Film Stories with Simon Brew

Film Stories with Simon Brew

By Simon Brew

Film Stories with Simon Brew is a podcast that looks to dig into the stories behind popular movies.From troubled productions, to rights issues, to difficulties with release to films nearly falling apa... more

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Best of Film Stories with Simon Brew

The most played episodes among Podcast App listeners.

  1. Number 1: Speed (1994), the lack of Speed 3, plus director Dave Green on the Coyote Vs Acme saga

    1994's Speed may now be regarded as an action classic, but the original idea was a bus that didn't go above 20mph, in a film called Minimum Speed. Sat for a late summer release in 1994, things changed after a really successful test screening - and Keanu Reeves' haircut! - but it'd gone over a lot of hurdles to get to that point. Plus: where's Speed 3?! In the second half of this episode, director Dave Green joins Simon to chat about the terrific Coyote Vs Acme, a film that very, very nearly didn't exist... Learn more about your ad choices. Visit megaphone.fm/adchoices

    1h 23min
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  2. Number 2: Licence To Kill (1989), plus Toby Kebbell on Dead Man's Shoes and more

    James Bond 007 took a grittier turn with 1989's Licence To Kill, an adventure that was the first and only Bond film very specifically written for Timothy Dalton. It was an attempt to turn Bond grittier, and would mark the end of an era for many involved in the saga. Plus, it would end up doing box office battles with some tougher than expected competition. For the second half of this episode, Simon is talking Dead Man's Shoes with actor Toby Kebbell, for whom it marked his first film apperance. The movie is finally available on Blu-ray for the first time, and Toby is not short of stories about it... Learn more about your ad choices. Visit megaphone.fm/adchoices

    1h 26min
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  3. Number 3: The Inbetweeners Movie (2011), and the incredibly fast turnaround of a box office giant

    The road to The Inbetweeners Movie was a fairly swift one. Even while the hit British TV comedy was bringing in big ratings for E4, its creators - Iain Morris and Damon Beesley - were filing away ideas for an eventual movie. When the opportunity came, time was not on its side: filming had to begun just six months before The Inbetweeners Movie was due in cinemas. It turns out too that if you're looking to shoot a movie set in the middle of summer, March isn't necessarily the best time to do it. Simon Brew tells the story... Learn more about your ad choices. Visit megaphone.fm/adchoices

    47min
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  4. Number 4: James Cameron's Titanic (1997), the two battling studios, and drugs in the chowder

    James Cameron knew as he pitched Titanic to 20th Century Fox that it wasn't likely to be as commercial a film as the one he'd just done, True Lies. The budget was set to be lower, the release date was initially set for just a year after the start of filming, and there was to be no song. What happened changed his career and many others. From the unhappy crew member drugging the food table, to press reports of a production out of control, Simon Brew digs into the extraordinary story behind one of the biggest movies of all time... Learn more about your ad choices. Visit megaphone.fm/adchoices

    1h 7min
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  5. Number 5: In conversation with Michael Sarnoski - The Death Of Robin Hood, Death Stranding, Pig, and videogames

    In UK cinemas now is the third film from writer/director Michael Sarnoski, The Death Of Robin Hood. Headlined by Hugh Jackman and Jodie Comer, it's a hugely ambitious independent movie, with a very different spin on a well-known character. Sarnoski joined Simon Brew for a Film Stories special, chatting about the movie, about filming in Northern Ireland, about the weather, and about shooting on film. Plus, the pair talking about working with Nicolas Cage on Pig, an assortment of videogames, Sarnoski's upcoming Death Stranding movie, and the deadly nature of Split Fiction... Learn more about your ad choices. Visit megaphone.fm/adchoices

    47min
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The podcast currently has 612 episodes available.

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