The new episode of the podcast sees Alison Peirse, now Professor of Film Studies at University of Leeds, return to the show to update us on her work in videographic scholarship and Global Women's Horror Film studies. The episode follows the recent release of a stunning special issue of the vital MAI: Feminism and Visual Culture Journal, edited by Alison, featuring a trove of video essays looking at the role of women in Global Horror filmmaking, which serves as an output of a larger-funded project. 

The conversation covers some of the essays in detail, but more depth is paid to the process of making creative academic practice work that is inclusive, radical and disruptive, to feminist anti-patriarchal practices, the wonder of Sara Ahmed and the intricacies of being a newly minted Prof!

Talk also covers Alison's much-missed newsletter The Losers' Club (which she promises will be back soon) and the feminist practice collective space Ways of Doing.

Thanks to Alison for coming back to the show and for such an engaging and enlightening conversation.

----

You can listen to The Cinematologists for free wherever you listen to podcasts: click here to follow.

We also produce an extensive monthly newsletter and bonus/extended content that is available on our Patreon page: https://www.patreon.com/cinematologists. You can become a member for only £2.

We really appreciate any reviews you might write (please send us what you have written and we'll mention it), and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show.

----

Music Credits:

‘Theme from The Cinematologists’

Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing.

This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dariollinares.substack.com/subscribe