On this week's show we look at Smart TV OS rankings according to BGR.com and we ask the question if there will ever be a show like Seinfeld again. We also read your email and take a look at the week's news.

News:

• Sony and TCL Are Teaming Up to Make TVs
• Paramount+ - THE PRICE OF YOUR PLAN IS CHANGING
• Broadcast Remains the Most Powerful Platform for Reaching NFL Audiences
• SVS 3000 R|Evolution Series

Smart TV OS Rankings

The article Every Major Smart TV OS Ranked Worst To Best Based On User Reviews ranks eight major smart TV operating systems based on user reviews and comments from sources like Best Buy, Reddit, and cross-referenced with expert sites like RTINGS.

The focus is on real user experiences regarding performance, app availability, bugs, ads, usability, and overall satisfaction — emphasizing that the OS heavily impacts whether a TV feels premium or frustrating.

Ranking (from worst #8 to best #1):

• 8. VIDAA (used on Hisense TVs): Simple and snappy for basics like Netflix/YouTube, but severely limited app library (missing Stremio, Spotify, major music apps); no Android app support; frequent freezes especially on larger screens (>40 inches); users call it "horrible" and feel like a "dumb" TV.
• 7. VIZIO OS (formerly SmartCast): Great hardware/value (e.g., affordable 120Hz gaming TVs), but plagued by instability, bugs, frequent problematic updates, ad-pushing, and odd behaviors; many users recommend external streaming sticks over built-in OS.
• 6. Samsung Tizen: Fast and smooth on high-end models (e.g., S95D OLED), but laggy/slow on older/lower-end sets (button delays of seconds, freezes); heavy ads and unwanted TV Plus channels; users describe UI/Smart Hub as "extremely laggy" and "awful."
• 5. Fire OS (Amazon Fire TVs): Solid Alexa integration and budget appeal, but very ad-heavy (Prime Video promotions dominate); sluggish performance (1-2 second app launch delays); shifting toward new Vega OS (Linux-based, no sideloading).
• 4. Google TV: Strong content aggregation, smart home features (Google Gemini), intuitive when hardware is good (excellent on Sony models); can feel cluttered for casual users; performance varies greatly by TV brand/hardware (flawless on premium, weaker on budget).
• 3. Roku OS: Highly reliable, straightforward, and user-friendly (great for non-tech users); minimal ads/recommendations; rock-solid stability (compared to a "Toyota Camry"); dated/basic interface is the main downside.
• 2. LG webOS: Smooth, colorful, and easy navigation (Magic Remote point-and-click shines); supports Apple HomeKit/AirPlay 2/Chromecast; kind to non-tech-savvy users; praised for looking premium; downside is increasing home screen bloat/ads/full-screen menus (since 2024) plus screensaver ads.
• 1. Apple tvOS (via Apple TV device, not built into TVs): Near-perfect — zero lag, no ads, ultra-fluid 4K UI; standout features like InSight (real-time show info), automatic subtitles, Enhance Dialogue (AI vocal clarity); users rave about "super fast responsiveness" and call it underrated; main caveat is needing a separate (pricey) Apple TV box/streamer

There Will Never Be a New 'Seinfeld

We found a Wall Street Journal opinion piece titled "There Will Never Be a New 'Seinfeld'" which argues that a cultural phenomenon like Seinfeld cannot emerge again in the current media landscape. The show was massively popular and broadly talked about around the "water-cooler" the day after it aired nationally on NBC.

The author (Mary Julia Koch) opens with a personal anecdote about young women at a dinner party casually mentioning shows they've watched that others haven't heard of, highlighting how fragmented viewing habits have become due to the explosion of streaming platforms and content choices. The central thesis is that the conditions that made Seinfeld a universal hit in the 1990s are gone forever:

• Media fragmentation — In the broadcast TV era, there were only a handful of channels, so millions watched the same shows at the same time, creating shared cultural references and conversations. Today, with countless streaming services (Netflix, Hulu, Max, etc.), on-demand viewing, and niche content, audiences are siloed and rarely overlap on the same program.
• Shift from mass appointment viewing to individualized consumption — No single show can achieve the same cultural penetration or "event" status when people watch on their own schedules and devices.
• Loss of common cultural touchstones — This makes it impossible for a new sitcom to become the kind of generational, quotable, everyone-knows-it phenomenon that Seinfeld was. Think about the movies and TV shows we watched in the 80s. We all watched the same stuff. It was either in the theater or on TV. So if I quoted Caddy Shack, all my friends knew what I was talking about and laughed.

The piece laments that while there are still great comedies and talented creators, none will replicate Seinfeld's unique role in society because the technological and viewing ecosystem has permanently changed.

This isn't about declining quality in comedy but about structural shifts in how media is produced, distributed, and consumed. Because of how we consume content, there simply won't be "a new Seinfeld"—the era of such singular, unifying pop-culture hits is over.