He lost his job.  He got his draft notice.  The only path forward for this cinefile is clear: alienate everyone in his life and fracture his sanity by filming a progressively more erratic week of his life.  Is he really searching for truth?  Is film even the right way to capture truth?  Does he really care about truth at all?  Director Jim McBride fake documentary is about how everything filmed is a lie.

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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Lindsay Anderson's If.... (1968)

In the darkest of night, standing solitary vigil against the forces of evil: there stands the city’s only hope for justice, for vengeance, for truth. There stands… The Cameraman! Director Buster Keaton mines the depths of obsession and action in this late silent-era masterpiece  

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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Jim McBride’s David Holzman’s Diary (1967).

Director Frank Capra returns to the podcast with his Oscar-hording smash hit romantic comedy starring Clark Gable and Claudette Colbert.  A glamorous heiress is on the run from her father as she embarks on a cross-country trek to get back to her playboy husband.  But a hard on his luck newspaperman knows a good story when he sees one, and takes her under his wing.  And wouldn't you know it?  These two hate each other!  Which is to say: they desperately love each other and just don't know it yet. 

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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Buster Keaton's The Cameraman (1928).

Director Spike Jonze upends Hollywood conventions in this mind-bending Malkovich.  Can Malkovich Malkovich before Malkovich Malkovich? 

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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Frank Capra's It Happened Once Night (1934).

This time, Mira Nair unleashes her penchant for a romance-set-among-a-sprawling-family-drama on the nation of India as a wedding is organized, threatened, and celebrated amidst the intensity of a rainy season that I guess is probably a metaphor for something.

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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Spike Jonze’s Being John Malkovitch (1999).

Hitch is back!  Or rather, here he is just as he’s starting to become THE Alfred Hitchcock.  His first thriller blurs the boundaries between guilt, loss, obsession, and paranoia as a bloodthirsty killer of women stalks the London streets… on Tuesdays.

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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Mira Nair’s Monsoon Wedding (2001).

In his first film, renowned director Bernardo Bertolucci prowls through the not-so-innocent lives of strangers who just happened to be in a park on the night of a murder.  Each have good reason to embellish and omit details as they recount their day leading up to the murder to the police interrogator, but the director unsparingly shows all of the petty choices and disastrous missteps of them all.

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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Alfred Hitchcock’s The Lodger: A Story of the London Fog (1927).

It is neither a question of where Seijun Suzuki got his ideas from nor who got their ideas from him.  Rather it is simply the plain fact that there were the movies that came before his 1967 art/hitman freak-out masterpiece and then there were the movies that came after.

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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Bernardo Bertolucci's La Commare Secca (1962).

1985.  Sammo Hung.  Jackie Chan.  It sounds like we have all of the ingredients for the perfect action/comedy.  And we do.  We definitely have those ingredients.  Hung directs a rag tag group of orphanage buddies, now older, as they are recruited to travel to Japan and infiltrate (via slapstick) a notorious Yakuza gang.

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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Seijun Suzuki’s Branded to Kill (1967)

We got ourselves a Mank!  More importantly, we got ourselves a study in contrast between the brash but insecure broadway diva Margo (Bette Davis) and the ambitiously talented wolf-in-sheep’s-clothing Eve (Anne Baxter). Buckle up, it’s going to be a bumpy podcast.

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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Sammo Hung’s My Luck Stars - Jackie Chan: Emergence of a Superstar (1985)