Photographer – escaping the gear trap to focus on what matters”

        Since then, CJ has started blogging daily and I look forward to his email notifications above all others in regard to photography. Not only does he fly in the face of the recommendations Google makes to bloggers about long pillar type blog posts, he also thinks outside the square most photography bloggers have constructed around how the industry should work.

        CJ gives me hope and I love that he believes, “anyone can be creative if they can figure out how to fight their brain’s need to avoid the pain of creation. If you’re not feeling that pain, you’re not pushing yourself enough. Constraints breed creativity.”

        You need to present in the medium that best fits you. But I don’t think just because writing doesn’t fit you best doesn’t mean you shouldn’t try – CJ Chilvers

        This episode of the Photography Xperiment podcast is sponsored by Studio Ninja… more about them in the show and below.

        Here’s some of what we cover:
        • CJ’s driving factor to blog daily
        • Why you need to blog daily or at least give it a try
        • Why CJ prefers listening to Seth Godin over Google and their recommendations
        • How to choose your audience
        • Why you need to hang out in Twitter instead of Facebook for writing inspiration
        • Understand being different is better than being better
        • Embracing your difference and using them to your advantage
        • Doing the opposite of what experts are saying
        • Why photography is the go-to subject for CJ
        • Why you need to be familiar with the business of publishing
        • Approaching your work the way a publisher would
        • Storytelling is scarce now and will be in the future
        • Storytelling will be valuable
        • Finding a creative way to tell your story
        • Defining what being a storyteller really means
        • Why CJ took down most of his photos online after launching his book
        • Bringing your story to your readers through syndication
        • Why you should spend less time on social media
        • Should you chase your audience to let them know you exist?
        • How you will benefit from finding a good reader instead of more readers
        • The difference between an ‘okay’ reader and a ‘good’ reader
        • Why CJ does what he does
        • Should you consider or worry about what other people think in regard to your blogging?
        • What is CJ looking to gain with enrolling for photography courses?
        • When did CJ conceive the idea of writing daily and how long before he acted on it?
        • Short blog posts are underrated
        • People just don’t read long articles
        • The best place to manage and keep your writing
        • Never spend more than an hour on a blogpost
        • CJ’s workflow when writing his thoughts
        • Recommended apps for daily blogging
        • When is the best time to publish your drafted posts?
        • Is it ok to change your thoughts on something you wrote in the past?
        • The consequences of evolving and changing what you blog
        • Dealing with the decline of your fan-base when shifting your writing style or topic
        • CJ’s thoughts on owning one’s own space
        • How to keep track of article references
        • Why Twitter should be your preferred place to engage socially
        • Why daily blogging is good for mental health
        • Tips on how to blog daily
        • Is it a good idea to blog daily as a photographer?
        • There’s no “secret formula” to daily blogging
        • Should you force yourself as a photographer to learn how to write?
        • Are Google and SEO rankings enough reason to blog?
        • How CJ measures the success of his newsletters
        • What is your big takeaway?

          Following this interview, I’d love to read your feedback and comments. Was there something from this interview that struck a chord, inspired or motivated you?

          Will you take any kind of action after hearing what CJ had to share?

          Let me know by leaving your thoughts in the comments below.

          If you’re a good storyteller, you can be a great salesman. You can be a great anything – CJ Chilvers

          If you have any questions that I missed, a specific question you’d like to ask CJ or if you just want to say thanks for coming on the show, feel free to add them below too.

          I think, you know, just like you choose your audience, you can choose your medium  – CJ Chilvers

          I don’t necessarily want more readers. I want good readers – CJ Chilvers

          Daily blogging is for your own mental health. It’s a kind of meditation too – CJ Chilvers

          We do what we do because we have to do it. It’s a compulsion – CJ Chilvers

          Links to people, places and things mentioned in this episode:

          CJ Chilvers Website

          A Lesser Photographer – the eBook

          CJ Chilvers on Twitter

          CJ Chilvers on Facebook

          Chilvers on Instagram

          Seth Godin Explains Why You Should Blog Daily

          Seth Godin

          Sally Hogshead

          Dave Winer

          Jeffrey Zeldman

          Andy Ihnatko

          Evernote

          Squarespace

          Pocket

          Scrivener

          Studio Ninja

          You never know what you’re going to write until you start blogging – CJ Chilvers

          Episode 119: CJ Chilvers – Focus Less on Gear, Create Images that Matter

          Episode 172: Spencer Lum – The Blog Challenge for Photographers

          Episode 173: Chris Garbacz – Focus on the Business Side of Photography for Financial Success

          Fascinate, Revised and Updated: How to Make Your Brand Impossible to Resist by Sally Hogshead

          A Lesser Photographer: Escaping the gear trip to focus on what matters by CJ Chilvers

          None of us are just photographers anymore. In fact, all of us are publishers now – CJ Chilvers

          Equipment:

          Note Card Wallet

          Thank you!

          Thanks again for listening to the show and thanks to CJ for coming on and experimenting with a new and different format for this photography podcast and for sharing his thoughts, views and ideas on photography, blogging, writing and the industry.

          Also, a big thanks to Chris from Studio Ninja for sponsoring this episode of the podcast and making the show possible. If you want to see what the worlds best photographers are packing in their bag, check out ShotKit. You’ll see one of the best laid out, resource packed photography websites out there.

          Don’t try to be better than everybody else at their game. Be different. Establish your own game – CJ Chilvers

          If you have any suggestions, comments or questions about this episode, please be sure to leave them below in the comment section of this post, and if you liked the episode, please share it using the social media buttons you see at the bottom of the post!

          That’s it for me, hope everything is going well for you in life and photography!

          Thanks and speak soon

          Andrew

          46 min
        • TPX11: Bradley Hanson – Get Inspired and Stay True to Your Photographic Vision

          Bradley Hanson of bradleyhanson.com started out shooting headshots for models and musicians, before getting some work at the weekly newspapers. He added weddings to his repertoire in 1999.

          Although based in Minneapolis USA, Bradley has shot all over the world and his work has been featured in more publications than I have space to list. It’s the same for his awards!

          In regard to style, black and white is his thing and he takes inspiration from outside the wedding photography industry and uses it to stay true to his photographic vision.

          And opinions? Sure, he has plenty… strong ones too!

          Someone needs to be open and honest about the excess of workshops and that they are cash cows for those giving them, and borderline useless for the participants looking for easy answers – Bradley Hanson

          This episode of the Photography Xperiment podcast is sponsored by the super talented digital editors at The Image Salon… more about them in the show and below.

          Here’s some of what we cover:
          • Why Bradley is not keen on doing free advertising for camera gear companies
          • The biggest challenge for new photographers today
          • The problem with the photography workshop industry
          • Workshops are designed to be profit-based instead of learning based for participants
          • Can workshops teach you how to shoot better, be more creative and shoot differently
          • Bradley’s biggest influence in photography
          • Are you really paying for the workshop organiser’s holiday
          • How to determine if a workshop is a business opportunist or a legitimate venue to learn art
          • How you should find creative inspiration
          • How Bradley learned to be better at photography
          • The real value of photography
          • Why Bradley doesn’t look at other wedding photography images
          • Should we be satisfying ourselves, as the artists, or should we be pleasing the clients
          • Photography and the human mind
          • Bradley’s workflow
          • Having a consistent body of work gives you more chances of getting hired
          • Getting a second opinion when having difficulty choosing the best photo
          • Why photographers are intrinsically biased in the photo selection process
          • Will Bradley change his shooting style if clients stop coming for his current style
          • How to regulate your workflow
          • Why you need to keep changing and look at things in a new way
          • Altering your style to make a broader appeal to clients will always backfire
          • Why you must stay true to your own style
          • You need to give someone a reason to hire you
          • Why wedding magazines are killing the industry
          • What do you do as a photographer to stay different
          • Responding to over controlling clients
          • You need to not only inspire yourself but you need to create work that inspires other people who hire you – Bradley Hanson   

            What is your big takeaway?

            Following this interview, I’d love to read your feedback and comments. Was there something from this interview that struck a chord, inspired or motivated you?

            Will you take any kind of action after hearing what Bradley had to share?

            Let me know by leaving your thoughts in the comments below.

            Photography was not only an art form but the thing that I wanted to pursue – Bradley Hanson

            If you have any questions that I missed, a specific question you’d like to ask Bradley or if you just want to say thanks for coming on the show, feel free to add them below too.

            Quote from Bradley via email after the interview:

            Hey Andrew-

            Thank you. I was also thinking of so many different things that I felt like I may have strayed from my original thought too much. I was thinking that inspiration is temporary, but experience is forever, too. Most of what workshops promise are easy answers and “inspiration” from the location, but we all learn differently. I think many workshops cater to the “easy answers” crowd rather than just slogging it out yourself and learning through experience.

            I get a lot of personal emails asking advice about gear and business. I’m happy to help anyone and don’t have any secrets about what works for me. In that regard, I guess I’m giving free mini-workshops all the time! 😉

            Best,

            Bradley

            It’s interesting things that are happening in real time, and that’s the kind of stuff that inspires me – Bradley Hanson

            If something elevates your mood, you’re more likely to want to keep doing it – Bradley Hanson

            The more you have something unique to sell, the greater likelihood that it will feel desirable and exclusive – Bradley Hanson

            Links to people, places and things mentioned in this episode:

            Bradley Hanson Website

            Bradley Hanson on Facebook

            Bradley Hanson on Instagram

            Bradley Hanson Photography on Instagram

            Bradley Hanson on Twitter

            Bradley Hanson Blog

            How wedding photography has changed over the last 16 years and what all photographers can learn from it

            My 3 years with Fujifilm X-series cameras and lenses

            Minneapolis Photo Center

            Vivian Maier

            Ralph Gibson

            Ralph Gibson Books

            Alfred Joseph Hitchcock

            Elliott Erwitt

            Henri Cartier-Bresson

            Robert Frank

            Episode 168: Two Mann Studios – Careful Curation is the Key to Photography Success

            I don’t have preconceived ideas of how I want to set things up. It’s more of the ability to recognise things as they are happening – Bradley Hanson

            ShotKit.com

            More Brides – the ebook on building a better wedding photography business

            The ShotKit Books – Volume 1 and 2

            I wanted to move in a very personal inspired direction and do something different in the industry that haven’t been done – Bradley Hanson

            Thank you!

            Thanks again for listening to the show and thanks to Bradley for coming on and experimenting with a new and different format for this photography podcast and for sharing his thoughts, views and ideas on photography and the industry.

            Also, a big thanks to Mark from ShotKit for sponsoring this episode of the podcast and making the show possible. If you wan tot see what the worlds best photographers are packing in there bag, check out ShotKit. You’ll see one of the best laid out, resource packed photography websites out there.

            I don’t want to represent myself as anyone other than I am – Bradley Hanson

            If you have any suggestions, comments or questions about this episode, please be sure to leave them below in the comment section of this post, and if you liked the episode, please share it using the social media buttons you see at the bottom of the post!

            That’s it for me, hope everything is going well for you in life and photography!

            Thanks and speak soon

            Andrew

             

            1 hr 18 min

          About Photography Xperiment Podcast

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          Photography business and marketing success with strategies from the pros