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Across Western society, the hot topic of conversation is how young men -- boys, really -- seem lost, caught up in something called the manosphere where resentments are stoked against women and the existing political order. No wonder many of them vote for neo-fascists like Donald Trump. James Bloodworth, is a writer who practices immersive journalism. Bloodworth submerged himself in the manosphere beginning in 2018 and stayed in it for years. Now he has written a book called: Lost Boys: a Personal Journey Through the Manosphere. He talks to a very perplexed FRDH host Michael Goldfarb about the manosphere and those it ensnares and how easily it leads them to embrace a fascist world view.

Andrew Marr joins Rachel Cunliffe to discuss his column in this week's magazine, Tax the old.

They also discuss the latest developments in the China spy case.

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Is there any escape from charity chuggers or energy switchers showing up at your door?

Doctor and Columnist with the Irish Independent, Máire Treasa Ní Cheallaigh, says that people in Ireland find it easier to spend an hour entertaining salespeople or fundraisers rather than simply saying “No”...

Irish generosity is world-renowned, but must we be pestered into giving?

Máire joins Seán to discuss.

This is a catch-up version of James O'Brien's Mystery Hour. To join the game, call 0345 60 60 973, Thursdays at 12pm.

Everyone has creative genius, says Diana Hill, PhD, and in her new book, Wise Effort: How to Focus Your Genius Energy on What Matters Most, she explores how to best explore and nurture that genius. We speak about how she battled some of her own demons while writing the book–the committee arguing in her head. We talk about wise effort–not trying too hard, and the three main practices that fuel wise effort–getting curious, opening and focusing. It’s a practical, vulnerable, lighthearted episode.

Diana Hill, Ph.D. is a clinical psychologist, international trainer, and a leading expert on Acceptance and Commitment Therapy (ACT)—a revolutionary approach to psychology that is changing our understanding of mental health. Drawing from the most current psychological research and contemplative wisdom, Diana bridges science with real-life practices to help

people grow fulfilling and impactful lives. She is the author of four books including I Know I Should Exercise, But..., The Self-Compassion Daily Journal, ACT Daily Journal, and her latest Wise Effort: How to Focus Your Genius Energy on What Matters Most. She’s the host of the Wise Effort Podcast and her insights have been featured by NPR, Wall Street Journal, Psychology Today, Real Simple, and other national media.

Website: www.wiseeffort.com

podcast: www.wiseeffortshow.com

One of the most revered and prolific British classical musicians, Thomas Adès made his name with his 1995 opera Powder Her Face, written when he was just 24 years old. His orchestral composition Asyla was nominated for the Mercury Prize for album of the year in 1999. Recordings of his opera The Tempest and, more recently, his score for the ballet The Dante Project have both won Grammy Awards. His ten symphonic works, three operas and numerous chamber pieces are performed all round the world. In 2024 Adès was presented with the Royal Philharmonic Society's prestigious Gold Medal, previous recipients of which include Stravinsky, Brahms and Elgar.

Thomas Adès talks to John Wilson about the influence of his family, including his art historian mother who is an expert in surrealism. Through her he was introduced to the surrealist artists, the films of Luis Buñuel and met the painter Francis Bacon. His grandmother introduced him to the work of T.S. Eliot as read by Sir Alec Guinness on a cassette recording, and it was some of these poems that he was to eventually set to music for his first ever composition. Adès also recalls getting to the semi-finals of the BBC’s Young Musician of the Year in 1990, a watershed moment for him as it prompted him to pursue music as a composer rather than a pianist. He also cites going regularly to the English National Opera as a formative influence and talks about writing his own operas including Powder Her Face about the Duchess of Argyll, and The Exterminating Angel, based on the film by Luis Buñuel.

Producer: Edwina Pitman

In the third episode of What Were We Like?, Diarmaid and Catriona talk about how Douglas Hyde was removed as a patron by the GAA for attending a soccer match; why Muhammad Ali was not considered a suitable guest at Áras an Uachtaráin; and how Eamon De Valera almost failed to win a second term because he refused to campaign at all.

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On her flight to emigrate from Italy in 1959, Anita was tasked with babysitting a two-year-old boy being brought to the US for adoption. During the flight, Anita fell in love with the child, and for the rest of her life, she wondered what became of him.

Get ad-free episodes of Heavyweight by subscribing to Pushkin+ on Apple Podcasts or Pushkin.fm. You'll also get an exclusive bonus episode where Jonathan, Stevie, and Kalila remember how the beloved Jackie calls came to be and share a never-before-aired opening that could have started the show in an alternate Heavyweight universe. Thanks for your support—and be sure to check out the other offerings available to Pushkin+ subscribers, including ad-free episodes, full audiobooks, and exclusive binges of other podcasts throughout the year.

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Freddie Sayers sits down with Professor of Politics at the University of Buckingham, Eric Kaufmann, to discuss his latest report on “The Decline of Trans and Queer Identity among Young Americans”, which reveals a significant and surprising shift in the landscape of gender and sexual identity among Generation Z. Professor Kaufmann explains his findings, which show a sharp drop in both trans and queer identification since 2023. Drawing on data from large-scale surveys of US undergraduates, he details how the share of trans-identified students has nearly halved in just two years. Their discussion explores the data, including trends in elite institutions, and delves into the potential reasons for this decline. Is it linked to changes in mental health, the growing distance from the pandemic and lockdowns, or the so-called “anti-woke” vibe shift?

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Seventy years after the publication of Samuel Beckett’s first novel in English, Faber have reissued Molloy, Malone Dies and The Unnamable with ritzy new covers and fresh introductions. To celebrate, Lara Pawson, author of Spent Light, and Jennifer Hodgson, whose biography of Ann Quin is forthcoming, deliver their own tribute to Beckett's fiction, and discuss his life and work. ‘Oh the stories I could tell you if I were easy,’ as Beckett wrote, ‘What a rabble in my head, what a gallery of moribunds.’