Two movies here where audiences went in expecting one thing, and might just have got another. 1991's The Fisher King though for a time was going to be a Disney movie, before the studio decided it was too dark. Directors such as Steven Spielberg and James Cameron were mentioned, before Terry Gilliam - coming off the back of a commercial flop - decided to break all three of his conditions for taking on a film.

Director Joe Carnahan meanwhile was coming off his big studio movie - The A-Team - when he decided he wanted to pivot to something smaller. He chose The Grey, a film he developed, and which would be sold off the back of imagery of Liam Neeson getting ready to punch a wolf. That, though, wasn't the full picture...

Stories of both are told in this episode.

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In a very special episode of the Film Stories podcast, Simon is joined by Oscar-winning producer Irwin Winkler, for an hour-long chat about his career.

He was in town to talk about his latest film as producer, The Alto Knights. However, the stories take us right to the infancy of his producing career (including Elvis Presley!). Films covered in the chat include Rocky, Rocky IV, Raging Bull, Guilty By Suspicion, The Net, Goodfellas, Busting, Revolution... the list goes on and on.

Quite the chat, this. The Alto Knights is now in cinemas. Support the podcast at www.patreon.com/simonbrew

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It had taken five years for Stanley Kubrick to go from 1975's Barry Lyndon to 1980's The Shining. The gap to Full Metal Jacket would be longer, but it'd mark the first in a three picture deal that Kubrick signed with Warner Bros. A deal that would never be completed.

Full Metal Jacket was, though, but the making of it was exhausting and exhaustive. And a disused gasworks was just part of the problem.

Much-loved novelist Judy Blume was always reluctant to sell the film rights to her books. It took several decades - and a very special letter - before she'd do so. But the challenge of Are You There God, It's Me Margaret was just beginning.

Stories of both are told in this episode...

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For Star Wars spin-off Solo: A Star Wars Story, it wasn't supposed to be like this. Infamously, 90 days into photography, parent company Lucasfilm opted for a director change. Out when Christopher Miller and Phil Lord, and in came Ron Howard. And Howard had less than year to retool the movie, and shoot a whole lot of new footage.

It remains one of the most infamous Film Stories of the 2010s.

For the second half of the episode, Simon is joined by filmmakers Joe and Anthony Russo, for a long chat about their career, their new film - The Electric State - and a strange film magazine of the 1970s...

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2016 was a turning point in the world of the X-Men movies. After the big success of 2014's X-Men: Days Of Future Past, 20th Century Fox spent big on X-Men: Apocalypse, and big things were expected of it. On the other hand, it had taken a gamble with a different X-Men-related project, Deadpool. Things would not go the way that the studio had originally expected.

The story of Scent Of A Woman meanwhile is wrapped up in the push for Al Pacino to finally get an Oscar, after several unsuccessful nominations. Not bad, for a film that originally had Jack Nicholson in line for the lead role...

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The path to the 26th James Bond film is one already filled with quite the story. Unmade at the point this episode is released in 2025, James Bond 26 has looked in limbo since the release of No Time To Die in 2021. There's no new 007, no script, no director...and it's an impasse that's cost $1bn to resolve.

More conventionally, Long Shot did actually get made, released in 2019. Still, a romantic comedy with movie stars was going to be a tough sell, and a film whose script popped up on the Black List in 2011 had to take its place in the queue behind the infamous The Interview here.

Stories of both are told in this episode...

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After the huge success of the original Gremlins, Warner Bros quickly wanted a sequel. The people who'd actually made Gremlins, not least director Joe Dante? The thought of making another was not in the slightest big appealing. Until, many years later, the studio made Dante an offer: if you make Gremlins 2, you can do pretty much whatever you want with it.

This is the story of how the ensuing film became one of the most boldest blockbuster sequels of all time.

Later in the same decade, Christopher Guest took a small company of actors down to Texas for a month. On a modest budget, he shot over 50 hours of footage, that'd take over a year to edit into a feature film. Even when the resultant movie, Waiting For Guffman, was finished, it took a long time to earn its reputation as a modern comedy classic...

Stories of both films are told in this episode.

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Mario Van Peebles was in London in early February along with his son, Mandela. And the pair stopped by for a long chat about their work, their latest film - Outlaw Posse - and a whole lot more.

In this chat, topics include Jaws: The Revenge, the role of a producer, Melvin Van Peebles, the hidden names in the end credits of Outlaw Posse, New Jack City and a whole lot more...

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Coming off the back of the film Payback, Oscar-winning writer/director Brian Helgeland feared he might be in movie jail. Thus, he got writing, and came up with A Knight's Tale, a film mixing jousting, modern music, Heath Ledger, and a naked Paul Bettany.

It took months to shoot in Europe. When it came to the music, David Bowie turned up. And then there's the tale of its sequel that never was.

King Arthur: Legend Of The Sword meanwhile was to be the first of six films, as originally pitched. Guy Ritchie came in to direct, and star Charlie Hunnam would admit that the film they started making wasn't the one they ended up with. Quite the story, though. Includes elephants and David Beckham.

Tales of both are told in this episode.

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In an extra episode of the Film Stories podcast, Simon is joined by director Tim Fehlbaum, as they discuss his new film, the Oscar-nominated September 5. As always, it's a far-ranging conversation, taking in Fehlbaum's earlier work, a name on the end credits of the film, and the attention to detail in making the movie.

Plus, a few thoughts on the technical similarities with Saturday Night as well.

September 5 is now out in UK cinemas.

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