What's it like to play second fiddle in an orchestra? Or to sit beside the first horn or trumpet as they garner the limelight with their flashy solos and are stood up for a bow by the conductor at the end of the concert? Are orchestral seconds a tribe of self-effacing, embittered Eeyore-ish wannabees, or does it involve a set of skills and a personality just as musically vital as their more lauded colleagues?

Tom Service seeks answers with the help of London Symphony Orchestra principal second violin David Alberman, second trumpet with English National Opera and the Academy of St Martin in the Fields Will O'Sullivan and the Berlin Philharmonic's second horn, Sarah Willis.

David Papp (producer)