We catch up on the status of editing for Will Dennis and talk about what things look like for 2021. For our main topic, we talk about what it's like to take over an established series' editorial reins and how even a dream job can get a bit rote.

Bonus Episode! Fabrice Sapolsky and TC Harris talk about their new anthology, NOIR IS THE NEW BLACK. It's on Kickstarter, and the campaign ends Thursday, August 21.

We discuss the best way to approach acquisitions, the old rules that govern publishing, burnout, how people can or cannot advance their careers, and her use of Twitter.

We start off talking about inking and take off from there. Even though Pornsak has moved on to screenwriting, he talks a lot about his love for the controlled chaos of editing, Karen Berger's influence, motivating talent, and helping Frank Quietly survive the production of WE3 and the excellent Unknown Soldier series by Dysart and Poticelli.

Heather and I discuss 2020's con season, internships, the art of asking, working with Declan Shalvey, and her obsession with true crime.

Not only do we discuss the status of BAD IDEA, we also have a great conversation about the financial pressures of working in comics, and would a union help?

In part one of this deep dive interview, Warrens Simons covers his days at Marvel and Valiant, including the vetting process to get hired, absorbing the skills it takes to be a great editor, and relaunching the Valiant Universe.

Will Dennis and I talk about our encounters with Denny O'Neil and his influence on editing. Also, we deep dive into one of Denny's greatest editorial successes--Batman Year One.

I catch up with Frank Gogol about his new mini-series NO HEROINE, which Source Point Press plans to publish on June 24.

As a matter of fact, the Final Order Cutoff for issue 1 is Friday, May 29.

We also talk about studying the narrative of various video games, James Bond, does the presence of an editor allow a writer to take more risks, and rave about the magic colorist bring to comics.

Whitney provides an excellent overview of her evolution as an editor and a glimpse into the system that BOOM! Studios has established for its editors. Also, we talk about the mindset and approach needed to edit kids and YA graphic novels for Random House Graphic. Finally, we geek out about the X-Men.