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By the time he was 20 years old, Seattle amateur filmmaker Richard Lyford had already made nine films, including “The Scalpel.” Lyford wrote, directed, starred in and made the silent horror movie in 1936 when he was still in his teens. The film also showcased Lyford’s skills with makeup and early cinematic special effects, which he used to transform himself into a Dr. Jekyll-like scientist who experiments on himself with gruesome and tragic results. According to Seattle composer and producer Ed Hartman, “The Scalpel” was never publicly shown, apart from a handful of screenings to friends and family and an amateur film club. But thanks to Hartman, who led the restoration of the film and composed a new soundtrack for it, “The Scalpel” is now being shown in its entirety for the first time in nearly 90 years. It will have its Portland premiere on Saturday at the Clinton Street Theater during the Portland Horror Film Festival. Hartman joins us to talk about Lyford’s legacy, restoring this hidden gem of the horror genre and what lessons it offers to budding filmmakers.
By Oregon Public Broadcasting4.5
278278 ratings
By the time he was 20 years old, Seattle amateur filmmaker Richard Lyford had already made nine films, including “The Scalpel.” Lyford wrote, directed, starred in and made the silent horror movie in 1936 when he was still in his teens. The film also showcased Lyford’s skills with makeup and early cinematic special effects, which he used to transform himself into a Dr. Jekyll-like scientist who experiments on himself with gruesome and tragic results. According to Seattle composer and producer Ed Hartman, “The Scalpel” was never publicly shown, apart from a handful of screenings to friends and family and an amateur film club. But thanks to Hartman, who led the restoration of the film and composed a new soundtrack for it, “The Scalpel” is now being shown in its entirety for the first time in nearly 90 years. It will have its Portland premiere on Saturday at the Clinton Street Theater during the Portland Horror Film Festival. Hartman joins us to talk about Lyford’s legacy, restoring this hidden gem of the horror genre and what lessons it offers to budding filmmakers.

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