In light of Michiko Kakutani leaving the New York Times, we discuss the changing roles of print book reviews and the literary critical establishment in the modern age. We also talk about that time she roasted Jonathan Franzen, which is very cathartic. Also included: the new Comey memoir, a Fiction Author Under FBI Investigation of the Week, and more!
This week, Laura walks us through the history of Young Adult literature in an attempt to answer a question that seems to never go away: what, exactly, is YA? We discuss why the category is so often under attack from others in the book world, its unique features, and much more. Plus: a JP book of the week, a word on the most recent wave of writer layoffs, and some thoughts on Keanu Reeves starting a publishing company.
With the return of Game of Thrones to TV, it’s the right time to talk about the many fascinating writing and publishing aspects of George R.R. Martin’s A Song of Ice and Fire. How has the series managed to become such a phenomenon, and what about it is innovative or truly special, from a writing standpoint? We look at George’s (slow) history of writing books, his relationship with the HBO TV series (and his fans), and the strange dynamics of having your story told by someone else.
This episode has it all: a recap of Laura’s time at a SF/F convention; a bad article about old-school publishing; a Fiction Author Under FBI Investigation, of the Week; and a discussion on prison literature, focusing on the newly released collection of stories The Graybar Hotel, written by Curtis Dawkins. Join us!
This holiday week, we're joined by author, agent, and corgi owner extraordinaire Eric Smith. We talk about balancing his writing life with agenting, how both roles inform each other, and most importantly, why his corgi sometimes receives book queries. He even gives the #pubtip for the week! Plus, some other stuff too.
This week, we’re thrilled to have an interview with New York Times bestselling author Shea Serrano. We ask him about his experience with the book-publishing process this time through, whether “experience” and “exposure” can pay bills for emerging writers or unpaid publishing interns (lol no), and of course, about his famous connection with his readers, the FOH Army. Separately, we also lead the show with a quick convo about TSA’s new policy of examining books in carry-on luggage.
What’s in a blurb? This week we talk about one of the more opaque processes in the book world: getting endorsements from other others. Who’s it for, and does it matter? Also, if Gary Shteyngart loves blurbing everything so much, why hasn’t he blurbed Print Run yet? We also debut a new weekly feature titled “Fiction Writer Under FBI Investigation, of the Week,” and no we’re not changing the clunky name, that’s the name of it. Oh, also: should publishers feel responsible for being green?
Summer Fridays: they’re fun, people love them, and they’re a well-established publishing tradition. But where do they come from, and why does publishing slow down in the summers? We get into the history of the summer Friday, and how it might tie into book culture far more than you might think. We also discuss author estates, in light of the new Harper Lee graphic novel, and apparently PRH bought a shirt company? Anyway, join us!
It’s safe to say that most people are feeling something strange in our current historical moment: disenchantment, paranoia, anxiety, or a whole host of other emotions. But current events aside, how do the strange traits of our age affect the way we read? Does this fraught era of information overload change how we consume books, and later on, will it change the books that someday get written during and about this period? We speculate on how this specific moment might affect all of our relationship with books, and how those books might change as a result.
After last week’s big, heavy episode, we’re more fun this week. We get into the “unwritten rules” of the book world, both real and imagined, both petty and substantial. We also do a quick check-in on Amazon Charts, per our chat last week, and spend a few minutes on Amazon’s physical stores (they’re good, unfortunately). Listener mailbag, as well!
57 min
About Print Run Podcast
From the publisher's feed
Print Run is a podcast created and hosted by Laura Zats and Erik Hane. Its aim is simple: to have the conversations surrounding the book and writing industries that too often are glossed over by conventional wisdom, institutional optimism, and false seriousness.
We’re book people, and we want to examine the questions that lie at the heart of that life: why do books, specifically, matter? In a digital world, what cultural ground does book publishing still occupy?
Whether it’s trends in the queries from writers that hit our inboxes or the social ramifications of an industry that pays so little being based in Manhattan, we’re here for it. Probably to laugh at it and call it names, but here for it nonetheless.
Print Run is the happy-hour conversation after a long day at a catalog launch; it’s the bottle of wine you drink most of on a Tuesday when the manuscripts are no good. We’re for writers, for publishers, for anyone who’s opened a book and wanted to know—really know—what goes into getting the damn thing made.
Join us. We’ll talk about the worst sex scene we’ve ever read and wonder aloud about how millennials will affect the books of the future. We’ll figure out why Jonathan Franzen wants to replace your child with a penguin and whether or not that penguin will be buying hardcovers when he grows up.