Saxophonist Jim Snidero’s new CD is Interface (Savant, 2011). In this interview, Snidero talks about the use of acoustic guitar on this record; his concept of “warm jazz”; and what makes music appealing to him both intellectually and emotionally. Learn more at jimsnidero.com.

Tracks used in this episode: Interface; Fallout; Silhouette; Viper; One By One; Expectations.

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Cuban Rhapsody (Alma Records, 2011) is a duet CD by saxophonist and flautist Jane Bunnett and pianist Hilario Duran. In this interview, Bunnett and Duran talk about the joys and challenges of duet playing; the deep history of the album’s repertoire; and the idea of music without boundaries. Learn more at www.janebunnett.com and www.hilarioduran.com.

Tracks used in this episode: Lagrimas Negras; Almendra; Sherezad; Contradanzas; Longina; Son de la Loma.

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Guitarist Nadav Remez’s debut CD is So Far (Brooklyn Jazz Underground Records, 2011). In this interview, Remez talks about his musical upbringing in Israel; his willingness to let his music be beautiful; and the way he approached the recording session with a view to allowing openness and individual expression. Learn more at nadavremez.com.

Tracks used in this episode: So Far; Pinchas; The Last Exile; Susu.

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Matana Roberts has released two albums recently: Live In London (Central Control, 2011) and Coin Coin Chapter One: Gens De Couleurs Libre (Constellation, 2011). In this interview, Roberts talks about her Chicago roots and the mentorship of Fred Anderson; how she combined her musical practice with her passion for genealogy; and why working on your sound means being willing to take the slow road. Learn more at matanaroberts.com.

Tracks used in this episode: (from Coin Coin Chapter One: Gens De Couleur Libres) Rise; Pov Piti; Song For Eulalie; Kersaia; Libation for Mr. Brown – Bid Em In; (from Live In London) My Sister; Exchange.

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Bassist Ike Sturm has composed an ambitious piece for his album Jazzmass. In this interview, Sturm talks about learning the craft of large-ensemble writing (with a bit of family help); the role his faith plays in his music; and the idea of writing programmatic music that stands on its own. Learn more at ikesturm.com.

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Mad Heaven (Palmetto, 2011) is the new album by pianist and vocalist Peter Eldridge. In this interview, Eldridge talks about making a thematic album; the influence of his parents and siblings on his musical taste and career choice; and the many projects he’s working on, including a film score, a musical and a duo project with bassist Matt Aronoff. Learn more at petereldridge.com.

Tracks used in this episode: Charmer; Voce e Eu; Buffet Philosophy; Mad Heaven; No Tomorrow; Pra Machucar Meu Coracao; The Very Thought Of You.

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Trumpeter Taylor Haskins’ most recent CD is Recombination (Nineteen-Eight Records, 2011), a companion piece to American Dream (Sunnyside, 2010). In this interview, Haskins talks about the complex vision of American that led to both records; why his website features a quote from Krishnamurti on the homepage; and how his work in the world of commercial music influences his approach to song form and his sonic palette. Learn more at www.taylorhaskins.com.

Tracks used in this episode: (from Recombination) Morning Chorale; Here Is The Big Sky; Upward Mobility; (from American Dream) Theme From Dead Man; Black Boxes; Pyramids; (from Recombination) Forgotten Memory of Something True.

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Drummer Lukas Ligeti’s most recent recording is Pattern Time (Innova Records, 2011). In this interview, Ligeti talks about his travels in Africa and how they’ve influenced his writing, particularly his approach to rhythm; how he crosses musical and cultural boundaries; and a fascinating analysis of swing. Learn more at www.lukasligeti.com.

Tracks used in this episode: Without Prior Warning; On Patterned Time; Timelessnesses; From The Ground Up; Tunnels Alight.

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Sundial Lotus (Innova, 2010) is the debut album by bassist Ben Gallina’s band Salo. In this interview, Gallina talks about composing the music for this record; how the band grew organically beyond his initial conception; and how science fiction and the works of David Foster Wallace have inspired his music. Learn more at www.bengallina.com.

Tracks used in this episode: The Sky Is An Eye; Worm Emperor; Metamorphistopheles; Obitron Revoluto; Trans-Galactic Sleep Chamber.

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Saxophonist Craig Handy is a member of The Cookers, whose latest CD is Cast The First Stone (Plus Loin, 2011). In this interview, Handy talks about playing with Dee Dee Bridgewater, Roy Haynes and other jazz luminaries; about his youthful experiences learning the craft of section playing and how to perform in service to the music; and about how he’s matured as a player over his decades on the professional scene. Learn more at www.craighandy.com.

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