Just in time for Sundance festivities and a whole new cycle of 'May December' discourse, we're back to discuss Todd Hayne's 1991 debut feature 'Poison'. Both the winner of the Best Feature Award at the aforementioned Park City festival and a characteristically controversial release from the filmmaker, 'Poison', based in part on the works of queer author Jean Genet, is a gripping triptych of tales (subtitled "Hero", "Horror" and "Homo" respectively) shot and edited in distinct styles and formats and brimming with righteous fury, contemplation, and provocation around the subject of queer identity in the wake of the AIDS crisis of the 1980s.

We discuss the film's narrative gambit, and how it layers each entry in the triptych atop one another in brilliantly considered ways to achieve thematic continuity even as each element interrupts the work's stylistic coherence. Then, we discuss the controversy surrounding the film and how it became a culture war issue amongst right-wing figures and politicians seeking to undermine the National Endowment for the Arts. Finally, we talk about the most recent controversies and discourse surrounding Hayne's most recent work 'May December', and why many well-intentioned viewers aren't as far removed from the reactionary critics of the filmmaker's work from years past.

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Our theme song is "Mirror" by Chris Fish.