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In 1961, the Argentine poet and short story writer Jorge Luis Borges won the Formentor Prize for literature.

Borges’ stories were characterised by mind-bending plots often featuring labyrinths, dreams and fables.

Following his recognition in 1961, his reputation grew to such an extent that he is regarded as one of the most influential Latin American writers in history, as Ben Henderson reveals using BBC archive.

Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there.

(Photo: Jorge Luis Borges in 1977. Credit: Sophie Bassouls/Sygma via Getty Images)

Continuing on "Directions for Decomposition" from A Short History of Decay (1949). What is it that humans are inevitably trying to avoid that seems so bad to us? It's our existential separation from others, our essential, incommunicable solitude. Plus, ennui, sloth, and being a "traitor to existence."

Get more at partiallyexaminedlife.com. Visit partiallyexaminedlife.com/support to get ad-free episodes and tons of bonus discussion.

Sponsor: Visit functionhealth.com/PEL to get the data you need to take action for your health.

Gavin Pretor-Pinney is the founder of an organisation called the Cloud Appreciation Society, which boasts thousands of members online. His passion has taken him all over the world, including to remote corners of Australia. Gavin celebrates the importance of clouds and ponders how patterns might change as our climate shifts.

• Guest: Gavin Pretor-Pinney, Cloud Appreciation Society
• Producer: Catherine Zengerer, Rebecca Metcalf
• Guest: Gavin Pretor-Pinney, Cloud Appreciation Society
• Producer: Catherine Zengerer, Rebecca Metcalf

Is America at a tipping point?

Sean Illing talks with Barbara Walter, one of the world’s leading experts on violent extremism and domestic terror. She’s the author of How Civil Wars Start, about how democracies unravel from within, and a professor at UC San Diego’s School of Global Policy and Strategy.

Walter talks to Sean about the warning signs she’s seeing in the US, why polarization and party identity become combustible, and what lessons we can draw from other countries. They also discuss what an American civil war might look like in the 21st century, the social and informational dynamics that accelerate breakdown, and whether America still has a path away from the brink.

Host: Sean Illing (@SeanIlling)

Guest: Barbara Walter, professor at UC San Diego and author of How Civil Wars Start

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French Technological Thought and the Nonhuman Turn  (Edinburgh University Press, 2024) traces a genealogy of thinking and writing about technology, which takes us from the French avant-gardes to the contemporary 'nonhuman turn' in Anglo-American theory via the Surrealists, Gilbert Simondon, and Gilles Deleuze.
Tracking the unruly transition from Catholic vocabularies of grace, potentiality, and actuality to the modern and contemporary secular lexicon of agency, virtuality, and affect, this book explores technology as a source of subject matter and conceptual metaphors, but also probes how ideas and words are modes of technicity through which we shape and reshape the world. Fusing literature, philosophy, and theology, it offers readers new contexts - and questions - for the egalitarian ontological commitments of contemporary post- and nonhuman thinking.

Guest Dr. Madeleine Chalmers  is a lecturer in French studies at the University of Leicester in the UK, and holds a D.Phil. from the University of Oxford. Dr. Chalmers is the recipient of or shortlisted for a number of prestigious essay prizes, and has written numerous articles as well on topics ranging from modernist authors  to automation and the idea of “bricolage,” as well as editing a special issue of the Journal of Romance Studies on “French Perspectives on Conflict” in 2022.

Host Gina Stamm is Associate Professor of French at the University of Alabama with research focusing on speculative literatures of metropolitan France and the Francophone Caribbean, from surrealism to contemporary science fiction and feminist utopias, as well as the translator of the novels Mevlido's Dreams and The Inner Harbour.

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Writer and poet Maria Popova on taking inspiration from 19th century ornithological studies for her new publication, An Almanac of Birds – 100 Divinations for Uncertain Days.

Slam poet Aditya Narayan has had an impressive winning streak this year – winning the Roundhouse Poetry Slam in April and the Loud Poets Grand Slam final in August. He discusses writing poetry for performance and rhyming English, Hindi, and Urdu.

Kimberly Campanello and D.M. Black are members of a distinguished group - poets who have translated Dante's epic poem, The Divine Comedy. They reflect on their different approaches to the 14th century three part work which takes the reader to hell, purgatory, and heaven - Kimberly weaving in her personal history including her Parkinson's diagnosis and the history of Italy in her translation of Part 1: Inferno, and D.M. Black drawing upon his experience as a psychoanalyst in his award-winning translation of Part 2: Purgatorio, and his recently published Part 3: Paradiso.

Presenter: Ian McMillan

Booker Prize winning Irish author John Banville speaks about his new novel Venetian Vespers and together with presenter James Crawford they explore its connections to three other works of literary art.

Set in the year 1899, Venetian Vespers is told from the perspective of the unfortunate Evelyn Dolman, a self-confessed hack-writer who marries Laura Rensselaer, the daughter of a wealthy American plutocrat, but in the midst of a mysterious rift between Laura and her father, Evelyn’s plans of a substantial inheritance are thrown into doubt.

For his three influences John chose: the Daphne Du Maurier short story, Don’t Look Now, from 1971, which is also the inspiration for director Nicolas Roeg’s classic film of the same name; The Aspern Papers by Henry James from 1888; and Death In Venice by Thomas Mann, from 1912.

Producer: Dominic Howell

This was a BBC Audio Scotland production.

J.L. Williams is a poet fascinated by the possibility of metamorphosis, whether it be witnessed in the natural world or experienced in one’s own life. Her first collection Condition of Fire (Shearsman) was inspired by Ovid, and in her second collection Locust and Marlin (Shearsman) she returns to the theme of change from a fresh perspective. In this 2014 podcast, she talks to us about the nature of stone, the poetry of locusts, and just how spiritual she is.

Photo by Chris Scott.

Ayşegül Savaş reads her story “Intimacy” from the October 20, 2025, issue of the magazine. Savaş is the author of five books, including the novels “White on White” and “The Anthropologists”; a nonfiction work, “The Wilderness”; and the story collection “Long Distance,” which was published earlier this year.

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On Point news analyst Jack Beatty on limitarianism: the case against extreme wealth and for a wealth cap.