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Creator of the "eventually, forever" newsletter and film twitter heavy Adam Sullivan joins us to discuss the brilliant Hayao Miyazaki and his 1992 film 'Porco Rosso'. Initially conceived as a short film exclusively for in-flight guests of Japan Airlines, the film eventually grew in ambition and scope and now stands as one of Miyazaki's most underrated, visually transcendent masterpieces.
We discuss the film's many classic Hollywood touchpoints, including the films of Howard Hawks, Victor Fleming, and John Ford and how these influences create a sense of fantasy more grounded that other Miyazaki works. Then, we discuss the film's setting amidst the rising tide of fascism in the Adriatic and its connection to the moving character portrait at its core. Finally, we discuss how 'Porco Rosso' (perhaps more than any other film) suggests some of the director's late period affinities in works like 'The Wind Rises'.
Plus: We talk Miyazaki's latest work 'The Boy & The Heron', which we have all had the chance to see ahead of its wide release in the US Friday, 12/8/23.
Follow Adam Sullivan on Twitter.
Read and subscribe to Adam's newsletter "eventually, forever".
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Our theme song is "Mirror" by Chris Fish
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Get access to this entire episode as well as all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.
Creator of the "eventually, forever" newsletter and film twitter heavy Adam Sullivan joins us to discuss the brilliant Hayao Miyazaki and his 1992 film 'Porco Rosso'. Initially conceived as a short film exclusively for in-flight guests of Japan Airlines, the film eventually grew in ambition and scope and now stands as one of Miyazaki's most underrated, visually transcendent masterpieces.
We discuss the film's many classic Hollywood touchpoints, including the films of Howard Hawks, Victor Fleming, and John Ford and how these influences create a sense of fantasy more grounded that other Miyazaki works. Then, we discuss the film's setting amidst the rising tide of fascism in the Adriatic and its connection to the moving character portrait at its core. Finally, we discuss how 'Porco Rosso' (perhaps more than any other film) suggests some of the director's late period affinities in works like 'The Wind Rises'.
Plus: We talk Miyazaki's latest work 'The Boy & The Heron', which we have all had the chance to see ahead of its wide release in the US Friday, 12/8/23.
Follow Adam Sullivan on Twitter.
Read and subscribe to Adam's newsletter "eventually, forever".
.
.
.
.
Our theme song is "Mirror" by Chris Fish

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