Podcast Archives - The Jazz Session

Renée Yoxon is a vocalist from Ottawa, Ontario. Her debut recording, Let’s Call It A Day, is a duet album with guitarist René Gely. In this interview, Yoxon talks about the jazz scene in Ottawa; how she started singing standards and why she still does; and how her science background has influenced the way she approaches the physicality of singing. Learn more at www.reneeyoxon.com and follow her on Twitter at @reneeyoxon.

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Pianist and keyboardist Jamie Saft explores his love for reggae, dub and improvisation on New Zion Trio (Veal Records, 2011). In this interview, Saft talks about the merger of those disparate musical elements; why he doesn’t write music on paper; and why he’d rather hear Slayer than “Stella By Starlight.” Learn more at www.jamiesaft.com.

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For The Jazz Session’s 300th episode, a rare chance to sit down with four musical veterans: David S. Ware, William Parker, Cooper-Moore and Muhammad Ali. The four have just released Planetary Unknown (Aum Fidelity, 2011). This interview was recorded in the dressing room just after their performance at the 2011 Vision Festival. In this interview, they talk about the spiritual side of music; give advice to young musicians; and tell stories from their 100+ years as performers. Learn more at Aum Fidelity’s Planetary Unknown page.

NOTE: Today (August 11, 2011) is the final day of the “100 By 300” membership campaign and I haven’t quite reached my goal. Please support the show by joining today for as little as $10 a month.

Tracks used in this episode: Passage Wudang; Shift; Duality Is One; Divination; Crystal Palace; Ancestry Supramental.

Three of the four members of this band have been on The Jazz Session before:

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Tyshawn Sorey is a forward-looking, broad-thinking player and composer who refuses to be categorized. In this interview, he talks about his use of silence; interesting ways to set up the drums; and perceptions of African-American composers. Learn more at http://www.tyshawnsorey.net/.

Tracks used in this episode: (from Koan) Awakening; (from Paradoxical Frog) Homograph; (from Koan) Only One Sky; (from That/Not) That’s Blues, Right; Permutations For Solo Piano; (from Koan) Embed.

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Saxophonist Ingrid Laubrock’s most recent album is The Madness Of Crowds (Intakt, 2011) with the band Sleepthief. She’s also part of the trio Paradoxical Frog with Kris Davis and Tyshawn Sorey. In this interview, Laubrock talks about her self-taught entry into improvised music; her collaborations with a variety of musicians; and why she went back to study standards even though she doesn’t often play them. Learn more at www.ingridlaubrock.com/pages/home.htm.

Programming note: Due to a technical problem, I lost part of this interview. My apologies to Ingrid. I’ll have her back on the show for a longer conversation.

Tracks used in this episode: Entraordinary Popular Delusions; You Never Know What’s In The Next Room; The Slow Poisoners; There She Goes With Her Eye Out; Hindsight Is Always 20-20.

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An interview and performance with vocalist Kyoko Kitamura and trombonist Jen Baker, recorded live at Downtown Music Gallery in Manhattan. In this interview, Kitamura and Baker talk about collective improvisation; building a new vocabulary; and the structures of their compositions. Learn more at kyokokitamura.com and baker7jenz.com/home.html.

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Trombonist Joe Fiedler’s new CD is Sacred Chrome Orb (Yellow Sound, 2011). In this interview, Fiedler talks about the evolution of his trio with John Hebert and Michael Sarin; his use of multiphonics; and why he needs his music to contain fun and humor. Learn more at www.joefiedler.com.

Tracks used in this episode: Occult; Next Phase; Sacred Chrome Orb; Ging Gong; Two Kooks.

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Bassist Ken Filiano’s new album is Dreams From A Clown Car (Clean Feed, 2011). In this interview, Filiano talks about remaining present and free of preconceptions; how he switched from trumpet to bass a few weeks before graduating college; and what inspires him to read and listen eclectically. Learn more at myspace.com/kenfiliano.

Tracks used in this episode: (from Dreams From A Clown Car) Silhouette; Dog Days; Beguiled; (from Subvenire) water down stone; breathingdreaming; relay; (from Dreams From A Clown Car) Shinobu; Retronym.

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Drummer Ches Smith is a versatile and daring player who finds himself in a variety of musical situations as a leader and sideman. In this interview, Smith talks about solo drum playing; his many projects; and how his early years influenced his current approach to music without boundaries. Learn more at chessmith.com.

Tracks used in this episode: (from Noise To Men) Noise To Men; (from Congs For Brums) Metal Vacation; (from Finally Out Of My Hands) Anxiety Disorder; Finally Out Of My Hands; (from Noise To Men) Turn Your iPod Into A Car; (from Finally Out Of My Hands) It Rained And The Tent Fell Down; (from Noise To Men) Omar.

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Percussionist and composer Adam Rudolph’s latest album is Both/And (Meta Records, 2011). In this interview, Rudolph talks about making music that “sounds like itself”; how he uses harmonic and rhythmic challenges to find new musical directions; and the influence of mentors such as Yusef Lateef on his approach to making and thinking about music. Learn more at www.metarecords.com/adam.html.

Tracks used in this episode: Return of the Magnificent Spirits; Love’s Light; Tree Line; Blues In Orbit; Dance Drama Part 3; Dance Drama Part 4.

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