Photography Xperiment Podcast

Photography Xperiment Podcast

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Photography Xperiment Podcast episodes

  • TPX10: Parker J Pfister – Get Inspired and Go Create Your Own Photography Portfolio

    How do I introduce a photographer like parker J Pfizer of parkerpfister.com with the kind of portfolio and reputation he has? Preparing for this interview I find I’m in awe of what he’s produced… his creativity and skill.

    So instead of describing his photography, his awards and achievements, I thought I’d give you a glimpse into his personality.

    I received this email from Parker when setting up the interview. I think it’s quite revealing. He says…

    BTW, most of my serious work is at parkerjpfister.com

    My wedding and portrait work is at parkerjphoto.com

    You will see the difference I think. LOL

    Hope you enjoy this conversation as much as I did and walk away with the same message I heard… get inspired and go create your own photography portfolio.

    This episode of the Photography Xperiment podcast is sponsored by the super talented digital editors at The Image Salon… more about them in the show and below.

    Here’s some of what we cover:
    • Why Parker doesn’t see his future in wedding and portrait photography
    • Shooting weddings purely for fun
    • How Parker makes money from his photography
    • Why Parker just doesn’t see weddings & portrait photography as a serious job
    • Gaining some perspective for the type of photography you want to shoot
    • The importance of separating different photography niches to succeed
    • How difficult is it to maintain two entirely different photography websites?
    • Will having a fixed number of weddings to shoot in a year affect your pricing?
    • Parker’s strategy in accepting the 10 bookings he relies on to survive each year
    • Why clients choose Parker to photograph their weddings
    • Who are Parker’s clients?
    • Who does Parker create his work for?
    • What is the true meaning behind Parker’s “constraints photography”?
    • How Parker started the body of work that he’s photographing for his serious work
    • Working with nude models
    • Do artists really need to be tortured to create art?
    • How Parker shoots his body of work
    • Who gets to see Parker’s photography?
    • What usually happens after an idea pops into Parker’s head for his photography projects?
    • How Parker finds his models and what he gives in exchange for posing for him
    • What’s the right way of finding a model who can pose nude?
    • Why Parker thinks boudoir photography is slutty
    • The best way to start shooting nude photography
    • Is it worth starting a portfolio like Parker has?
    • Why Parker prefers to keep his work hidden and away from the public eye
    • Why Parker prefers for people to see his art in print in galleries, not mobile phones
    • What is Parker most passionate about today?
    • How often does Parker shoot?
    • What is your big takeaway?

      Following this interview, I’d love to read your feedback and comments. Was there something from this interview that struck a chord, inspired or motivated you?

      Will you take any kind of action after hearing what Parker had to share?

      Let me know by leaving your thoughts in the comments below.

      I see lines and light and I just want to create just that. That’s all they are to me is this geometric shape that is interesting and it’s kind of the human form but it’s kind of hard too, which the human form isn’t at all – Parker J Pfister

      If you have any questions that I missed, a specific question you’d like to ask Parker or if you just want to say thanks for coming on the show, feel free to add them below too.

      I shoot weddings for me and I always have – Parker J Pfister

      I create for myself and I don’t know why – Parker J Pfister

      I am a photographer. I am not a wedding photographer – Parker J Pfister

      These are the constraints we put ourselves in that limit our lives – Parker J Pfister

      Links to people, places and things mentioned in this episode:

      Parker J Pfister Website

      Parker J Pfister Weddings

      Parker J Pfister Weddings on Instagram

      Parker J Pfister on Instagram

      Parker J Pfister Weddings on Facebook

      Through the Motions – a film by Parker J Pfister

      Transformations – a film by Parker J Pfister

      Chris Buck

      The Gelatin Silver Process

      WPPI: Wedding Photography Association

      Good Gallery

      You should totally be inspired to go out and create – Parker J Pfister

      Equipment

      Mamiya RB 67

      8×10 Deardorff V8 View Camera

      Ring lights

      Paper Negatives

      Thank you!

      Thanks again for listening to the show and thanks to Parker for coming on and experimenting with a new and different format for this photography podcast.

      Also, a big thanks to The Image Salon for sponsoring this episode of the podcast and making the show possible. If outsourcing your editing is something you’re currently doing or considering, please put the guys at The Image Salon to the test… I think you’ll be blown away!

      You get one shot at it. That’s it. And so you want to make it perfect – Parker J Pfister

      If you have any suggestions, comments or questions about this episode, please be sure to leave them below in the comment section of this post, and if you liked the episode, please share it using the social media buttons you see at the bottom of the post!

      That’s it for me, hope everything is going well for you in life and photography!

      Thanks and speak soon

      Andrew

      49 min
    • TPX09: Paul Rogers – From News Photographer to Documentary Wedding Photographer

      Paul Rogers of Rogers Pictures is a UK documentary wedding photographer. Before wedding photography, Paul was a photojournalist with The Times newspaper in London where he photographed a full range of subjects – from royalty, celebrities and world leaders to war zones and natural disasters worldwide.

      His Instagram bio sums up his current approach nicely… “UK and Europe based Documentary Wedding photographer working with relaxed couples who love photography but don’t want a photoshoot on their wedding day.”

      This episode of the Photography Xperiment podcast is sponsored by the super talented digital editors at The Image Salon… more about them in the show.

      Here’s some of what we cover:
      • Life as a major newspaper photojournalist
      • What made Paul leave The Times when he did?
      • The problems facing print news organisations today
      • Considering exit plans when working as photojournalists
      • How and why Paul chose wedding photography as his niche
      • News photographers that Paul look up to
      • Paul’s level of comfort in letting old colleagues know he is now a wedding photographer
      • Why Paul chooses to shoot weddings today
      • Learning to adapt to change
      • How Paul learnt photography
      • How to become a photojournalist
      • The difference between news journalism and photo journalism
      • How Paul managed to land a job at The Times magazine
      • How was it working for The Times?
      • Where Paul learnt his photography skills to become the photographer that he is today
      • When photography becomes a job
      • Is there any longevity in the wedding photography business?
      • Does wedding photography business have the potential to disappear in the future?
      • Why shooting so much at a wedding is important
      • What is ‘shooting through the moment’?
      • Whose work made a huge influence on Paul’s photography style?
      • Why the UK has so many documentary photographers
      • The best way to become better at photojournalism
      • How will you benefit from attending the Foundation workshop?
      • Why Paul still attends workshops today
      • The difference between a news photographer and a war photographer
      • Paul’s reason for outsourcing his photo editing
      • First time outsourcing – how does it feel?
      • What is your big takeaway?

        Following this interview, I’d love to read your feedback and comments. Was there something from this interview that struck a chord, inspired or motivated you?

        Will you take any kind of action after hearing what Paul had to share?

        Let me know by leaving your thoughts in the comments below.

        I’ve made all those mistakes out there and you know, you don’t intend to make them the second time; or there’s maybe a second time but not a third – Paul Rogers

        If you have any questions that I missed, a specific question you’d like to ask Paul or if you just want to say thanks for coming on the show, feel free to add them below too.

        When you are confident in what you’re doing you can get to the point of shooting the images that you know you need a lot quicker than when you’re faffing around, experimenting, trying something out that doesn’t work and you’re not quite sure you end up overshooting – Paul Rogers

        I knew that I needed to do something in the field of documentary photography to do the kind of work that I wanted to do – Paul Rogers

        Things change and this is who I am now – Paul Rogers

        We will never stop learning and I just want to push myself every single wedding. Every year, I want to get better at everything – Paul Rogers

        Links to people, places and things mentioned in this episode:

        Paul Rogers Website

        Paul Rogers on Facebook

        Paul Rogers on Instagram

        Paul Rogers on Twitter

        Jeff Ascough

        Neale James

        Sean Smith

        Brian Harris

        Daniel Meadows

        Don McCullin

        Jane Bown

        Foundation First Workshop

        I suppose what I’m trying to do is explore other people’s vision of how they see – Paul Rogers

        Equipment

        Zenit camera

        Canon EOS 5D Mark II Full Frame DSLR Camera (Body Only) (OLD MODEL)

        Canon EOS 5D Mark III 22.3 MP Full Frame CMOS with 1080p Full-HD Video Mode Digital SLR Camera (Body)

        Thank you!

        Thanks again for listening to the show and thanks to Paul for coming on and experimenting with a new and different format for this photography podcast.

        Also, a big thanks to The Image Salon for sponsoring this episode of the podcast and making the show possible. If outsourcing your editing is something you’re currently doing or considering, please put the guys at The Image Salon to the test… I think you’ll be blown away!

        If you immerse yourself around people that have a philosophy in the way that they work it could certainly rub off on you and it can change the way you start looking at the world and that’s just the beginning. It’s now up to you to develop that and to look for other influences and to develop your style and to find out what works and what doesn’t – Paul Rogers

        If you have any suggestions, comments or questions about this episode, please be sure to leave them below in the comment section of this post, and if you liked the episode, please share it using the social media buttons you see at the bottom of the post!

        That’s it for me, hope everything is going well for you in life and photography!

        Thanks and speak soon

        Andrew

        58 min
      • TPX08: Niki Boon – From Obscurity into The Eyes of Adoring Photographers

        Niki Boon of www.nikiboonphotos.com leapt from obscurity into the eyes of adoring photographers immediately after the raw, gritty and documentary styled images of her children were discovered and shared across the web.

        The idea of living a simple life in rural New Zealand while home schooling her kids without TV and modern electronics is on the tipping point of becoming a paradox with the social media and real attention Niki is receiving.

        We discuss photography, lifestyle, creativity, money, fame and a whole lot more in this candid interview which is kicked off with what I felt was the perfect introduction… Niki reading her “artists statement” which you can find below.

        We live a simple life in rural New Zealand, on a 10 acre property surrounded by rivers, coastline, bush and hills.

        My children are unschooled and live without TV or modern electronic devises, a lifestyle that may seem unconventional to some, but I am here to celebrate the magical place I choose to live with my family.

        I document their days, together, in an environment full of nature and uninhibited play. I photograph as a physical record of their childhood, life as it is… the real …but also as a reflection of a childhood rooted deep in my own past …a most sincere place of freedom.. a childhood I now pass on to my own children. Although deeply personal I believe that others will also connect to some aspect of their own childhood…

        I believe my children are right where they belong covered in mud , running and living through nature.

        They belong here wild and free and earth connected in a way where the landscape begins and there little souls end.

        Today we live on a small block of land where I strive to replicate this childhood for my children… it is here in our wild and wonderful surroundings that I endeavour to tell their story… Life as it is.  Artist statement by Niki Boon – Photographer, mother of four wild and free children

        Here’s some of what we cover:
        • How Niki feels after being discovered and gaining rapid popularity
        • Why Niki prefers to homeschool her children
        • How Niki learned photography
        • What happens to the images of Niki’s earlier work
        • Why Niki photographs her children the way she does
        • Who were Niki’s photo stories for
        • Why Niki prefers shooting in black and white
        • Carefully curating and sharing photos to stay true to your photographic vision
        • Does Niki’s photographic vision dictate day to day activities for her children
        • How Niki reacts when her photos don’t get the response she’s expecting
        • Staying true to your vision for your photography
        • How Niki deals with the negative feedback about her work
        • Thoughts on cashing in on the popularity she’s gaining
        • How Niki approached her first wedding and why she agreed to photograph it
        • The best place to find photo books
        • Where Niki’s inspiration comes from
        • Is Niki willing to move away from documenting her children to capture different stories
        • Is photography a job or a hobby for Niki
        • Why you need to stop paying attention to what other people think
        • Does photography motivate Niki to generate income
        • What is Niki most scared of with how things are going with her photography
        • Why Niki loves to shoot day in the life sessions with families
        • Why Niki doesn’t retouch or alter her images
        • What is your big takeaway?

          Following this interview, I’d love to read your feedback and comments. Was there something from this interview that struck a chord, inspired or motivated you?

          Will you take any kind of action after hearing what Niki had to share?

          Let me know by leaving your thoughts in the comments below.

          My photography’s journey has been a bit of a long winded one – Niki Boon

          If you have any questions that I missed, a specific question you’d like to ask Niki or if you just want to say thanks for coming on the show, feel free to add them below too.

          I don’t know what it is to be discovered – Niki Boon

          I fell in love with photography after falling in love with the dark room – Niki Boon

          Photography is such a subjective thing. It just is. The way I shoot it is the way I see it – Niki Boon

          If nobody gives a crap, then I don’t really need to worry about anything – Niki Boon

          Links to people, places and things mentioned in this episode:

          Niki Boon Website

          Niki Boon on 500px

          Niki Boon on Facebook

          Niki Boon on Instagram

          Illuminate Classes with Niki Boon

          Episode 099: Gabe McClintock – How To Be True to Yourself in Your Photography Business

          Walker Evans

          Robert Frank

          Ralph Eugene Meatyard

          Johannes Vermeer

          Pieter Bruegel

          Darcy Padilla

          Darcy Padilla’s Julie Project: when photography becomes humanitarian

          Equipment

          Canon EOS 5D Mark III 22.3 MP Full Frame CMOS with 1080p Full-HD Video Mode Digital SLR Camera (Body)

          Canon EF 35mm f/2 IS USM Wide-Angle Lens

          Canon EF 35mm f/1.4L USM Wide Angle Lens for Canon SLR Cameras – Fixed

          Thank you!

          Thanks again for listening to the show and thanks to Niki for coming on and experimenting with a new and different format for this photography podcast.

          Also, a big thanks to The Image Salon for sponsoring this episode of the podcast and making the show possible. If outsourcing your editing is something you’re currently doing or considering, please put the guys at The Image Salon to the test… I think you’ll be blown away!

          If what you breathe in is as awesome, then what you breathe out is at least a percentage of that – Niki Boon

          If you have any suggestions, comments or questions about this episode, please be sure to leave them below in the comment section of this post, and if you liked the episode, please share it using the social media buttons you see at the bottom of the post!

          That’s it for me, hope everything is going well for you in life and photography!

          Thanks and speak soon

          Andrew

          45 min
        • TPX07: Kevin Wyllie – The Dad, The Photographer, The Inspiration Behind Regina

          Kevin Wyllie of KGS Photography is the dad, the photographer and the inspiration behind Regina’s (his 9 year old daughter) love of photography. Regina not only accompanies Kevin to weddings, brides are requesting her from around the world!

          Kevin has photographed members of the Royal family, world-class athletes and music stars. In 2013 British Vogue magazine described him as “…a visionary photographer” only two years after starting his business.

          Based in Scotland and concentrating mostly on weddings and portraits, Kevin has been making photography news all over the world… well, his daughter Regina has, to be more precise.

          Regina Wyllie is Kevin’s nine year old daughter and wedding photographer. I’m not being loose with the term “photographer” either. The young photographer is already being requested by brides who hire her pro photographer dad and now couples are requesting her to accompany Kevin to photograph their wedding across the globe.

          Regina is the daughter of pro photographer Kevin Wyllie, and she’s been shooting with a real camera since the ripe old age of … three.

          At three years old, Kevin says she gave up her toy camera, picked up a Canon G9, and started shooting mountain bike races alongside Dad. Amazing stuff.

          Here’s some of what we cover:
          • How Kevin started his career in photography
          • Will photographing what you love bring in the money eventually
          • What triggered Kevin’s decision to quit his day job
          • How Kevin’s background in sales helped his photography business
          • The struggle Kevin faces when selling his photography
          • How Kevin closes a sale using soft and assumptive closes
          • Showing how passionate you are about photography hugely helps in closing a sale
          • What to do when you get booked at a venue you haven’t shot at before
          • Relying on mobile apps to successfully execute your shots
          • Why Kevin brings his daughter Regina to weddings
          • The things that worry Kevin when photographing alongside his daughter
          • How detailed are Kevin’s instructions to Regina when photographing a wedding
          • How Regina’s subjects react when told where and how to pose
          • What was the real motive in bringing Regina to weddings?
          • Why Kevin is not keen to outsource his work
          • How much time Kevin spends on editing photos from a full wedding session
          • Regina at nine really does shoot in full manual mode
          • Regina’s camera settings before stepping in to shoot at weddings
          • Does Regina have a say in the editing process?
          • Is Regina’s fascination for photography only temporary?
          • How Kevin feels about all the attention Regina is getting from her photography
          • Dealing with the negative feedback from allowing a 9 year old to photograph weddings
          • What is your big takeaway?

            Following this interview, I’d love to read your feedback and comments. Was there something from this interview that struck a chord, inspired or motivated you?

            Will you take any kind of action after hearing what Kevin had to share?

            Let me know by leaving your thoughts in the comments below.

            I know a lot of photographers struggle with selling something that we are so passionate about – Kevin Wyllie

            If you have any questions that I missed, a specific question you’d like to ask Kevin or if you just want to say thanks for coming on the show, feel free to add them below too.

            Because we love it so much, we find it very very hard to charge properly for it or to sell it to people – Kevin Wyllie

            I’ve never been a fan of a hard sell – Kevin Wyllie

            I want them to see the passion I have for photography – Kevin Wyllie

            Photography is a 24/7 obsession with me – Kevin Wyllie

            Links to people, places and things mentioned in this episode:

            Kevin Wyllie Website

            Kevin Wyllie on Facebook

            Kevin Wyllie on Twitter

            Regina Wyllie on Instagram

            Kevin Wyllie as Cotton Carrier Brand Ambassador

            Meet Regina Wyllie, the Nine Year-Old Wedding Photographer

            Petapixel Podcast: A New Camera and Rumors of More on the Way

            Brides Request this 9-Year-Old Wedding Photographer by Name

            Pocket Light Meter on iPhone

            Photo Sundial App by Rick Sammon

            Thank you!

            Thanks again for listening to the show and thanks to Kevin for coming on and experimenting with a new and different format for this photography podcast.

            Also, a big thanks to The Image Salon for sponsoring this episode of the podcast and making the show possible. If outsourcing your editing is something you’re currently doing or considering, please put the guys at The Image Salon to the test… I think you’ll be blown away!

            I’ve always maintained that if there’s anything automatic happening, something else is taking the decision for me. I can’t allow that to happen – Kevin Wyllie

            If you have any suggestions, comments or questions about this episode, please be sure to leave them below in the comment section of this post, and if you liked the episode, please share it using the social media buttons you see at the bottom of the post!

            That’s it for me, hope everything is going well for you in life and photography!

            Thanks and speak soon

            Andrew

            52 min
          • TPX06: Sara Lando – Creative Photography from Concept to Delivery

            Italian portrait photographer and teacher, Sara Lando of saralando.com says there are few things she wouldn’t do to get the photo she has in mind. Sara shoots portraits, cardboard cut outs and commercial work using mixed media and plenty of creativity. Her portfolio is both stunning and varied.

            This episode is sponsored by The Image Salon – the custom editing company that will free up your time and give your photos the look you want by assigning a personal in house editor to you.

            Here’s some of what we cover:
            • How much of Sara’s time is dedicated to her personal projects?
            • Why Sara wouldn’t trade her scheduled personal projects for client bookings
            • Why companies choose Sara’s for their commercial work
            • What Sara loves to shoot and why
            • How Sara’s magpies project was born
            • What changed in Sara’s business to reach a state of happiness after so long
            • How to be a good commercial photographer
            • How long it takes Sara to take a decent photo
            • How to retain the excitement to shoot when dealing with different subjects
            • Why Sara thinks photography is a form of language
            • How to decide on the format you use for your photography
            • Who Sara shoots for
            • How to receive criticism and who you should take it from
            • The danger of not following through with your original vision following critiques
            • Sara’s mixed media projects and how it comes together
            • Sara’s thoughts on social media
            • Being a professional photographer is not possible without the internet and social media
            • Why Sara believes blogging is senseless
            • How early into a project is too early to share your ideas
            • Where does Sara get her inspiration?
            • Should you be following the old masters or modern photographers to develop your photography?
            • Why you should expose yourself to different work
            • Is it alright to replicate someone else’s work?
            • The importance of giving credit when taking inspiration from other people’s work
            • When does a work that you replicated became yours?
            • The number of projects Sara has on the go at one time
            • Why Sara’s projects are all time-constrained
            • How Sara knows if a photo is good or bad when critiquing other photographers work
            • What is your big takeaway?

              Following this interview, I’d love to read your feedback and comments. Was there something from this interview that struck a chord, inspired or motivated you?

              Will you take any kind of action after hearing what Sara had to share?

              Let me know by leaving your thoughts in the comments below.

              I was trying to find a balance between the photos you do for clients and the stuff that keeps you mentally sane – Sara Lando

              If you have any questions that I missed, a specific question you’d like to ask Sara or if you just want to say thanks for coming on the show, feel free to add them below too.

              I love commercial photography but sometimes you feel like it’s never completely yours because you have to fulfil someone else’ vision most of the time – Sara Lando

              I don’t think there is a single person on this planet that is not interesting or photogenic – Sara Lando

              Every story can be interesting. It’s about learning how to narrate it – Sara Lando

              Photography is in a way telling that something is worthy of being remembered – Sara Lando

              Links to people, places and things mentioned in this episode:

              Sara Lando Website

              Paper Moustache

              Sara Lando Photography on Facebook

              Sara Lando on Twitter

              Sara Lando on Instagram

              Sara Lando on Snapchat: shipoftheseus

              Sara Lando on 500px

              Magpies by Sara Lando

              GPP2014 ShootOut | Sara Lando vs Zack Arias

              How to Make Ideas Into Great Photography by Sara Lando

              Zacks Shoot with Sara Lando

              The Tragical Comedy or Comical Tragedy of Mr. Punch by Neil Gaiman

              Jolene by Dolly Parton

              Jolene by The White Stripes

              Hurt by Nine Inch Nails

              Hurt by Johnny Cash

              Thank you!

              Thanks again for listening to the show and thanks to Sara for coming on and experimenting with a new and different format for this photography podcast.

              Also, a big thanks to The Image Salon for sponsoring this episode of the podcast and making the show possible. If outsourcing your editing is something you’re currently doing or considering, please put the guys at The Image Salon to the test… I think you’ll be blown away!

              I’m fascinated by the concept of identity of like what makes you YOU – Sara Lando

              If you have any suggestions, comments or questions about this episode, please be sure to leave them below in the comment section of this post, and if you liked the episode, please share it using the social media buttons you see at the bottom of the post!

              That’s it for me, hope everything is going well for you in life and photography!

              Thanks and speak soon

              Andrew

              52 min
            • TPX05: João Guedes – Committing to a Personal Photography Project

              João Guedes of http://joaoguedes.com was raised in Brazil but lives in Canada today. He’s been working professionally as a photographer for the last ten years and describes his style as a mixture of portrait, lifestyle and sensual photography. His work is absolutely gorgeous and after committing to a personal photography project, his work was elevated to a whole new level.

              Music and movies are his main sources of inspiration and he’s been focussed on The Diaries Project for the last three years which will be culminating in a book, hopefully. We cover a lot of ground in this interview with a big focus on the importance and affect of starting and committing to personal photography projects.

              A big thank you to The Image Salon for sponsoring this episode of the show.

              Here’s some of what we cover:
              • Working with advertising agencies and how much creativity will you really have
              • Working on ad campaigns can be the most frustrating thing fro a creative photographer
              • Why most photographers shoot personal projects or should be
              • Why João believes commercial photographers in Brazil have no style
              • What is the Diaries Project and why did João start the project
              • Does a photographer need a vision when starting their personal projects
              • João’s past projects
              • The regret of using strobes with early photography projects
              • Doing personal projects will help you build your own identity as a photographer
              • Why it is alright to seek inspiration from other photographers’ work
              • How The Diaries Project was born
              • Empowering women in João’s boudoir photography is the last thing on his mind
              • Why João doesn’t want to be seen as ‘that’ photographer who just shoots naked women
              • How women are stereotyped in Brazil
              • How João’s wife reacted when The Diaries Project started
              • Photographing naked women with a wife at home
              • Pursuing a personal project, financially, despite having little to live on
              • Having a photography business is not all glamorous
              • How to find your own voice and style
              • Why João pursued his personal project despite having insufficient cash flow from paying clients
              • Is outsourcing a viable option for your photography business?
              • Why João would consider outsourcing instead of doing it on his own
              • How João found the models who would pose for his project
              • What to consider when shooting your first nude photography session
              • How to handle model requests on certain photo nudity restrictions on social media
              • The challenges of shooting boudoir photography
              • Why João requires his models to be 19 and older instead of 18
              • What do the models get out of all this
              • Is there a need to have an end to a photography project
              • The pressures associated with having your own personal projects
              • Why João is not confident about releasing a book showcasing his work
              • Scouting the locations for João’s Diaries Project and how he finds these places
              • How João executes the vision he has for his shoots to get what he wants from each session
              • How long it takes to finish one Diaries Project shoot and the number of shots taken
              • Treating lighting as an essential part of a photography project
              • Future projects for João
              • What is your big takeaway?

                Following this interview, I’d love to read your feedback and comments. Was there something from this interview that struck a chord, inspired or motivated you?

                Will you take any kind of action after hearing what João had to share?

                Let me know by leaving your thoughts in the comments below.

                I just wanted to shoot something that I love and not worrying about money or the pressure of having a business behind it – João Guedes

                If you have any questions that I missed, a specific question you’d like to ask João or if you just want to say thanks for coming on the show, feel free to add them below too.

                We have to, at some point, start growing and building our own identity – João Guedes

                I never saw myself as a boudoir or a fine art or a nude photographer. I never saw myself doing that – João Guedes

                I didn’t want to be seen, at that time, as the guy who just jumped from advertising into shooting naked women – João Guedes

                I wanted to do something that I would never do and that would push me to, like challenge me – João Guedes

                 

                Links to people, places and things mentioned in this episode:

                João Guedes Website

                The Diaries Project by João Guedes

                João Guedes on Instagram

                João Guedes on Facebook

                Episode 164: Nathan Elson – Building a Successful Commercial Portrait Photography Business

                Episode 053: Fer Juaristi – Success and Happiness as a Wedding Photographer

                The Image Salon

                I love to see my work in exhibition, you know, to be shown to different people. I love the idea that I was not getting paid to do that, there was not a business part of it – João Guedes

                Equipment:

                Canon EF 85mm f1.2L II USM Lens for Canon DSLR Cameras – Fixed

                Thank you!

                Thanks again for listening to the show and thanks to João for coming on and experimenting with a new and different format for this photography podcast.

                Also, a big thanks to The Image Salon for sponsoring this episode of the podcast and making the show possible. If outsourcing your editing is something you’re currently doing or considering, please put the guys at The Image Salon to the test… I think you’ll be blown away!

                I didn’t want just to shoot something I wanted. It should have some meaning for me. It needed to be meaningful and I wanted to achieve something or have a goal – João Guedes

                If you have any suggestions, comments or questions about this episode, please be sure to leave them below in the comment section of this post, and if you liked the episode, please share it using the social media buttons you see at the bottom of the post!

                That’s it for me, hope everything is going well for you in life and photography!

                Thanks and speak soon

                Andrew

                0 min
              • TPX04: Ming Thein – There’s More to Photography and Success than Money

                Ming Thein of  MingThein.com from Malaysia is a photographer first, a philosopher / writer second, a commercial photographer third, a teacher fourth and a blogger a distant fifth. In saying that, he has one of the most popular photography blogs on the web. If that’s his distant fifth, you can imagine how good a photographer this guy is!

                After receiving a master’s degree in physics at 16 and a successful career in business, Ming Thein became a full-time photographer in 2011. He’s has since been named one of the worlds best street and commercial photographers today and appears to be working more hours and harder than any photographer I know yet he says it doesn’t feel like work.

                Here’s some of what we cover:
                • Why pursue photography despite Ming’s successful career in Physics and the business world
                • How Ming made the transition to his career in commercial photography
                • Why full time with photography instead of his original intention to keep it a hobby
                • The type of clients you are likely to attract as a commercial photography
                • The risks when given the creative freedom to produce work for your clients
                • The toughest part of transitioning to full time photographer
                • What do you really have to do to get that good at photography
                • Quality is always more important the quantity
                • The importance of pre-visualizeing and having a shot list before going to shoot
                • What did photography success looks like when transitioning into this new career
                • Is money a driving factor for Ming and his photography business
                • Dealing with Asian family pressures when shifting careers
                • Why Ming blogs so prolifically and who he is writing for
                • A photographer’s work becomes easier the more educated potential buyers are
                • Consisteny matters
                • Why Ming doesn’t monetize his website
                • It’s beneficial to both parties to teach someone who wants to learn
                • Why integrity is always questioned when monetising your business
                • What to shoot when shooting for fun
                • Why you need to make time for personal projects
                • Why you need to do a proper post-mortem of images for experimental reasons
                • Why it’s very difficult to be obective about your own work
                • Should you put out your work out there to gather critiques from other photographers
                • The number of personal projects Ming is currently working on and how he manages them
                • Giving birth to new personal projects
                • Why Ming prefers Photoshop over Lightroom
                • Ming’s workflow
                • Having your own recognisable style is important in an industry that is highly competitive
                • How to find your own style
                • Is the shallow depth of field one of the most overused techniques by amateur photographers
                • Ming’s pricing strategy and how he selects the right client
                • Dealing with copyright and usage rights
                • Professionalism has a certain degree of committment
                • Why you should never undermine yourself when considering pricing
                • Adding extra value to your product offerings
                • Why Instagram and filters are not for professional photographers
                • Why photographers should not be shooting in JPEG format today
                • The benefits of using a Hasselblad
                • The pressure to deliver
                • What is your big takeaway?

                  Following this interview, I’d love to know what your biggest takeaway is – what is the one thing that you’d like to implement or learnt from what was shared? Let me know by leaving your thoughts in the comments below.

                  I’m trying to give the best value to my clients – Ming Thein

                  If you have any questions that I missed, a specific question you’d like to ask Ming or if you just want to say thanks for coming on the show, feel free to add them below.

                  I’m a very binary person. Either I do it or I don’t, and if I do it, I do it at 110% – Ming Thein

                  It really is not about how good you are. You can be good enough. As long as you’re good enough and you can sell, you’ll do very well. But if you’re really really good and you can’t sell, then you’re screwed – Ming Thein

                  I would personally rather have fewer but better images – Ming Thein

                  I try and see the world in colors and shapes. If there’s interesting geometries, colors, shapes and textures, I’ll just shoot it anyway. I shoot anything  – Ming Thein

                  Links to people, places and things mentioned in this episode:

                  Ming Thein Website

                  Ming Thein on Facebook

                  Ming Thein on Twitter

                  Ming Thein on Instagram

                  Ming Thein on Flickr

                  Ming Thein’s Teaching Store

                  The Idea of Man

                  Steve McCurry

                  Sebastião Salgado: Genesis Review

                  Equipment:

                  Hasselblad H5D-50c Wi-Fi Medium Format DSLR Camera Body

                  Hasselblad H6D-50c

                  Nikon D810 FX-format Digital SLR Camera Body

                  Fujifilm Neopan ACROS Black-and-White Negative Film ISO 100, 35mm, 36 Exposures

                  Thank you!

                  Thanks again for listening to the show and thanks to Ming for coming on and experimenting with a new and different format for this photography podcast.

                  The main thing that unifies all of my images is control and precision. I’m a very precise and controlled photographer both in terms of composition and in terms of exposure , and everything – Ming Thein

                  If you have any suggestions, comments or questions about this episode, please be sure to leave them below in the comment section of this post, and if you liked the episode, please share it using the social media buttons you see at the bottom of the post!

                  That’s it for me, hope everything is going well for you in life and photography!

                  Thanks and speak soon

                  Andrew

                  0 min
                • TPX03: Anna Pumer – Kick Ass Photography and Fraudulent Feelings

                  Anna Pumer of Anna Pumer Photography and Kick Ass Photographers discovered photography when her boyfriend suggested she give the whole photography thing a try after seeing some of her travel photos. She attended a wedding photography workshop, quit her day job and started her business shortly after.

                  With her journalism and copywriting background, it didn’t take long for Anna’s website to start working to attract her perfect client… and don’t they LOVE her!

                  Business has been booming for Anna ever since starting and I couldn’t wait to learn a little more about what makes her tick and how in the world she can harbour any feelings of being a fraud… she’s amazing!

                  Here’s some of what we cover:
                  • What drives Anna
                  • Anna’s average number of bookings in a year
                  • Is money really a driving factor for Anna
                  • Ideal clients and how to help them find you
                  • Anna’s pricing and why she won’t increase it
                  • How to say NO to clients and how not to
                  • How Anna choses the right couples to take as clients
                  • Is there any part of Anna’s business process that she doesn’t enjoy
                  • The average number of photos Anna shoots and deliver
                  • Why it’s ok to merge personal life and wedding photography business with social media channels
                  • Does Anna strategically screens the photos she shares in social media
                  • How many times Anna meets her couples before the wedding day
                  • Why Anna feels it’s important that her clients treat her like a guest
                  • Wedding day fashion for the photographer
                  • How Anna photographs her couples during the preparations before the ceremony
                  • Are nerves still a factor every time Anna photographs weddings
                  • Why Anna is immediately welcomed and becomes friends with her couples and their family
                  • The importance of being genuinely friendly to your couples
                  • What’s inside Anna’s camera bag
                  • Why Anna prefers having the wedding preparations at the couple’s homes
                  • How to define success
                  • Why Anna is worried and feels like a total fraud by presenting her own workshop
                  • What to expect at Anna’s workshop in October
                  • What happens after the wedding ceremony and just before the reception
                  • How long it takes Anna to shoot couple photos after the wedding ceremony
                  • Anna’s approach when photographing at the wedding reception
                  • How Anna managed to target booking wedddings for same sex couples
                  • Getting criticized for her work
                  • How to handle a client who informs you they didn’t like their photos
                  • How Anna feels about photographers asking fellow photographers to critique their work
                  • Who Anna shoots for on the wedding day
                  • What is your big takeaway?

                    Following this interview, I’d love to know what your biggest takeaway is – what is the one thing that you’d like to implement or learnt from what was shared? Let me know by leaving your thoughts in the comments below.

                    I’ve always had this desire to work for myself and do my own thing – Anna Pumer

                    If you have any questions that I missed, a specific question you’d like to ask Anna or if you just want to say thanks for coming on the show, feel free to add them below.

                    What drives me is the fact that I can do what I want, how I want to do it and therefore, thoroughly enjoy everything I do – Anna Pumer

                    I priced myself a certain way because I want a certain type of couple  – Anna Pumer

                    It’s my responsibility to tell the story of their wedding – Anna Pumer

                    I’m happy doing what I’m doing, and I’m really enjoying it, and therefore, I think that’s success really – Anna Pumer

                    Links to people, places and things mentioned in this episode:

                    Anna Pumer Website

                    Anna Pumer on Facebook

                    Anna Pumer on Instagram

                    Anna Pumer on Twitter

                    Kick Ass Workshop: Let’s Do Weddings Differently – South of France on October 11-13, 2016

                    Episode 117: Anna Pumer – Photography and Branding Mastery

                    Equipment:

                    Nikon AF-S DX NIKKOR 35mm f/1.8G Lens

                    Nikon AF-S FX NIKKOR 85mm f/1.4G Lens with Auto Focus for Nikon DSLR Cameras

                    Spider Holster

                    Thank you!

                    Thanks again for listening to the show and thanks to Anna for coming on and experimenting with a new and different format for this photography podcast.

                    I want to be chosen for me, not for ‘we must have the most expensive of everything’  – Anna Pumer

                    If you have any suggestions, comments or questions about this episode, please be sure to leave them below in the comment section of this post, and if you liked the episode, please share it using the social media buttons you see at the bottom of the post!

                    That’s it for me, hope everything is going well for you in life and photography!

                    Thanks and speak soon

                    Andrew

                    0 min
                  • TPX02: Roberto Valenzuela – Get Better at Photography or Get Lost

                    Roberto Valenzuela of www.robertovalenzuela.com has dedicated himself to the art of wedding photography and to becoming a master of the craft for over a decade. At the start of his career, after having photographed one wedding, Roberto priced himself so high that his experience never came into question.

                    Roberto is based in Beverly Hills, California, but travels anywhere in the world to shoot weddings. In fact, as this interview was recorded, he was driving to Arizona to deliver a workshop and I’ll be seeing him in Melbourne Australia in a couple weeks time.

                    This guys resume is incredible!

                    • Sponsored by Canon USA
                    • Top selling author in Amazon for photography books
                    • Before photography, he had a 10 years career as a classical guitarist.
                    • He has a degrees in Economics, Marketing, and International Business.
                    • He was also a High School Economics and Finance teacher
                    • He’s been named one of the ten most influential photographers and educators in the world
                    • The list could go on and on…

                      Here’s some of what we cover:
                      • Why Roberto gave up a career in teaching to become a wedding photographer
                      • How Roberto became of all things photography, a wedding photographer
                      • How Roberto found the style he uses for his wedding photography
                      • How to find your own photography style
                      • How to book 10 weddings at your first bridal fair
                      • Understand consumer behavior and it’s importance when marketing your photography business
                      • Pricing your photography high to prevent people questioning your experience
                      • Using personality and charm to win over clients
                      • A bridal fair is overwhelming for people and a massive visual stimuli
                      • Do you really lose passion and excitement with photography once you gain more experience
                      • Clients will want a photographer whose excited to be at their wedding
                      • Why Roberto decided to go full-time as a wedding photographer
                      • Are photography workshops really a waste of time
                      • The benefits and downsides of photography workshops
                      • Why it is OK to copy other photographers
                      • How to develop your own photographic style
                      • Copying someones style is a learning process
                      • The bad stigma surrounding photography workshops as money-making ventures
                      • Roberto’s secret to his success as a wedding photographer
                      • Why you need to constantly practice photography despite the success you have achieved
                      • Practice exercises to become a better photographer
                      • Practicing photography techniques allows you to be in command of every decision you make
                      • Why Roberto prefers finding inspiration from modern photographers over old classics
                      • Why Roberto wrote his own books on photography
                      • Why even documentary photographers need to learn how to master lighting and posing
                      • What is your big takeaway?

                        Following this interview, I’d love to know what your biggest takeaway is – what is the one thing that you’d like to implement or learnt from what was shared? Let me know by leaving your thoughts in the comments below.

                        People really responded to how passionate I was about photography and they wanted to hire somebody who felt that way more so than somebody who was technically good – Roberto Valenzuela

                        If you have any questions that I missed, a specific question you’d like to ask Ian or if you just want to say thanks for coming on the show, feel free to add them below.

                        Your clients deserve a performance, not a practice session – Roberto Valenzuela

                        It is inevitable that you are going to copy somebody – Roberto Valenzuela

                        I consider a wedding or a portrait shoot a performance, like a guitar performance – Roberto Valenzuela

                        You only live once so you have to take a chance – Roberto Valenzuela

                        Links to people, places and things mentioned in this episode:

                        Roberto Valenzuela’s Website

                        Picture Perfect Practice – Roberto Valenzuela’s Workshops

                        Roberto Valenzuela on Periscope

                        Roberto Valenzuela on Twitter

                        Roberto Valenzuela on Instagram

                        Roberto Valenzuela on Facebook

                        DECA Competitions

                        Parker J Pfister

                        Jeff Ascough

                        Helmut Newton

                        Richard Avedon

                        Henri Cartier-Bresson

                        Rocco Ancora

                        Johnson Wee

                        Cliff Mautner

                        Susan Stripling

                        Marcus Bell

                        Episode 012: Jerry Ghionis – Cooking Up Wedding Photography Success, Don’t Get Caught in the Fire

                        Episode 077: Yervant – It’s Time to Get Serious About Your Photography Business

                        Ryan Schembri

                        WPPI: Wedding Photography Association

                        Picture Perfect Posing: Practicing the Art of Posing for Photographers and Models (Voices That Matter)

                        Picture Perfect Lighting: An Innovative Lighting System for Photographing People

                        Picture Perfect Practice: A Self-Training Guide to Mastering the Challenges of Taking World-Class Photographs (Voices That Matter)

                        Equipment:

                        Canon EF 24-70mm f/2.8L II USM Standard Zoom Lens

                        Profoto 24 In. OCF Beauty Dish

                        Chimera Octa 2 Collapsible Beauty Dish

                        Thank you!

                        Thanks again for listening to the show and thanks to Roberto for coming on and experimenting with a new and different format for this photography podcast.

                        I priced myself so high that my experience never came into question – Roberto Valenzuela

                        If you have any suggestions, comments or questions about this episode, please be sure to leave them below in the comment section of this post, and if you liked the episode, please share it using the social media buttons you see at the bottom of the post!

                        That’s it for me this week, hope everything is going well for you in life and photography!

                        Thanks and speak soon

                        Andrew

                        58 min
                      • TPX01: Ian Weldon – The Experimental Interview
                        Premium Members, click here to access this interview in the premium area.

                        Ian Weldon of www.ianweldon.com is todays guest and a familiar name to long time listeners – he was interviewed for Episode 111 of PhotoBizX where he shocked, inspired and provoked listeners and me.

                        Todays “experimental” interview was a chance to get into Ian’s head and learn about his approach and techniques as opposed to purely focussing on business. In fact, the brief was to stay right away from business but the more you get to know Ian, you’ll understand, the business of photography is not the driver behind his photography and it all just… happens.

                        His photography has been labelled as innovative, creative, unique and total SHIT. You draw your own conclusions about his work but rest assured, your views will not change him or his approach.

                        Below, you’ll see examples of Ian’s work and quotes taken from this very interview. There were many more I had saved, too many to list. My hope is you find some of your own in what I hope is an interview that will affect your photography and business in ways that pricing and marketing and sales can’t touch.

                        Here’s some of what we cover:
                        • Why you shouldn’t be bothered by what other people think about your photography work
                        • Verify the source of criticism and their work before reacting to negative feedback
                        • What is a successful photographer?
                        • How Ian measures success
                        • Coping with negative feedback
                        • How Ian developed his photography style
                        • Why you should do what you want to do with your photography
                        • Do you really have any responsibility to your clients as a creative photographer?
                        • The importance of managing your client expectations from the start
                        • The reason Ian has turned down more weddings this year
                        • How to chose which photos to share on your social media channels
                        • Responding to people questioning your technique
                        • Trends and fads with photography
                        • What is the real foundation of a photography business?
                        • Has wedding photography become boring?
                        • What Ian would teach to get better at photography
                        • Why you need to learn about the history of photography
                        • How learning the history of photography will affect your style
                        • Quit following current photographers on social media and study the works of old photographers
                        • Why you need to lose that need to be popular quickly
                        • Why you should never expect too much from your photography
                        • How to guarantee your success as a photographer
                        • Why you should never edit a wedding right after the shoot
                        • Base your photography judgements on the photography, not your relationship with the subject
                        • Judging someone else’s photography
                        • Photography awards – good, bad or indifferent for the aspiring photographer?
                        • Should your stick to your photography style or shoot what the clients want?
                        • Shooting with only one body and one lens
                        • Flash technique
                        • Ian’s workflow when post processing his images
                        • Thoughts about leaving a legacy of your best works
                        • Ian’s photography inspiration
                        • Going after the ‘snap shot’ aesthetic
                        • Why people can’t talk effectively about photography today
                        • Photography today seems to be all kinds of style but no substance
                        • The difference between following the works of past and present photographers
                        • Whose work should you follow to get inspiration and become better at photography?
                        • What is your big takeaway?

                          Following this interview, I’d love to know what your biggest takeaway is – what is the one thing that you’d like to implement or learnt from what was shared? Let me know by leaving your thoughts in the comments below.

                          I’m not shooting for people who criticize my work. I’m shooting for people who like what I do – Ian Weldon

                          If you have any questions that I missed, a specific question you’d like to ask Ian or if you just want to say thanks for coming on the show, feel free to add them below.

                          We only get one life, man. We only get one lap – Ian Weldon

                          I’m just not going to bend what I do to fit another person’s mindset or another person’s idea of what wedding photography should be – Ian Weldon

                          To become a photographer, first you really have to become a photographer – Ian Weldon

                          I’m photographing for me as a photographer and I’m making images solely for me – Ian Weldon

                          Links to people, places and things mentioned in this episode:

                          Ian Weldon Website

                          Ian Weldon on Facebook

                          Ian Weldon Photography on Facebook

                          Ian Weldon on Instagram

                          Ian Weldon on Twitter

                          The 100 Best Wedding Photographers in the World: 2015

                          Episode 111: Ian Weldon – Taking a Stand With Your Photography Business

                          Martin Parr

                          Garry Winogrand

                          Bruce Gilden

                          Ezra Stoller

                          Julius Shulman

                          Mark Cohen

                          Joel Meyerowitz

                          Ed Templeton

                          Vivian Maier

                          Walker Evans

                          Susan Sontag

                          Daguerreotype

                          Calotype

                          Mark Cohen: Dark Knees (book)

                          Episode 012: Jerry Ghionis – Cooking Up Wedding Photography Success, Don’t Get Caught in the Fire

                          Episode 077: Yervant – It’s Time to Get Serious About Your Photography Business

                          Episode 025: Jonas Peterson – Ignore Wedding Photography for Wedding Photography Success

                          Episode 100: Jonas Peterson – How to Use Storytelling Through Your Photography

                          Episode 087: Sue Bryce – How to Make Real Money From Your Photography Business Right Now

                          Episode 141: João de Medeiros – Challenge The Way You Think and Work as a Photographer

                          Links to people, places and things mentioned in this episode:

                          Fujifilm X-Pro2 Body Professional Mirrorless Camera (Black)

                          Fujifilm X-Pro 1 16MP Digital Camera with APS-C X-Trans CMOS Sensor (Body Only)

                          Fujinon XF 23mm F1.4 R

                          Fujinon XF 18mm F2 R

                          Fujinon XF 35mm F1.4 R

                          Thank you!

                          Thanks again for listening to the show and thanks to Ian for coming on and experimenting with a new and different format for a potentially new show. His outlook, photography and way of thinking always pushes me to be a better photographer and for that, I’m thankful.

                          Try to find your own way – Ian Weldon

                          If you have any suggestions, comments or questions about this episode, please be sure to leave them below in the comment section of this post, and if you liked the episode, please share it using the social media buttons you see at the bottom of the post!

                          That’s it for me this week, hope everything is going well for you in life and photography!

                          Thanks and speak soon

                          Andrew

                          0 min

                        About Photography Xperiment Podcast

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                        Photography business and marketing success with strategies from the pros