This week on my podcast, I’ve got the audio from last week’s Enshittification book-tour event with Ed Zitron and Whitney Betran at the Seattle Public Library (you can watch the video here). I’ve got many more cities to go on the tour – I hope to see you at one (or more) of them!

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This week on my podcast, I’ve got the audio from last week’s Enshittification book-tour event with former FTC Chair Lina Khan at the Brooklyn Public Library (you can watch the video here). lI’ve got 24 more cities to go on the tour – I hope to see you at one (or more) of them!

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The real (economic) AI apocalypse is nigh

This week on my podcast, I read “The real (economic) AI apocalypse is nigh,” a recent column from my Pluralistic newsletter; about the looming economic crisis threatened by the AI investment bubble:

A week ago, I turned that book into a speech, which I delivered as the annual Nordlander Memorial Lecture at Cornell, where I’m an AD White Professor-at-Large. This was my first-ever speech about AI and I wasn’t sure how it would go over, but thankfully, it went great and sparked a lively Q&A. One of those questions came from a young man who said something like “So, you’re saying a third of the stock market is tied up in seven AI companies that have no way to become profitable and that this is a bubble that’s going to burst and take the whole economy with it?”

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(Image: TechCrunch, CC BY 2.0; Cryteria, CC BY 3.0; modified)

This week on my podcast, I read “By all means, tread on those people,” a recent column from my Pluralistic newsletter; about the way that the American descent in fascism is connected to its abandonment of the rule of law more broadly:

Just as Martin Niemöller’s “First They Came” has become our framework for understanding the rise of fascism in Nazi Germany, so, too is Wilhoit’s Law the best way to understand America’s decline into fascism:

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It’s the 500th edition of my podcast, and to celebrate, I’m bringing you an hour-long excerpt from the audiobook of my forthcoming book Enshittification: Why Everything Suddenly Got Worse and What To Do About It (Farrar, Straus and Giroux US/Canada; Verso UK/Commonwealth).

Because Amazon won’t carry my audiobooks (or any DRM-free audiobooks), I have to produce my own books and pre-sell them on Kickstarter campaigns. The Kickstarter for this one is underway and going great.

I hope that listening to this long sample will convince you to pre-order your copy! I don’t ask for Patreon donations, I don’t put ads on my work – these Kickstarters are a big part of why I’m able to pursue my open access, enshittification-free publishing program, and I really thank you for your support.

This week on my podcast, I conclude my reading of my 2003 Asimov’s Science Fiction Magazine story, Nimby and the D-Hoppers” (here’s the first half). The story has been widely reprinted (it was first published online in The Infinite Matrix in 2008), and was translated (by Elisabeth Vonarburg) into French for Solaris Magazine, as well as into Chinese, Russian, Hebrew, and Italian. The story was adapted for my IDW comic book series Cory Doctorow’s Futuristic Tales of the Here and Now by Ben Templesmith. I read this into my podcast 20 years ago, but I found myself wanting to revisit it.

Don’t get me wrong — I like unspoiled wilderness. I like my sky clear and blue and my city free of the thunder of cars and jackhammers. I’m no technocrat. But goddamit, who wouldn’t want a fully automatic, laser-guided, armor-piercing, self-replenishing personal sidearm?

This week on my podcast, I once again read my 2003 Asimov’s Science Fiction Magazine story, Nimby and the D-Hoppers” The story has been widely reprinted (it was first published online in The Infinite Matrix in 2008), and was translated (by Elisabeth Vonarburg) into French for Solaris Magazine, as well as into Chinese, Russian, Hebrew, and Italian. The story was adapted for my IDW comic book series Cory Doctorow’s Futuristic Tales of the Here and Now by Ben Templesmith. I read this into my podcast 20 years ago, but I found myself wanting to revisit it.

Don’t get me wrong — I like unspoiled wilderness. I like my sky clear and blue and my city free of the thunder of cars and jackhammers. I’m no technocrat. But goddamit, who wouldn’t want a fully automatic, laser-guided, armor-piercing, self-replenishing personal sidearm?

This week on my podcast, I read Why I don’t like AI art, a column from last week’s Pluralistic newsletter:

Which brings me to art. As a working artist in his third decade of professional life, I’ve concluded that the point of art is to take a big, numinous, irreducible feeling that fills the artist’s mind, and attempt to infuse that feeling into some artistic vessel – a book, a painting, a song, a dance, a sculpture, etc – in the hopes that this work will cause a loose facsimile of that numinous, irreducible feeling to manifest in someone else’s mind.

(Image: Cryteria, CC BY 3.0, modified)

This week on my podcast, I read my latest Locus Magazine column, “There Were Always Enshittifiers,” about the historical context for my latest novel, Picks and Shovels:

It used to be a much fairer fight. It used to be that if a com­pany figured out how to block copying its floppies, another company – or even just an individual tinkerer – could figure out how to break that “copy protection.” There were plenty of legitimate reasons to want to do this: Maybe you owned more than one computer, or maybe you were just worried that your floppy disk would degrade to the point of unread­ability. That’s a very reasonable fear: Floppies were notoriously unreliable, and every smart computer user learned to make frequent backups against the day that your computer presented you with the dread DISK ERROR message.

Last night, I traveled to Toronto to deliver the annual Ursula Franklin Lecture at the University of Toronto’s Innis College. The lecture was called “With Great Power Came No Responsibility: How Enshittification Conquered the 21st Century and How We Can Overthrow It.” It’s the latest major speech in my series of talks on the subject, which started with last year’s McLuhan Lecture in Berlin, and continued with a summer Defcon keynote.

This speech specifically addresses the unique opportunities for disenshittification created by Trump’s rapid unscheduled midair disassembly of the international free trade system. The US used trade deals to force nearly every country in the world to adopt the IP laws that make enshittification possible, and maybe even inevitable. As Trump burns these trade deals to the ground, the rest of the world has an unprecedented opportunity to retaliate against American bullying by getting rid of these laws and producing the tools, devices and services that can protect every tech user (including Americans) from being ripped off by US Big Tech companies.

I’m so grateful for the chance to give this talk. I was hosted for the day by the Centre for Culture and Technology, which was founded by Marshall McLuhan, and is housed in the coach house he used for his office. The talk itself took place in Innis College, named for Harold Innis, who is definitely the thinking person’s Marshall McLuhan. What’s more, I was mentored by Innis’s daughter, Anne Innis Dagg, a radical, brilliant feminist biologist who pretty much invented the field of giraffology.

But with all respect due to Anne and her dad, Ursula Franklin is the thinking person’s Harold Innis. A brilliant scientist, activist and communicator who dedicated her life to the idea that the most important fact about a technology wasn’t what it did, but who it did it for and who it did it to. Getting to work out of McLuhan’s office to present a talk in Innis’s theater that was named after Franklin? Swoon!

Here’s the audio from the talk.