Random Acts of Cinema

Please come celebrate our 300th episode with spine number 300! We grapple with our legacy, come to terms with our many failures, reaffirm old friendships, get matching outfits, mourn our losses, go on one last adventure, and have a few laughs. And because it's Wes Anderson, we can't help but fall for yet another flawed father figure.

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If you'd like to watch ahead for next week's film, we will be discussing and reviewing Barbara Kopple's Harlan County, USA (1976).

Your humble hosts stumble happily headlong into the world of avant-pop Moroccan folk music! This week we watch what seems to be a proto-version of The Last Waltz (even though it's not) with a documentary chronicling some of the past and and a lot of the present of the group Nass El Ghiwane.

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If you'd like to watch ahead for next week's film, we will be discussing and reviewing Wes Anderson's The Life Aquatic with Steve Zissou (2004).

Bond is back! …to this podcast. We swing back into the world of Ian Fleming with the second film adaptation of his books, and perhaps the most faithful to the original source material. So does that mean the movie will be MORE or LESS racist/misogynist? Pour yourself a martini and join us to find out.

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If you'd like to watch ahead for next week's film, we will be discussing and reviewing Ahmed El Maânouni's Trances(1981).

For this week's episode your hosts intentionally try to make the WORST episode they've ever recorded. No wait, that's what this Mel Brooks movie is about. Oh, now I remember: this is actually the BEST episode we've ever recorded.

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If you'd like to watch ahead for next week's film, we will be discussing and reviewing Terence Young's From Russia With Love (1963).

One of us is prepared to insist that this Academy Award winning film is more than just "that fish-sex movie."

A little behind the scenes: in our recording schedule notes Mike keeps writing the title of this movie as "Shapes of Water". For those of you who know him to be a fully-committed listman and self-professed admirer of Guillermo del Toro, this is shocking. This may is your first hint of his true feelings about this film.

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If you'd like to watch ahead for next week's film, we will be discussing and reviewing Mel Brooks' The Producers (1968).

Director Jacques Demy returns to the podcast with a notably non-musical romance this time. Gone are the songs and vibrant colors, instead we are given… crushing, co-dependent gambling addictions? Can a platinum blonde Jean Moreau give us hope? Maybe just one last spin…

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If you'd like to watch ahead for next week's film, we will be discussing and reviewing Guillermo del Toro's The Shape of Water (2017).

Spoiler alert. In this movie Christopher Lee stabs Boris Karloff and Boris Karloff throws acid in Christopher Lee's face. And there's some stuff about 19th century medical experiments, but mostly that first part. Join the Random Acts of Cinema Discord server here!

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If you'd like to watch ahead for next week's film, we will be discussing and reviewing Jacques Demy's Bay of Angels (1963).

Neither a documentary on the films of David Lynch nor a film about the man we knew as David Lynch. But an account of a young man who through circumstance and single-minded drive, would find himself in and construct just the sort of environment that could form a David Lynch. Directors Olivia Neergaard-Holm, Jon Nguyen, and Rick Barnes put the camera on a man making art and a microphone on a man looking back at his early life. And they leave it up to us to make connections between the two.

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If you'd like to watch ahead for next week's film, we will be discussing and reviewing Robert Day's Corridors of Blood (1959).

For one of us, this is where it all began. You leave me breathless… ahhhhh…. That's from a different movie though.

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If you'd like to watch ahead for next week's film, we will be discussing and reviewing Olivia Neergaard-Holm, Jon Nguyen, and Rick Barnes'David Lynch: The Art Life (2016)

This week we return to the Shohei Imamura's "Pigs, Pimps, and Prostitutes" collection with his "entomological study" of one woman's lifelong struggle for survival and purpose in a cruel modern world. Style, ambiguity, and shock mark this as a classic Imamura story.

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If you'd like to watch ahead for next week's film, we will be discussing and reviewing Jean-Luc Godard's Breathless (1960).