
Sign up to save your podcasts
Or


John's new art piece leads to a discussion of accuracy and build quality in toys for grown men and sometimes children.
John's new art piece leads to a discussion of accuracy and build quality in toys for grown men and sometimes children.
Four-Byte Burger pixel art, by Jack Haegar (1985) re-digitized by Stuart Brown,
In 2003, The New York Times introduced a more unified Cheltenham typographic palette for its headline use in the print edition.
By Relay4.6
6161 ratings
John's new art piece leads to a discussion of accuracy and build quality in toys for grown men and sometimes children.
John's new art piece leads to a discussion of accuracy and build quality in toys for grown men and sometimes children.
Four-Byte Burger pixel art, by Jack Haegar (1985) re-digitized by Stuart Brown,
In 2003, The New York Times introduced a more unified Cheltenham typographic palette for its headline use in the print edition.

309 Listeners

213 Listeners

1,289 Listeners

250 Listeners

3,595 Listeners

2,015 Listeners

3,711 Listeners

3,143 Listeners

2,143 Listeners

986 Listeners

568 Listeners

730 Listeners

1,286 Listeners

428 Listeners

398 Listeners

1,219 Listeners

120 Listeners

510 Listeners

167 Listeners

5,985 Listeners

237 Listeners